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Egyptian Artifacts

Bronze Osiris Statues at the Museo Egizio

This picture 𓏏𓅱𓏏 was taken by my Nonno at the Museo Egizio! While I have never been to the Museo Egizio, my Nonno always spoke so highly of the museum; he absolutely loved it there! He always brought me back books whenever he went! I always got an English and Italian version so I could practice my Italian too!Β 

These are three bronze π“ˆ”π“€π“ˆ’π“¦ statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ of Osiris π“Ήπ“Š¨π“€­! The statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ in the picture 𓏏𓅱𓏏 are dated to the Late Period. Osiris π“Ήπ“Š¨π“€­ Is typically depicted as a mummy π“‡‹π“Ήπ“…±π“€Ύ wearing the Atef crown π“‹š and holding a crook π“‹Ύ and flailπ“Œ… . The crook π“‹Ύ and flail π“Œ… are symbols associated with kingship. Bronze π“ˆ”π“€π“ˆ’π“¦ statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ of Osiris π“Ήπ“Š¨π“€­ are highly abundant and have been associated with worship π“‡Όπ“„Ώπ“€’ in homes and temples π“‰Ÿπ“π“‰π“ͺ but have of course been found in tombs π“‡‹π“«π“Šƒπ“‰π“ͺ. 

Osiris π“Ήπ“Š¨π“€­ was one of the main figures of Egyptian religion.  This is because Osiris π“Ήπ“Š¨π“€­ was the god π“ŠΉ of the dead π“…“𓏏𓏱 and the ruler of the afterlife π“‡Όπ“„Ώπ“π“‰. Egyptians spent their entire time living preparing for their death π“…“𓏏𓏱 and meeting with Osiris π“Ήπ“Š¨π“€­.  The deceased 𓅓𓏏𓏱 would be presented to Osiris π“Ήπ“Š¨ π“€­ by Horus π“…ƒπ“€­ after the Weighing of the Heart ceremony; but only if their heart was in balance! 

When the pharaoh 𓉐𓉻 was alive, he was thought to be the living image 𓏏𓅱𓏏𓋹 of the God π“ŠΉ Horus π“…ƒπ“€­, but more importantly when the pharaoh 𓉐𓉻 died, he was thought to then become an Osiris-like figure. 

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Egyptian Artifacts

Frog Amulet

How cute is this frog π“ˆŽπ“‚‹π“‚‹π“† amuletΒ π“Šπ“Šͺπ“…†?!?!

Frog Amulet at the MET

In ancient Egyptian religion and culture, amulets π“Šπ“Šͺπ“…†π“ͺ were thought to have magical π“Ž›π“‚“π“„Ώπ“œ powers and bestow them upon its wearer. Β Worn by both the living and the dead 𓅓𓏏𓏱, different amulets π“Šπ“Šͺπ“…†π“ͺ served various religious and protective functions. To understand the frog π“ˆŽπ“‚‹π“‚‹π“† amulet’sΒ π“Šπ“Šͺπ“…†Β function we need to understand the significance of the frog π“ˆŽπ“‚‹π“‚‹π“† in ancient Egyptian religion and culture!Β 

Scientifically speaking, frogs π“ˆŽπ“‚‹π“‚‹π“†π“¦ would appear after the flooding of the Nile River π“‡‹π“π“‚‹π“…±π“ˆ—π“ˆ˜π“ˆ‡π“Ί, so they were associated with life π“‹Ή/the regenerative qualities of water π“ˆ—. Not only is water π“ˆ— necessary for humans to consume, but also for irrigating land for agriculture. 

The frog π“ˆŽπ“‚‹π“‚‹π“† is also associated with the goddess π“ŠΉπ“ Heqet π“Ž›π“ˆŽπ“π“† who is represented as a woman with a frog π“ˆŽπ“‚‹π“‚‹π“† head. Also, the frog determinative 𓆏 appears in her name π“‚‹π“ˆ– so she was clearly associated with frogs π“ˆŽπ“‚‹π“‚‹π“†π“¦. Heqet π“Ž›π“ˆŽπ“π“† was the goddess π“ŠΉπ“ of birth and rebirth. She also protected π“…“π“‚π“Ž‘π“€œ women π“Šƒπ“π“‚‘π“π“π“ͺ during the childbirth process. 

Frog π“ˆŽπ“‚‹π“‚‹π“† amulets π“Šπ“Šͺπ“…†π“ͺ were worn by women π“Šƒπ“π“‚‘π“π“π“ͺ for both protection π“…“π“‚π“Ž‘π“€œ during childbirth and for an easy childbirth. Frog π“ˆŽπ“‚‹π“‚‹π“† amulets π“Šπ“Šͺπ“…†π“ͺ were also found on mummies π“‡‹π“Ήπ“…±π“€Ύπ“ͺ of both men π“Šƒπ“€€π“ͺ and women π“Šƒπ“π“‚‘π“π“π“ͺ, with the purpose that the amulet π“Šπ“Šͺπ“…† would help them with a successful rebirth in the afterlife π“‡Όπ“„Ώπ“π“‰. 

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Egyptian Artifacts

Stela of Sobekhotep

This is the stelaΒ π“Ž—π“…±π“†“π“‰ΈΒ of a man named Sobekhotep π“†‹π“Š΅π“π“ŠͺΒ who was a scribe that worked at a wine cellar! This stelaΒ π“Ž—π“…±π“†“π“‰ΈΒ is dated to the 18th Dynasty (New Kingdom) and the reign of Amenhotep IIIΒ π“‡‹π“ π“ˆ–π“Š΅π“‹Ύπ“‹†Β (c. 1390-1352 B.C.E.).Β This stela is at the British museum.

The stela π“Ž—𓅱𓆓𓉸 is divided into three 𓏼 different sections. On the top, Sobekhotep π“†‹π“Š΅π“π“Šͺ and his wife π“‚‘𓏏𓁐 are worshipping Osiris π“Ήπ“Š¨π“€­ (right) and Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 (left). Sobekhotep π“†‹π“Š΅π“π“Šͺ and his wife π“‚‘𓏏𓁐 have their arms raised, which is how it is interpreted that they are worshipping π“‡Όπ“„Ώπ“€’ those gods π“ŠΉπ“ŠΉπ“ŠΉ. Osiris π“Ήπ“Š¨π“€­ and Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 are the two 𓏻 gods π“ŠΉπ“ŠΉπ“ŠΉ that are generally worshipped π“‡Όπ“„Ώπ“€’ on funerary stelae π“Ž—𓅱𓆓𓉸π“ͺ because they are the gods π“ŠΉπ“ŠΉπ“ŠΉ most associated with death π“…“𓏏𓏱 and the afterlife π“‡Όπ“„Ώπ“π“‰. 

In the middle section, Sobekhotep π“†‹π“Š΅π“π“Šͺ, his wife π“‚‘𓏏𓁐 and one daughter 𓅭𓏏 are receiving offerings π“Š΅π“π“Šͺ𓏏𓏔𓏦 presented by four 𓏽 of their sons π“…­π“¦. More sons π“…­π“¦ and daughters π“…­π“π“¦ appear in the scene on the bottom of the stela π“Ž—𓅱𓆓𓉸. The family π“…•π“‰”𓅱𓏏𓀀𓁐𓏦 was an extremely important part of ancient Egyptian π“†Žπ“π“€€π“π“ͺ life π“‹Ή and culture, as was religion, which is why funerary stelae π“Ž—𓅱𓆓𓉸π“ͺ usually represented both. 

As a side note, I really love Sobekhotep’s π“†‹π“Š΅π“π“Šͺ name π“‚‹π“ˆ–! 

𓆋 – Sobek

π“Š΅π“π“Šͺ – Hotep (peace, satisfied, etc)

So the name π“‚‹π“ˆ– Sobekhotep π“†‹π“Š΅π“π“Šͺ can be translated to β€œSobek is satisfied.” Can you find Sobekhotep’s π“†‹π“Š΅π“π“Šͺ name π“‚‹π“ˆ– on the stela π“Ž—𓅱𓆓𓉸? (Hint: the name usually appears next to the person)!!

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Egyptian Artifacts

Anubis – drawing, hieroglyph or both?

This is another closeup image 𓏏𓅱𓏏 from Imhotep’s π“‡π“…“π“Š΅π“π“Šͺ Book of the Dead (Early Ptolemaic Period) at the MET. While this image 𓏏𓅱𓏏 is not part of an inscription π“Ÿπ“›π“₯, this is my favorite hieroglyph π“ŠΉπ“Œƒ; Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 on top of a shrine π“π“Šƒπ“…“π“‚œπ“‰!Β 

As many of you know, Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 is my favorite Egyptian god π“ŠΉ and he always has been! I get so excited whenever I see Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 in any form of Egyptian art! 

There are two 𓏻 variations of this particular hieroglyph π“ŠΉπ“Œƒ: 𓃣 and 𓃀. Both can be used pretty much interchangeably and it was mostly style/aesthetics that determined which one was used in inscriptions π“Ÿπ“›π“₯. 

Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 can be written a bunch of different ways in hieroglyphs π“ŠΉπ“Œƒπ“ͺ: 

π“‡‹π“ˆ–π“Šͺ𓅱𓁒

π“‡‹π“ˆ–π“Šͺ𓅱𓃣 or π“‡‹π“ˆ–π“Šͺ𓅱𓃀

π“‡‹π“ˆ–π“Šͺ𓃣 or π“‡‹π“ˆ–π“Šͺ𓃀

𓃣 or 𓃀

𓁒

Once again, style/aesthetics determined which variation was used in inscriptions π“Ÿπ“›π“₯. This is not all of the variations of the name π“‚‹π“ˆ–, but the ones you will see the most! 

Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 is commonly associated with shrines, because he is a god π“ŠΉ that is associated with themes surrounding death 𓅓𓏏𓏱 (mummification, places of burial). 

While the word in Middle Egyptian for shrine is π“π“Šƒπ“…“π“‚œπ“‰, shrines associated with Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 had their own word! A shrine associated with Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 was called π“‰±π“ŠΉ, or the β€œGod’s Booth.” 

One of Anubis’ π“‡‹π“ˆ–π“Šͺ𓅱𓃣 titles that commonly appears after his name π“‚‹π“ˆ– in hieroglyphs π“ŠΉπ“Œƒπ“ͺ is: π“…π“ŠΉπ“‰± or β€œIn front at the God’s Booth.” 

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Egyptian Artifacts Reading Hieroglyphs

Large Seated Statue of Hatshepsut

Here is a β€œLarge Seated Statue of Hatshepsut” that is dated to the early 18th Dynasty (c.Β 1479–1458 B.C.E.), and most likely the joint reign of Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ and Thutmosis III 𓇳𓏠𓆣.Β 

Even though Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ is β€œportraying herself as a male” (as described by some historians), she is actually portraying herself as the pharaoh 𓉐𓉻!

Paint can still be seen on the Broad Collar

She is wearing the nemes headdressΒ π“ˆ–π“…“π“‹΄Β and a broad collarΒ π“…±π“‹΄π“π“ŽΊπ“‹Β (necklace worn by royalty/the gods π“ŠΉπ“ŠΉπ“ŠΉ). Some of the paint 𓇨𓂋𓅱𓏭𓏸𓏦 is actually still visible on the broad collarΒ π“…±π“‹΄π“π“ŽΊπ“‹! The face on this statue is completely destroyed, and this was definitely done on purpose.Β 

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ!

𓅭𓏏𓇳 – Daughter of Ra

π“ˆ–π“π“„‘π“π“†‘ – Bodily/Of Her Body

(π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ) – Hatshepsut’s cartouche (birth name)

π“Œ»π“‡Œ – Beloved

𓋹𓏏𓆖 – She Live Forever

Put together, the inscription π“Ž˜π“…±π“Ž– reads: β€œBodily daughter of Ra, Hatshepsut, beloved, May She Live Forever.” Some of the inscription π“Ž˜π“…±π“Ž– is missing, so this is what I could see! 

Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ is very much referring to herself as a woman π“Šƒπ“π“‚‘π“π“ – it’s in the hieroglyphs π“ŠΉπ“Œƒπ“ͺ! If she called herself the β€œSon of Ra” the inscription would look like β€œπ“…­π“‡³β€ instead of β€œπ“…­π“π“‡³. ” The word for β€œbodily π“ˆ–π“π“„‘π“π“†‘β€ is also feminized, and would be written as β€œπ“ˆ–π“π“„‘π“†‘β€ if it was referencing a male.

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Egyptian Artifacts

William the Hippo!

There are a couple of things I always look for when I go to a museum and the blue 𓇅𓆓𓏛 faienceΒ π“‹£π“ˆ–π“π“Έπ“ΌΒ Hippos π“Œ‰π“π“ƒ―π“¦ are one of them! At the MET, the blue 𓇅𓆓𓏛 hippo π“Œ‰π“π“ƒ― is named π“‚‹π“ˆ– William 𓅱𓇋𓃭𓇋𓄿𓅓𓃯 and is kinda the unofficial mascot of the museum, so I just tend to call all of the hippos π“Œ‰π“π“ƒ―π“¦ William 𓅱𓇋𓃭𓇋𓄿𓅓𓃯 no matter what museum I am at!Β 

William 𓅱𓇋𓃭𓇋𓄿𓅓𓃯 was made between the 12th and 17th Dynasties. In Egypt π“†Žπ“…“π“π“Š–, hippos π“Œ‰π“π“ƒ―π“¦ were both feared and respected π“ˆ™π“†‘π“„…. They were feared because they were one of the most dangerous animals in the Nile Valley 𓇗. However, hippos π“Œ‰π“π“ƒ―π“¦ were also thought to be powerful protectors π“…“π“‚π“Ž‘π“€œ against evil! William 𓅱𓇋𓃭𓇋𓄿𓅓𓃯 has lotus flowers 𓆸π“ͺ painted all over him to associate it with rejuvenation! William 𓅱𓇋𓃭𓇋𓄿𓅓𓃯 is most likely painted blue 𓇅𓆓𓏛 to represent the Nile π“‡‹π“π“‚‹π“…±π“ˆ—π“ˆ˜π“ˆ‡π“Ί and rebirth.

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Egyptian Artifacts

Amulets and Amulet Molds

In the picture 𓏏𓅱𓏏, you are looking at amuletsΒ π“Šπ“Šͺπ“…†π“ͺ and the molds that were used to make them!

Amulets and Amulet Molds at the MET

These molds are typically made of terracotta and allowed artists to not only mass produce amuletsΒ π“Šπ“Šͺπ“…†π“ͺ, but also make the amuletsΒ π“Šπ“Šͺπ“…†π“ͺΒ small and detailed! The amuletsΒ π“Šπ“Šͺπ“…†π“ͺ that you see in the picture 𓏏𓅱𓏏 are grape and daisy/rosette amuletsΒ π“Šπ“Šͺπ“…†π“ͺ! In the mold on the top left (and the two grape amulets next to it), you can even see the cartouche β€œπ“‡³π“§π“Ž  Nebmaatra,” which is the throne name for the pharaoh 𓉐𓉻 Amenhotep IIIΒ π“‡‹π“ π“ˆ–π“Š΅π“‹Ύπ“‹†!

Flowers were really popular in ancient Egypt π“†Žπ“…“π“π“Š–! If you look at lists of hieroglyphic symbols, there are tons of hieroglyphs π“ŠΉπ“Œƒπ“ͺ that represent plants π“†Ύπ“†°π“†°π“†°! The phonogram/ideogram for the Nile Valley/Upper Egypt is 𓇗 – which represents a flowering plant π“†Ύπ“†°π“†°π“†°! 

Tutankhamun’s π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“ mummy 𓇋𓁹𓅱𓀾 was found with flowers π“†Όπ“…±π“†°π“¦, as were other royal mummies. Even commoners would adorn their dead with flower π“†Όπ“…±π“†° arrangements. This is why amulets π“Šπ“Šͺπ“…†π“ͺ with flower π“†Όπ“…±π“†° designs were so popular!

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Egyptian Artifacts

Wooden Anubis at the Brooklyn Museum

I had the most amazing day at the Brooklyn Museum with my sister and parents! This was the best birthday (May of 2021) I have had in a long time and I’m so lucky that my family not only supports me in my love of Egypt π“†Žπ“…“π“π“Š–, but that they went out of their way to make my day special! Thank you Amanda for following me around and taking pictures πŸ˜ƒ.

Here I am with a figure of Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 from the Ptolemaic Period! As you all know, Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 is my favorite ancient Egyptian god π“ŠΉ so I was really excited to see this beautiful π“„€ piece! This wooden 𓆱𓏏𓏺 statue shows Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 in his jackal form. The kneeling position is representative of him guarding the necropolis from high above on a hill/mountain- as was his role as the god of cemeteries (and mummification). It’s also similar to his determinative hieroglyph 𓃣.

One of Anubis’ π“‡‹π“ˆ–π“Šͺ𓅱𓃣 titles is β€œupon his hill π“Άπ“Ίπ“ˆ‹π“†‘β€ and this hieroglyphic π“ŠΉπ“Œƒπ“ͺ phrase usually follows his name in dedication texts! Another common title associated with Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 is β€œhe who is in the mummy wrappings π“‡‹π“Άπ“…±π“π“Žπ“Š–.β€œ

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Egyptian Artifacts

Hippos at the Brooklyn Museum

There are a couple of things I always look for when I go to a museum and the blue 𓇅𓆓𓏛 faience Hippos π“Œ‰π“π“ƒ―π“¦ are one of them! At the MET, the blue 𓇅𓆓𓏛 hippo π“Œ‰π“π“ƒ― is named William and is kinda the unofficial mascot of the museum, so I just tend to call all of the hippos π“Œ‰π“π“ƒ―π“¦ William no matter what museum I am at!

William was made Between the 12th and 17th Dynasties. In Egypt π“†Žπ“…“π“π“Š–, hippos π“Œ‰π“π“ƒ―π“¦ were both feared and respected π“ˆ™π“†‘π“„…. They were feared because they were one of the most dangerous animals in the Nile Valley 𓇗. However, hippos π“Œ‰π“π“ƒ―π“¦ were also thought to be powerful protectors π“…“π“‚π“Ž‘π“€œ against evil! William has lotus flowers 𓆸π“ͺ painted all over him to associate it with rejuvenation! William is most likely painted blue 𓇅𓆓𓏛 to represent the Nile and rebirth.

I love the little hedgehog that’s on display too!!!

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Egyptian Artifacts

Fragment of a Statue of Akhenaten

My Nonno and Nonna took my sister and I to the Brooklyn Museum for the first time over 15 π“Ž†π“Ύ years ago – one of the things I loved most about it was the beautiful collection of artifacts from the Amarna Period – aka the rule of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–!

This piece is a fragment of a statue π“„šπ“ˆ–π“π“­π“€Ύ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–. Although the cartouches have been β€œerased,” stylistically, the statue π“„šπ“ˆ–π“π“­π“€Ύ is obviously of him due to the way the chest is carved.

Petrie is credited with finding this – he found 17 π“Ž†π“€ partial statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€π“„€π“„€π“„€π“„€π“‡π“π“­ during his excavation of the city in the 1890s. He also found tons of statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ that seemed to be purposefully smashed. Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€π“„€π“„€π“„€π“„€π“‡π“π“­ were definitely unpopular due to not only moving Egypt’s π“†Žπ“…“π“π“Š– capital but also because they changed the religion from polytheistic to the monotheistic worship of the Aten π“‡‹π“π“ˆ–π“‡³. This mass destruction of the statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ showed that the Egyptians π“†Žπ“π“€€π“π“ͺ wanted to erase Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– rule.