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Egyptian Artifacts

The Temple of Dendur in Color!

One thing about Egyptian art that many people do not realize is that it once used to be very colorful! However, while time has preserved the beautiful ๐“„ค carvingsย and inscriptionsย ๐“Ÿ๐“›๐“ฅ, the paintย ๐“‡จ๐“‚‹๐“…ฑ๐“ญ๐“ธ๐“ฆย on a lot of Egyptian art has been lost. This project at the MET, which features a projection of colors on to the Temple of Dendur shows what the templeย ๐“‰Ÿ๐“๐“‰ย might have looked like when it was commissioned to be built by the Emperor Augustusย ๐“‰๐“‰ป๐“€€. By 10 B.C.E, the templeย ๐“‰Ÿ๐“๐“‰ constructionย was completed.ย 

The relief at the Temple of Dendur without color

Usually when trying to recreate colors on past artifacts, a combination of techniques are used such as researching other similar objects (looking at the colors used at the Temple of Hathor at Dendera and the Temple of Isis at Philae), or using scientific techniques such as checking for remnants of color/paintย ๐“‡จ๐“‚‹๐“…ฑ๐“ญ๐“ธ๐“ฆย using various instruments. No traces of paintย ๐“‡จ๐“‚‹๐“…ฑ๐“ญ๐“ธ๐“ฆย were found on the Temple of Dendur, so looking at the paintย ๐“‡จ๐“‚‹๐“…ฑ๐“ญ๐“ธ๐“ฆย used on other similar templesย ๐“‰Ÿ๐“๐“‰๐“ฅย was how the colors were inferred for this particular relief.ย 

The relief that the artists chose to recreate the color of the templeย ๐“‰Ÿ๐“๐“‰ย with shows the Emperor Augustus ๐“„ฟ๐“ฒ๐“๐“ˆŽ๐“‚‹๐“๐“‚‹ making offerings ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ of wine to the Egyptian gods ๐“Šน๐“Šน๐“Šนย Horusย ๐“…ƒ๐“€ญย and Hathorย ๐“‰ก!ย The pictures above show the progression of the colorization of the temple! This is created by using a projector to put the colors on the actual temple reliefs!

Fun fact because I canโ€™t help myself: In this image ๐“๐“…ฑ๐“ you can see two ๐“ป (of Augustusโ€™ three ๐“ผ) cartouches! I loved seeing these in color on the projection too!!

๐“„ฟ๐“ฒ๐“๐“ˆŽ๐“‚‹๐“๐“‚‹ Augustus (Autokrator)

๐“ˆŽ๐“‡Œ๐“Šƒ๐“‚‹๐“Šƒ๐“‹น๐“†– Augustus (Kaisaros)

The projection on the temple ๐“‰Ÿ๐“๐“‰ happens in phases, so people can see the color start to come together and thatโ€™s what I tried to show in my photographs ๐“๐“…ฑ๐“๐“ช!! I hope you enjoy this unique look at the Temple of Dendur – let me know what you think about it! 

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Reading Hieroglyphs

The “Water Jars in a Rack” Hieroglyph

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช! 

Todayย ๐“‡๐“‡‹๐“ˆ–๐“‡ณ, we are going to be looking at another popular hieroglyphย ๐“Šน๐“Œƒ! This is the โ€œwater jars in a rack ๐“…โ€ symbol!

๐“… is most commonly used as a triliteral phonogram, and is associated with the sound แธซnt. Less commonly, ๐“… (and itโ€™s variants) can be used as an ideogram for the word โ€œjar-rackโ€ and would then be associated with the sound แธซntw.ย 

There are many variants of this symbol, all of which have the same sound associated with them. They are also classified as โ€œwater jars in a rack: ๐“ƒ, ๐“„, and ๐“†.โ€ All of these can be used interchangeably! 

Letโ€™s take a look at how ๐“… can be used in a variety of inscriptions ๐“Ÿ๐“›๐“ฅ! 

Now, ๐“… is very commonly used as a proposition to mean โ€œin front at/of:โ€ 

๐“…๐“Šน๐“‰ฑ/๐“…๐“๐“Šน๐“‰ฑ – In Front at the Godโ€™s Booth (one of Anubisโ€™ ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ epithets)

๐“…๐“ˆ–๐“ – At the Head of/In Front of 

๐“… Is also commonly used to mean the word โ€œForemost,โ€ especially in epithets of the gods๐“Šน๐“Šน๐“Šน. โ€œForemostโ€ can also be written as โ€œ๐“„‚๐“.โ€

๐“…๐“ˆ–๐“๐“ญ๐“‹€๐“„ฟ/ – Foremost of the Westerners (one of Osirisโ€™ ๐“น๐“Šจ๐“€ญ epithets)

๐“…๐“‹€๐“๐“๐“ˆŠ – Foremost of the West (I have seen this epithet of Osiris ๐“น๐“Šจ๐“€ญ written this way too)

๐“ถ๐“… – Is Foremost (priestโ€™s title)

๐“… can also function as an ordinal number and mean โ€œFirst.โ€

Categories
Reading Hieroglyphs

The “Sedge” Hieroglyph

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช! 

Todayย ๐“‡๐“‡‹๐“ˆ–๐“‡ณ, we are going to be looking at another popular hieroglyphย ๐“Šน๐“Œƒ! This is the โ€œsedge ๐“‡“โ€ symbol!

The ๐“‡“ is a biliteral phonogram and has the sound of โ€œsw.โ€ The symbol can also function as an ideogram for both the words โ€œking (nswt)โ€ and โ€œsedge (swt).โ€ The sedge ๐“‡“ is also the symbol to represent Upper Egypt!ย 

Letโ€™s take a look at some examples of how ๐“‡“ can be used in words!

๐“‡“ – King

๐“‡“๐“๐“ˆ–๐“€ญ – King

๐“‡“๐“๐“ˆ–๐“€ฒ – King

๐“‡“๐“๐“‡Œ๐“›/๐“‡“๐“๐“ˆ–๐“‡Œ๐“› – To Be King

๐“‡“๐“‡Œ – Kingship

๐“‡“๐“๐“๐“ˆž Kingโ€™s Wife 

๐“‡“๐“‚‹๐“๐“ – Kingโ€™s Acquaintance (literally โ€œKingโ€™s ๐“‡“ Knowledge ๐“‚‹๐“๐“(๐“œ)โ€)

Now, letโ€™s take a look at some examples of how ๐“‡“ can be used in popular phrases:

๐“†ฅ – He of the Sedge and the Bee or King of Upper and Lower Egypt

๐“‡“๐“๐“Šต๐“™ – An Offering the King Gives (๐“‡“ – King, ๐“๐“Šต- Offering, ๐“™ – Gives)

As you can see, the sedge ๐“‡“ symbol has many uses, and they mostly have to do with the word โ€œking!โ€ So if you see the ๐“‡“, in most cases youโ€™re going to be dealing with something to do with the king ๐“‡“๐“๐“ˆ–๐“€ฒ/pharaoh ๐“‰๐“‰ป! 

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Egyptian Artifacts

Reliefs in the Mastaba of Perneb

This picture ๐“๐“…ฑ๐“ shows a closeup of one of the many beautiful ๐“„ค reliefs that decorate the inside of Pernebโ€™sย ๐“‰๐“‚‹๐“ˆ–๐“ŽŸ๐“ƒ€ย mastabaย ๐“‰๐“†–.ย 

This relief shows two ๐“ป men carrying offerings ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ of breadย ๐“๐“ย and fowl ๐“…ฟ. These reliefs are facing the False Door inside the tomb ๐“‡‹๐“ซ๐“Šƒ๐“‰, where familyย ๐“…•๐“‰”๐“…ฑ๐“๐“€€๐“๐“ฆย members would leave offerings ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ as well. Drawing the people bringing offerings ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ to Perneb ๐“‰๐“‚‹๐“ˆ–๐“ŽŸ๐“ƒ€ towards the False Door was done on purpose! In the ancient Egyptian religion/culture, it was thought that the drawings on the walls of tombs ๐“‡‹๐“ซ๐“Šƒ๐“‰๐“ช could come to life. If people were drawn bringing food ๐“‡ฌ๐“€๐“…ฑ๐“”๐“ฅ to the deceasedย ๐“…“๐“๐“ฑ, then it was thought that the deceasedย ๐“…“๐“๐“ฑย would have enough sustenance for the afterlifeย ๐“‡ผ๐“„ฟ๐“๐“‰!ย 

Perneb ๐“‰๐“‚‹๐“ˆ–๐“ŽŸ๐“ƒ€ was a palace administrator during the 5th Dynasty, and he had his tomb ๐“‡‹๐“ซ๐“Šƒ๐“‰ built at Memphisย ๐“ ๐“ˆ–๐“„ค๐“†‘๐“‚‹๐“‰ด๐“Š–ย (modern day Saqqara). This type of tombย ๐“‡‹๐“ซ๐“Šƒ๐“‰ย is commonly referred to today as a mastaba, but in ancient Egyptian times they were referred to as a โ€œHouse of Eternityย ๐“‰๐“†–.โ€ The word โ€œmastabaโ€ is Arabic for the word โ€œbench,โ€ and these tombsย ๐“‡‹๐“ซ๐“Šƒ๐“‰๐“ช got their modern name ๐“‚‹๐“ˆ– due to their rectangular structure and flat roofs!ย 

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Egyptian Artifacts Reading Hieroglyphs

Closeup of the Hatshepsut Stela

Hereโ€™s a closeup of a part of the Hatshepsut ๐“‡ณ๐“ฆ๐“‚“ Stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ from the Vatican Museum in Rome! My Nonno took this picture on one of his trips to the museum. He knows how much I love this piece (itโ€™s second only to the limestone statue of Hatshepsut ๐“‡ณ๐“ฆ๐“‚“ at the MET).

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!ย 

In the hieroglyphs ๐“Šน๐“Œƒ๐“ช, you can see the cartouches for the throne names (or prenomen) of both Hatshepsut and Thutmosis III. The prenomen was one of the five royal names of the pharaoh ๐“‰๐“‰ป.

๐“‡ณ๐“ฆ๐“‚“ = Maatkare (Hatshepsut)
๐“‡ณ๐“ ๐“†ฃ = Menkhepra (Thutmosis III)

The hieroglyphs ๐“Šน๐“Œƒ๐“ช in between the two cartouches spell out ๐“™๐“‹น๐“‡ณ๐“‡ which translates to โ€œgiven life like Raโ€

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Egyptian Artifacts

Pharaoh Horemheb with the God Amun

My Nonno took this picture!! This is a statue of the Pharaoh Horemheb ๐“‡‹๐“ ๐“ˆ–๐“Œบ๐“„ฟ๐“‹”๐“๐“Žฑ with the god ๐“Šน Amun ๐“‡‹๐“ ๐“ˆ–. Amun ๐“‡‹๐“ ๐“ˆ– is pictured as larger than the pharaoh ๐“‰๐“‰ป. The gods ๐“Šน๐“Šน๐“Šน were always depicted bigger to symbolize the fact that they were more important than the pharaoh ๐“‰๐“‰ป. The only being a pharaoh ๐“‰๐“‰ป ever bowed to was a god, since the pharaohs themselves were gods ๐“Šน๐“Šน๐“Šน on Earth.

Amun ๐“‡‹๐“ ๐“ˆ– was the King of the Gods (kind of like Zeus). As early as the 11th Dynasty, Amun ๐“‡‹๐“ ๐“ˆ– was the patron god ๐“Šน of Thebes. At the start of the 18th Dynasty, the god ๐“Šน Amun ๐“‡‹๐“ ๐“ˆ– gained great national importance in the pantheon and this is illustrated with Amunโ€™s fusion with the sun god Ra (Amun-Ra ๐“‡‹๐“ ๐“ˆ–๐“บ๐“‡ณ).

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!ย 

On the left side of the statue, the hieroglyphs ๐“Šน๐“Œƒ๐“ช read: ๐“„ค๐“Šน ๐“ŽŸ๐“‡ฟ๐“‡ฟ(๐“‡ณ๐“‚ฆ๐“†ฃ๐“ผ๐“‡ณ๐“‰๐“ˆ–)๐“‡‹๐“ ๐“ˆ–๐“บ๐“‡ณ ๐“Œป๐“‡Œ๐“™๐“‹น – this translates to: โ€œThe great god, lord of the two lands, Djeser Kheperu Re, beloved of Amun-Ra, given life.โ€

While on the right side, the hieroglyphs ๐“Šน๐“Œƒ๐“ช read: ๐“…ญ๐“‡ณ ๐“ŽŸ๐“ˆ๐“ฅ(๐“‡‹๐“ ๐“ˆ–๐“Œบ๐“„ฟ๐“‹”๐“๐“Žฑ) ๐“‡‹๐“ ๐“ˆ–๐“บ๐“‡ณ ๐“Œป๐“‡Œ๐“™๐“‹น -this translates to: โ€œSon of Ra, lord of appearances, Horemheb, beloved of Amun-Ra, given life.โ€

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Egyptian Artifacts

Egyptian Obelisks in Rome

Rome ๐Ÿ‡ฎ๐Ÿ‡น was my Nonnoโ€™s favorite place, and when we visited Rome as a family, it became my favorite city. The combination of ancient and modern is something that Nonno and I absolutely loved.

While my sister (who is in the picture with me) was excited to visit Piazza Navona because of the book โ€œAngels and Demons,โ€ (which I totally recommend – itโ€™s an incredible book), I was most excited to see the obelisk ๐“‰ถ! The obelisk ๐“‰ถ was commissioned by Emperor Domitian. The hieroglyphs ๐“Šน๐“Œƒ๐“ช on the obelisk ๐“‰ถ state that Emperor Domitian rebuilt the Temple of Isis at Philae.

Since we are on the topics of Egyptian Obelisks ๐“‰ถ๐“ช in Rome, hereโ€™s a picture of my sister and I in Piazza San Pietro (Saint Peterโ€™s Square) in Rome ๐Ÿ‡ฎ๐Ÿ‡น!

Whatโ€™s different about this obelisk ๐“‰ถ is that thereโ€™s no hieroglyphs ๐“Šน๐“Œƒ๐“ช on it – itโ€™s completely blank! Of the 13 obelisks ๐“‰ถ๐“ช in Rome, eight of them are completely Egyptian, while the other five were procured by Romans after they conquered Egypt ๐“†Ž๐“…“๐“๐“Š–.

The Vatican Obelisk was brought to Rome by Emperor Caligula. But the question is: why are some obelisks ๐“‰ถ๐“ช inscribed with hieroglyphs ๐“Šน๐“Œƒ๐“ช and some not? This question has baffled historians, but Egyptologist Bob Brier has come to the conclusion that the inclusion/non inclusion of hieroglyphs ๐“Šน๐“Œƒ๐“ช simply has to do with the Roman emperorโ€™s attitude towards Egypt ๐“†Ž๐“…“๐“๐“Š–. Some emperors had positive views of Egypt ๐“†Ž๐“…“๐“๐“Š–(Domitian, Hadrian), while some Emperors had very negative views of Egypt ๐“†Ž๐“…“๐“๐“Š–(Augustus, Caligula). For example, Augustus hated Egypt ๐“†Ž๐“…“๐“๐“Š– because he lost a lot of Roman men in battle there.

Fun fact: Rome has a total of 13 obelisks ๐“‰ถ๐“ช! That is the most obelisks ๐“‰ถ๐“ช in any city outside of Egypt ๐“†Ž๐“…“๐“๐“Š–!

Categories
Reading Hieroglyphs

Cartouche of the Pharaoh Khafre

This is another picture my Nonno took! Iโ€™ve always thought this cast of Khafreโ€™s ๐“‡ณ๐“ˆ๐“†‘ cartouche was super interesting! As a kid I loved it because Khafre ๐“‡ณ๐“ˆ๐“†‘ was one of the pharaohs ๐“‰๐“‰ป๐“ฅ who built a pyramid ๐“‹๐“…“๐“‚‹๐“‰ด at Giza in the 4th Dynasty, and my Nonno would always point this piece out to us because of that. As I started studying hieroglyphs ๐“Šน๐“Œƒ๐“ช though, this piece became even more interesting to me!

The cartouche reads: ๐“…ญ๐“‡ณ๐“ˆ๐“†‘๐“‡ณ๐“†ฅ, which translates to Son of Ra, Khafre, King of Upper and Lower Egypt.

Whatโ€™s interesting about this cartouche though is usually โ€œSon of Ra๐“…ญ๐“‡ณโ€ and โ€œKing of Upper and Lower Egypt ๐“†ฅโ€ appear as titles above the cartouche, instead of inside of it! I donโ€™t know why itโ€™s written like this, but Iโ€™ve always found it to be an interesting piece because of this!

Categories
Egyptian Artifacts

Ushabti of Pharaoh Seti I

Pharaoh Seti I ๐“‡‹๐“ ๐“ˆ–๐“Œป๐“‡Œ๐“ฃ๐“ˆ– had over 700 ushabtis ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ๐“ช! The typical number was around four hundred – 365 worker ushabtis ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ๐“ช, and the rest were overseer ushabtis. Most of Seti Iโ€™s ๐“‡‹๐“ ๐“ˆ–๐“Œป๐“‡Œ๐“ฃ๐“ˆ– ushabtis ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ๐“ช were wood ๐“†ฑ๐“๐“บ- when Giovanni Belzoni discovered Seti Iโ€™s tomb ๐“‡‹๐“ซ๐“Šƒ๐“‰ in the Valley of the Kings in 1917, he used a lot of the wooden ๐“†ฑ๐“๐“บ ushabtis ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ๐“ช as torches (this fact still haunts me – it was also one of my Nonnoโ€™s favorite stories to tell).

Besides the wooden ๐“†ฑ๐“๐“บ ushabtis, Seti I ๐“‡‹๐“ ๐“ˆ–๐“Œป๐“‡Œ๐“ฃ๐“ˆ– had many faience ushabtis ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ๐“ช. His faience ushabtis are such a beautiful blue color and are inscribed with hieroglyphs ๐“Šน๐“Œƒ๐“ช. Seti Iโ€™s throne name, Maatmenra ๐“‡ณ๐“ฆ๐“ , is clearly seen on the first line of hieroglyphs ๐“Šน๐“Œƒ๐“ช!

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Egyptian Artifacts

Bronze Statue of Maat

Not only was Maat ๐“™๐“Œด๐“‚ฃ๐“๐“ฆ the goddess ๐“Šน๐“ of truth, fact, law, order and justice, โ€œmaatโ€ was also a concept and a way of life in ancient Egypt ๐“†Ž๐“…“๐“๐“Š–. The noun โ€œmaatโ€ is translated as โ€œtruthโ€ so living by maat, meant living a pure and truthful life. Maat was also the balance and order in the whole universe.

Maat ๐“™๐“Œด๐“‚ฃ๐“๐“ฆ is usually shown as a woman with a feather on her head. Her most important role was in the judgement of the dead ๐“…“๐“๐“ฑ. The god Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ข would weigh the heart ๐“‡‹๐“ƒ€๐“„ฃ of the deceased against Maatโ€™s ๐“™๐“Œด๐“‚ฃ๐“๐“ฆ feather ๐“†„ to see if they were worthy to enter the Underworld ๐“‡ผ๐“„ฟ๐“๐“‰ and meet Osiris ๐“น๐“Šจ๐“€ญ. If the deceasedโ€™s heart ๐“‡‹๐“ƒ€๐“„ฃ was balanced with the feather ๐“†„, they were declared โ€œtrue of voiceโ€ ๐“™๐“Šค, and could meet Osiris ๐“น๐“Šจ๐“€ญ.

This statue is at the Petrie Museum at UCL in London!