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Egyptian Artifacts

Wooden Statues of Merti and His Wife

These two 𓏻 wooden 𓆱𓏏𓏺 statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ were something my Nonno always made sure I appreciated when we went to the MET. My Nonno loved the Egyptian pieces that were made out of wood 𓆱𓏏𓏺 because wood is difficult to preserve. Since wood is organic, in heat and humidity it will break down, especially over thousands of years. He always wanted me to appreciate how well preserved these two 𓏻 wooden 𓆱𓏏𓏺 statues were!

These two 𓏻 wooden 𓆱𓏏𓏺 statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ are from the 5th Dynasty and depicts the Governor Merti and his wife. They are both wearing wigs and nice clothing garments. Eleven π“Ž†π“Ί wooden statues were found in his tomb π“‡‹π“«π“Šƒπ“‰ at Saqqara and all of them were in incredible condition.

Though it is difficult to see in my picture 𓏏𓅱𓏏, Merti is carrying the Sekhem Scepter, depicted similarly by the hieroglyph π“Œ‚, which translates to β€œpower.” That particular hieroglyphic symbol is also part of the goddess π“ŠΉπ“ Sekhmet’s π“Œ‚π“π“…“π“π“ name, and her name translates to β€œshe of might.”

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Reading Hieroglyphs

Anubis – Names and Titles in Hieroglyphs

It’s no secret that Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 (Inpu in Egyptian – the name Anubis is actually Greek) is my favorite of the Egyptian gods π“ŠΉπ“ŠΉπ“ŠΉ! I have always been a fan of mummies 𓇋𓁹𓅱𓀾π“ͺ, so it makes sense that the god of embalming, tombs, cemeteries, etc ended up being my favorite! Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 also could act as a guide to souls in the Underworld 𓇼𓄿𓏏𓉐(referenced in the Pyramid Texts of Unas).

The inscription (which is read from left to right on this particular text) states: π“‡“π“π“Š΅π“™π“‡‹π“ˆ–π“Šͺπ“…±π“ƒ£π“Άπ“Ίπ“ˆ‹π“†‘ π“‡‹π“Άπ“…±π“π“Žπ“Š–.

The translation is:
π“‡“π“π“Š΅π“™ – An offering the king gives
π“‡‹π“ˆ–π“Šͺ𓅱𓃣- Anubis
π“Άπ“Ίπ“ˆ‹π“†‘ – Upon his hill/mountain
π“‡‹π“Άπ“…±π“π“Žπ“Š– – He who is in the mummy wrappings

The title β€œπ“Άπ“Ίπ“ˆ‹π“†‘β€ refers to Anubis’ role as the protector of the tombs while β€œ π“‡‹π“Άπ“…±π“π“Žπ“Š–β€ refers to Anubis’ importance as the god π“ŠΉ of embalming/mummification.

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Egyptian Artifacts

Name Panels of Senwosret I

I am standing in front of the Name Panels for the Middle Kingdom Pharaoh 𓉐𓉻 Senwosret I π“„Šπ“‹΄π“‚‹π“π“Šƒπ“ˆ– at the MET. These panels were originally part of his pyramid 𓍋𓅓𓂋𓉴 complex and were reconstructed from excavated pieces.

Senwosret I’s π“„Šπ“‹΄π“‚‹π“π“Šƒπ“ˆ– throne name Kheperkare 𓇳𓆣𓂓 is seen multiple times along with his Horus name β€œπ“‹Ήπ“„Ÿβ€ which means β€œliving in births.”

These panels were originally part of his pyramid 𓍋𓅓𓂋𓉴 complex and were reconstructed from excavated pieces.

A lot of Egyptian art was designed to be in three layers. The falcon god π“ŠΉ Horus π“…ƒπ“€­ is seen at the top of all the panels which represent the world 𓇾𓇾 according to Egyptian religious beliefs – at the top is the realm of Horus π“…ƒπ“€­, then beneath that is the realm of the pharaoh 𓉐𓉻.

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Egyptian Artifacts

An Alternate View of Hatshepsut

This is probably going to sound strange to some, but I was so excited to see the back of the Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ statue π“„šπ“ˆ–π“π“­π“€Ύ at the MET!

Usually when the statue π“„šπ“ˆ–π“π“­π“€Ύ is displayed you can’t see the back of it, but since the statue is part of the special exhibition of the 150th anniversary of the MET, it’s in a different room! The different location allowed me to gain new views of my absolute favorite piece!

I had only ever seen the back of the statue in a book 𓅓𓍑𓏏𓏛 that I have from the special exhibition β€œHatshepsut: From Queen to Pharaoh” at the MET in 2006. The back is very interesting because you can still see some of the original paint remaining (although in my photo it is difficult to see)!! The paint is a blue-green 𓇅𓆓𓏛 color!

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Egyptian Artifacts

A Quick Look at Soul Houses

These clay model houses 𓉐π“₯ were found by Petrie, but they are in the MET!

When Petrie found these, he gave them the name β€œSoul Houses” due to them being very close to tombs/burials. These Soul Houses 𓉐π“₯ are usually found in or near Middle Kingdom burials. These clay models ensured that the deceased 𓅓𓏏𓏱 had access to shelter and food 𓇬𓀁𓅱𓏔π“₯ in the afterlife 𓇼𓄿𓏏𓉐. They are thought to take the place of offering tables – since offering tables were usually for the wealthy, the Soul House 𓉐𓏀 was a more affordable option for people.

I have always been a person who likes tiny things, and the Soul Houses are no exception! I used to call them β€œEgyptian Dollhouses” 😭 – (not going to lie, I still refer to them as dollhouses!!)

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Egyptian Artifacts

Raised Relief of an Owl

This beautiful π“„€ sculpture at the MET is a raised relief of an owl π“…“ hieroglyph π“ŠΉπ“Œƒ dates to the Ptolemaic Period in Egypt π“†Žπ“…“π“π“Š–.

This relief shows only the partial hieroglyph π“ŠΉπ“Œƒ and this style of an object being β€œunfinished but actually finished” was very popular during this time period. Limestone pieces such as these are often referred to as β€œsculptors models” by Egyptologists because they are very detailed and only show one specific part of the object.

I have always loved this piece because I love owls!! I love owls because I absolutely love Harry Potter and anytime I see an owl it reminds me of Hedwig!

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Egyptian Artifacts

The Three Layers in the Temple of Dendur

One of my favorite things about the Temple of Dendur at the MET are the incredible details that are carved into the walls! The templeΒ π“‰Ÿπ“π“‰Β was built by the Roman Emperor Augustus 𓉐𓉻𓀀(who liked to refer to himself as just pharaoh 𓉐𓉻 in his cartouche) and was meant to be a place of honorΒ for the goddess π“ŠΉπ“ IsisΒ π“Š¨π“π“₯. Just like most other Egyptian temples, the common people weren’t allowed to worship 𓇼𓄿𓀒 inside of it.Β 

A lot of Egyptian architecture was built in three 𓏼 layers! In the case of the Temple of Dendur specifically, the three 𓏼 layers are the Earth 𓇾𓇾, the SkyΒ π“Šͺ𓏏𓇯, and then what happens between the Earth 𓇾𓇾 and the SkyΒ π“Šͺ𓏏𓇯. The β€œbetween the 𓇾𓇾 andΒ π“Šͺ𓏏𓇯” sectionΒ is the templeΒ π“‰Ÿπ“π“‰ itself! This section would be where the carvings of the deities π“ŠΉπ“ŠΉπ“ŠΉ are!Β 

The picture above details the section of the templeΒ π“‰Ÿπ“π“‰Β that represents the Earth 𓇾𓇾. I love this because it looks like papyrus π“ π“ˆ–π“Ž›π“†° and lotus 𓆸π“ͺ plants 𓆾𓆰𓆰𓆰 are growing out of the base of the templeΒ π“‰Ÿπ“π“‰! I think it is such a beautiful π“„€ way to represent the Earth 𓇾𓇾! The ancient Egyptians really like plants 𓆾𓆰𓆰𓆰 and flowers 𓆼𓅱𓆰𓏦 so it makes sense that they would want to represent them realistically in this way! How do we know that the ancient Egyptians liked plants 𓆾𓆰𓆰𓆰 and flowers 𓆼𓅱𓆰𓏦? Art like this allows us to make these inferences!Β 

Fun fact! There are so many ways to write β€œpapyrus” in Middle Egyptian! Here are a few:

𓅓𓍑𓏏𓏛 – papyrus roll/scroll 

π“ π“ˆ–π“Ž›π“†° – papyrus plant

𓍯𓇅 – papyrus

𓇅𓆰 – papyrus

π“†“π“‡Œπ“π“‡‡ – papyrus marsh

Let’s now take a look at the β€œin-between” layer!

Augustus making an offering to Osiris and Isis

What I like most about the  β€œbetween the Earth 𓇾𓇾 and Sky π“Šͺ𓏏𓇯” section is the depiction of Emperor Augustus π“„Ώπ“²π“π“ˆŽπ“‚‹π“π“‚‹ with many different Egyptian deities π“ŠΉπ“ŠΉπ“ŠΉ! He doesn’t look like an Emperor though – he looks like a pharaoh 𓉐𓉻! Augustus can be seen wearing many articles of Egyptian royal π“‹Ύ fashion such as the Atef crown π“‹š, the double crown π“‹–, a false beard, a broad collar π“…±π“‹΄π“π“ŽΊπ“‹, armlets π“„Ÿπ“‹΄π“Ž‘π“π“…±π“¦, and bracelets 𓂝𓏠𓆑𓂋𓏏𓇛𓏦. These are all features that are associated with Egyptian pharaohs 𓉐𓉻𓏦, even though Augustus π“„Ώπ“²π“π“ˆŽπ“‚‹π“π“‚‹ was Roman. 

In the following reliefs, Augustus π“„Ώπ“²π“π“ˆŽπ“‚‹π“π“‚‹ is making offerings π“Š΅π“π“Šͺ𓏏𓏔𓏦 to Egyptian gods π“ŠΉπ“ŠΉπ“ŠΉ. In the first image 𓏏𓅱𓏏, he is making an offering π“Š΅π“π“Šͺ𓏏𓏔𓏦 to OsirisΒ π“Ήπ“Š¨π“€­Β and IsisΒ π“Š¨π“π“₯. You can even see the papyrusΒ π“ π“ˆ–π“Ž›π“†°Β and lotus 𓆸π“ͺΒ flower plants 𓆾𓆰𓆰𓆰 from yesterday’s post just below the relief!Β 

In the second/third images 𓏏𓅱𓏏𓏦 above, Augustus 𓉐𓉻𓀀 is making an offeringΒ π“Š΅π“π“Šͺ𓏏𓏔𓏦 of wineΒ to HorusΒ π“…ƒπ“€­Β and Hathor 𓉑!Β 

You can also see three 𓏼 of Augustus’ cartouches in these images! Can you spot them all?

π“„Ώπ“²π“π“ˆŽπ“‚‹π“π“‚‹ – Autokrator (Greek for β€œEmperor”)

π“ˆŽπ“‡Œπ“Šƒπ“‚‹π“Šƒπ“‹Ήπ“†– – Kaisaros (Greek for β€œCaesar”)

𓉐𓉻𓀀 – PharaohΒ 

The next and final layer we are going to talk about is the skyΒ π“Šͺ𓏏𓇯! The wingedΒ π“‚§π“Œ³π“π“†ƒΒ sun disc 𓇳𓏺 appears above all of the entrances to the templeΒ π“‰Ÿπ“π“‰.

The wingsΒ π“‚§π“Œ³π“π“†ƒπ“¦Β belong to HorusΒ π“…ƒπ“€­, who was often represented as a falconΒ π“ƒ€π“‡‹π“Ž‘π“…„.Β HorusΒ π“…ƒπ“€­, whose Β realm was the SkyΒ π“Šͺ𓏏𓇯,Β was one of the most important gods π“ŠΉπ“ŠΉπ“ŠΉ in the Egyptian pantheon. HorusΒ π“…ƒπ“€­Β was not only the mythological representation of the pharaoh 𓉐𓉻/heir to the throne of EgyptΒ π“†Žπ“…“π“π“Š–, but also a skyΒ π“Šͺ𓏏𓇯 god π“ŠΉ. Horus’ 𓅃𓀭 name π“‚‹π“ˆ– means β€œThe Distant One,” due to him residing in the skyΒ π“Šͺ𓏏𓇯!Β 

Due to the symbol’s association with Horus π“…ƒπ“€­, the winged π“‚§π“Œ³π“π“†ƒ sun disc 𓇳𓏺 also represents royalty π“‹Ύ, power, divinity π“ŠΉ, and order vs. chaos. There are many different representations of Horus throughout Egyptian mythology. The the winged π“‚§π“Œ³π“π“†ƒ sun disc 𓇳𓏺 design is also known as β€œHorus the Behdetite” and is a representation of Horus π“…ƒπ“€­. 

The sky π“Šͺ𓏏𓇯 was not only the realm of Horus π“…ƒπ“€­, but many other deities π“ŠΉπ“ŠΉπ“ŠΉ as well. Ra π“‡³π“Ίπ“›, Shu π“†„π“…±π“€­, Nut π“Œπ“π“‡―π“€­, Khepri π“†£π“‚‹π“‡‹π“› and others were deities π“ŠΉπ“ŠΉπ“ŠΉ associated with the sky π“Šͺ𓏏𓇯. The sky π“Šͺ𓏏𓇯 was where the divine π“ŠΉ resided, hence why it was so heavily represented in Egyptian mythology and architecture. 

The two 𓏻 columns represent papyrusΒ π“ π“ˆ–π“Ž›π“†°Β and lotus flowers 𓆸π“ͺΒ growing from the ground/Earth 𓇾𓇾 to the skyΒ π“Šͺ𓏏𓇯! These columns can be seen as forming a connection between all three 𓏼 layers of the templeΒ π“‰Ÿπ“π“‰! I will never not be amazed by the symbolism and craftsmanship of Egyptian architecture!Β 

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Reading Hieroglyphs

“Sobek” in Hieroglyphs

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ!

TodayΒ π“‡π“‡‹π“ˆ–π“‡³Β we are going to be looking at the name π“‚‹π“ˆ– of the god π“ŠΉ SobekΒ π“‹΄π“ƒ€π“Ž‘π“†‹ in hieroglyphsΒ π“ŠΉπ“Œƒπ“ͺ!

I like Sobek’sΒ π“‹΄π“ƒ€π“Ž‘π“†‹Β name π“‚‹π“ˆ– a lot because its phonetic and easy to spell/remember if you know the phonogram symbols! This is because SobekΒ π“‹΄π“ƒ€π“Ž‘π“†‹ has kept his β€œEgyptian Name” and it wasn’t changed by the Greeks like some if the other deities π“ŠΉπ“ŠΉπ“ŠΉ such as AnubisΒ π“‡‹π“ˆ–π“Šͺ𓅱𓃣, OsirisΒ π“Ήπ“Š¨π“€­, Thoth 𓅝𓏏𓏭𓀭, etc.Β 

The β€œFolded Cloth 𓋴” symbol is a uniliteral phonogram that has the sound of β€œs.” 

The β€œFoot 𓃀” symbol is also a uniliteral phonogram that has the sound of β€œb.” 

The β€œBasket with a Handle π“Ž‘β€ symbol is also a uniliteral phonogram that has the sound of β€œk.” A lot of people get this one confused with just the β€œbasket π“ŽŸβ€ symbol which is a biliteral phonogram that has the sound β€œnb.” So they are very different!! 

The β€œCrocodile on a Shrine 𓆋” symbol is the determinative in Sobek, so in this case it is not pronounced! The symbol can also be used as an ideogram, where it would have the sound β€œsbk” or Sobek! 

Sobek can be written as: 

π“‹΄π“ƒ€π“Ž‘π“†‹

π“‹΄π“ƒ€π“Ž‘π“†

𓆋𓏺

𓆍𓏺

Sobek π“‹΄π“ƒ€π“Ž‘𓆋 is usually depicted as a crocodile π“…“π“‹΄π“Ž›π“†Œ sitting on a shrine π“π“Šƒπ“…“π“‚œπ“‰ – just like this hieroglyph β€œπ“†‹,” or as a human body with a crocodile π“…“π“‹΄π“Ž›π“†Œ head 𓁢𓏺. 

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Egyptian Artifacts Reading Hieroglyphs

Stela of Hathsepsut and Thutmosis III

My Nonno took this picture 𓏏𓅱𓏏 of the StelaΒ π“Ž—π“…±π“†“π“‰ΈΒ of HatshepsutΒ π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺΒ and Thutmosis III 𓇳𓏠𓆣 for me! While we did see it at the Vatican Museum together, he always made sure to take a different picture 𓏏𓅱𓏏 for me each time he saw it because he knew how much I love it!Β 

This stela π“Ž—π“…±π“†“π“‰Έ depicts Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ and Thutmosis III π“‡³π“ π“†£ during their joint reign. Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ is wearing the blue crown π“†£π“‚‹π“ˆ™π“‹™ and making an offering of nemset jars π“Œπ“Œπ“Œ to Amun-Ra π“‡‹π“ π“ˆ–𓇳𓏺. The stela π“Ž—𓅱𓆓𓉸 was meant to commemorate restoration works in Thebes π“Œ€π“π“Š–!

The most interesting parts about this stela is that it is one of two pieces (that I know of) that contains Hatshepsut’s entire titulary in one place! The only other place I know that has all of Hatshepsut’s π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ names π“‚‹π“ˆ–π“¦ is the Obelisk at Karnak. 

Let’s take a closer look at all of Hatshepsut’s π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ names π“‚‹π“ˆ–π“¦! The names π“‚‹π“ˆ–π“¦ can be found on the top two rows of hieroglyphs π“ŠΉπ“Œƒπ“ͺ on the bottom of the stela π“Ž—π“…±π“†“π“‰Έ!

Horus Name: π“„Šπ“‹΄π“π“‚“π“‚“π“‚“ – β€œWosretkau” translates to β€œThe Mighty of the Kas” or β€œThe Mighty of the Souls.”

Nebty Name: 𓅒𓇅𓏏𓆳𓆳𓆳 – β€œWadjet renput” translates to β€œFlourishing of Years.”

Golden Horus Name: π“…‰π“ŠΉπ“π“ˆπ“¦ – β€œNetjeret khau” translates to β€œDivine of Appearances.”

Throne Name: π“‡³π“¦π“‚“ – β€œMaatkare” translates to β€œTruth is the Soul of Re.” 

Birth Name: π“‡‹π“ π“ˆ–π“ŽΉπ“„‚π“€Ό – β€œKhnemet Amun Hatshepsut” translates to β€œUnited with Amun, Foremost of the Noble Women.” This version of the Birth Name that appears on this stela is a variant of π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ. A β€œvariant” is just a different way to spell out a person’s name π“‚‹π“ˆ–! 

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Egyptian Artifacts

Egyptian Snake Jewelry

I absolutely love snakeΒ π“‡‹π“‚π“‚‹π“π“†˜ jewelry! My Nonno even got me a replica of the snakeΒ π“‡‹π“‚π“‚‹π“π“†˜ ringΒ π“‚π“ˆ–π“π“‹ͺ (from the MET) in the last picture for my sixteenth birthday, and while I may be 30 now, I haven’t taken the ringΒ π“‚π“ˆ–π“π“‹ͺ off because I love it so much!Β 

While snakes π“‡‹π“‚π“‚‹π“π“†˜π“ͺ (such as the Uraeus π“‡‹π“‚π“‚‹π“π“†—) were popular symbols in ancient Egypt π“†Žπ“…“π“π“Š–, snake π“‡‹π“‚π“‚‹π“π“†˜ based jewelry such as the bracelets π“‚π“ π“†‘𓂋𓏏𓇛π“ͺ and rings π“‚π“ˆ–𓏏π“‹ͺ𓏦 pictured did not appear in Egypt π“†Žπ“…“π“π“Š– until the Hellenistic times, and then continued on into the Roman Period. Snakes π“‡‹π“‚π“‚‹π“π“†˜π“ͺ were associated with the Greek and Roman figures Asklepios and Salus, but also the Uraeus π“‡‹π“‚π“‚‹π“π“†— in Egypt π“†Žπ“…“π“π“Š–.  Snakes π“‡‹π“‚π“‚‹π“π“†˜π“ͺ were also associated with the Wadjet π“‚€ and could be a symbol of the pharaoh π“‰π“‰» as the living god π“ŠΉ Horus π“…ƒπ“€­.


Jewelry was very culturally important in ancient Egypt π“†Žπ“…“π“π“Š–, and that continued in Roman Egypt.  Traditional Egyptian jewelry usually took the form of necklaces and rings π“‚π“ˆ–𓏏π“‹ͺ𓏦.  These pieces would usually also double as amulets π“Šπ“Šͺπ“…†π“ͺ, which would protect the wearer from evil. 


Rings π“‚π“ˆ–𓏏π“‹ͺ𓏦 and necklaces were highly important to the Egyptians because they took the shape of a circle.  A circle has no end, thus it represents eternal 𓆖 life π“‹Ή and love.  Rings π“‚π“ˆ–𓏏π“‹ͺ𓏦 that took the shape of the Eye of  Horus π“‚€, signets, and scarabs π“π“Šͺ𓂋𓂋𓆣π“ͺ were extremely popular, and then snakes π“‡‹π“‚π“‚‹π“π“†˜π“ͺ became popular much later. 


The pharaohs π“‰π“‰»π“¦ and nobility wore more expensive jewelry that was made of gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰ and contained precious stones.  In ancient Rome and Roman Egypt, gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰ was highly treasured and only the richest were able to wear it.

The snake π“‡‹π“‚π“‚‹π“π“†˜ bracelet 𓂝𓏠𓆑𓂋𓏏𓇛 in the first picture is meant to be for a child and is dated to the Ptolemaic Period (c. 332-30 B.C.E.). The snake bracelet 𓂝𓏠𓆑𓂋𓏏𓇛 and the snake rings π“‚π“ˆ–π“π“‹ͺ𓏦 in the second and third pictures are dated to the First Century A.D.