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Egyptian Artifacts

Head of Tutankhamun


Who doesn’t have a fascination with King Tut??!! My Nonno had so many books on Tutankhamun 𓇋𓏠𓈖𓏏𓅱𓏏𓋹𓋾𓉺𓇓 and as a little kid I was enthralled by all of the pictures of the artifacts that were found in his tomb. I always loved hearing about how Howard Carter found and excavated the tomb 𓇋𓐫𓊃𓉐 in the Valley of the Kings during the 1920s.

While to most this statue head may seem anti-climatic after seeing the Temple of Dendur, I have always loved it because it is a portrait of Pharaoh Tutankhamun 𓇋𓏠𓈖𓏏𓅱𓏏𓋹𓋾𓉺𓇓. As a kid, seeing King Tut in the MET was just SO COOL. I still think it’s cool – even though I’m an adult, I still can’t shake the child-like fascination I have with Tutankhamun 𓇋𓏠𓈖𓏏𓅱𓏏𓋹𓋾𓉺𓇓

This limestone statue was made during Tutankhamun’s reign (18th Dynasty), and it shows that Tutankhamun 𓇋𓏠𓈖𓏏𓅱𓏏𓋹𓋾𓉺𓇓 brought back the old religion and traditional styles of Egyptian art and sculpture. The hand 𓂧𓏏𓏺 that can be seen on the back of Tutankhamun’s head is the hand 𓂧𓏏𓏺 of the god 𓊹 Amun 𓇋𓏠𓈖𓀭. Since Amun 𓇋𓏠𓈖𓀭 (king of the gods 𓊹𓊹𓊹) is touching Tutankhamun’s crown, it can be interpreted that Amun 𓇋𓏠𓈖𓀭 approved of Tutankhamun’s 𓇋𓏠𓈖𓏏𓅱𓏏𓋹𓋾𓉺𓇓 reign.

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Egyptian Artifacts

William the Hippo!

William the Hippo 𓌉𓏏𓃯 is kind of the unofficial mascot of the MET – probably because he’s so cute!

I always liked William because as a kid I was obsessed with the hippo 𓌉𓏏𓃯 that was in “It’s a Small World” at Disney World! The first time I ever went to Disney at 4 years old I went with my Nonno and Nonna and I’ll never forget riding “It’s a Small World” together and seeing the hippo 𓌉𓏏𓃯!


William was made in the first part of the 12th Dynasty. In Egypt 𓆎𓅓𓏏𓊖, hippos 𓌉𓏏𓃯𓏦 were both feared and respected 𓈙𓆑𓄅. They were feared because they were one of the most dangerous animals in the Nile Valley 𓇗. However, hippos 𓌉𓏏𓃯𓏦 were also thought to be powerful protectors 𓅓𓂝𓎡𓀜 against evil! William has lotus flowers 𓆸𓏪 painted all over him to associate it with rejuvenation! William is most likely painted blue 𓇅𓆓𓏛 to represent the Nile and rebirth.

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Egyptian Artifacts Reading Hieroglyphs

Sphinx of Thutmosis III

Here is a small quartzite Sphinx of Thutmosis III 𓇳𓏠𓆣. This little statue is interesting for a couple of reasons. One of which is the way that Thutmosis III 𓇳𓏠𓆣 is commonly sculpted – he usually has a very child-like face. This is significant because it is thought that Thutmosis III 𓇳𓏠𓆣 was shown in a child-like way to visually justify the fact that Hatshepsut 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 was co-ruler and then eventually the sole pharaoh 𓉐𓉻.

Another interesting point is the inscription, which reads: 𓄤𓊹(𓇳𓏠𓆣) 𓌻𓇌. “The great God, Menkhepra, beloved.”

The part of the inscription where Amun’s 𓇋𓏠𓈖 name should be, has been erased. The inscription should read: 𓄤𓊹(𓇳𓏠𓆣) 𓇋𓏠𓈖 𓌻𓇌 “The great God, Menkhepra, beloved of Amun.”

Why was Amun’s 𓇋𓏠𓈖 name erased? Well, we can thank Akhenaten 𓇋𓏏𓈖𓇳𓅞𓐍𓈖 for that! When Akhenaten 𓇋𓏏𓈖𓇳𓅜𓐍𓈖 banned the worship of the traditional pantheon, he tried to have Amun’s 𓇋𓏠𓈖 name erased everywhere!

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Egyptian Artifacts

Quartz Lion

When I was little I absolutely loved this stone 𓇋𓈖𓂋𓊪 (quartz) statue 𓄚𓈖𓏏𓏭𓀾 of a lion 𓌳𓁹𓄿𓄛 cub because it reminded me of Simba from The Lion King! Only the main features of the lion cub are seen, but it is clear that this is a statue 𓄚𓈖𓏏𓏭𓀾 of a lion 𓌳𓁹𓄿𓄛. This cute little lion 𓌳𓁹𓄿𓄛 is from the First Dynasty! During the Pre-Dynastic through Early Dynastic periods, statues 𓄚𓈖𓏏𓏭𓀾𓏪 of animals were usually smaller. This statue 𓄚𓈖𓏏𓏭𓀾 though is almost like a transition piece towards the larger and grander statues 𓄚𓈖𓏏𓏭𓀾𓏪 of the later dynasties.

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Egyptian Artifacts

False Door in the Mastaba of Perneb

Perneb 𓉐𓂋𓈖𓎟𓃀 was a palace administrator during the 5th Dynasty, and he had his tomb 𓇋𓐫𓊃𓉐 built at Memphis 𓏠𓈖𓄤𓆑𓂋𓉴𓊖 (modern day Saqqara). This type of tomb 𓇋𓐫𓊃𓉐 is commonly referred to today as a mastaba, but in ancient Egyptian times they were referred to as a “House of Eternity 𓉐𓆖.” The word “mastaba” is Arabic for the word “bench,” and these tombs 𓇋𓐫𓊃𓉐𓏪 got their modern name 𓂋𓈖 due to their rectangular structure and flat roofs! 

During the Old Kingdom, the Pharaoh 𓉐𓉻 and the palace were pretty much the center of the government/society, so Perneb 𓉐𓂋𓈖𓎟𓃀 held quite an important role, hence the exquisite tomb 𓇋𓐫𓊃𓉐! 

I am standing inside the mastaba 𓉐𓆖 of Perneb 𓉐𓂋𓈖𓎟𓃀 at the MET in front of his False Door! I will never forget seeing it for the first time with my Nonno – the first time I saw it, there was no glass on the reliefs! Seeing this for the first time will always be one of my greatest memories! I love being inside the mastaba 𓉐𓆖 because I feel like I am in Egypt – 𓆎𓅓𓏏𓊖 I love being in tombs 𓇋𓐫𓊃𓉐𓏪!

False Doors are an extremely important part of ancient Egyptian funerary practices. False Doors served as ways for the living relatives to make offerings 𓊵𓏏𓊪𓏏𓏔𓏦 to the deceased 𓅓𓏏𓏱 and there is a spot at the base of the False Door where offerings 𓊵𓏏𓊪𓏏𓏔𓏦 are meant to be left. 

The False Door acted as a link between the land of the living 𓋹𓈖𓐍 and the land of the dead 𓅓𓏏𓏱. The ancient Egyptians 𓆎𓏏𓀀𓁐𓏪 believed that the soul 𓂓 of the deceased 𓅓𓏏𓏱 could travel between the two lands 𓇿𓇿 through the False Door. They are also known as “ka 𓂓 doors” or “soul 𓂓 doors.” 

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Reading Hieroglyphs

Hieroglyph Translation of a Statue of Thutmosis III

Today 𓏇𓇋𓈖𓇳, we are going to be looking at an inscription 𓎘𓅱𓎖 that is on a statue 𓏏𓅱𓏏𓀾 of Thutmosis III 𓇳𓏠𓆣.

This statue 𓏏𓅱𓏏𓀾 of Thutmosis III 𓅝𓄠𓋴 depicts him in an offering position. An offering position is when the pharaoh 𓉐𓉻 is depicted as kneeling, with nemset jars 𓏌𓏌𓏌 in his hands. The only being a pharaoh 𓉐𓉻 would kneel for is another god 𓊹, and the god 𓊹 that Thutmosis III 𓅝𓄠𓋾𓆄 is making an offering 𓊵𓏏𓊪𓏏𓏔𓏦 to is Amun-Ra 𓇋𓏠𓈖𓇳𓏺. Based on the inscription 𓎘𓅱𓎖, this statue 𓏏𓅱𓏏𓀾 was probably intended to be placed in the Temple of Amun-Ra 𓇋𓏠𓈖𓇳𓏺 at Karnak. 

Let’s read some hieroglyphs 𓊹𓌃𓏪! 

Since the directional hieroglyphs 𓊹𓌃𓏪 are pointing to the right, we will start reading from the right! Hieroglyphs 𓊹𓌃𓏪 are always read from top to bottom, so we will start with the top line too!

𓋹 – Life/Living

𓊹𓄤 – Perfect God

𓇳𓏠𓆣 – Menkhepperra (Lasting is the Manifestation of Ra)

𓅭𓇳 – Son of Ra

𓅝𓄠𓋾𓆄 – Thutmosis (Thoth is Born, Ruler of Maat)

Here is the bottom line (we will also start reading from the right):

𓇋𓏠𓈖𓇳𓏺𓀭 – Amun-Ra

𓎟𓎼𓎼𓎼𓇿𓇿 – Lord of the Thrones

𓇓𓏏𓊹𓊹𓊹 – King of the Gods

𓌸𓇌 – Beloved

𓋹 – Life

𓆖 – Eternal/Eternity

So here is the full inscription: “Life, the Perfect God, Menkhepperra, Son of Ra, Thutmosis, Beloved of Amun-Ra, Lord of the Thrones, King of the Gods, Eternal Life.” 

This statue 𓏏𓅱𓏏𓀾 is dated to the reign 𓋾 of Thutmosis III 𓅝𓄠𓋾𓆄 (c. 1479–1425 B.C.E.) which was during the 18th Dynasty (New Kingdom). 

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Egyptian Artifacts

Statue of Thutmosis III

This striking statue 𓏏𓅱𓏏𓀾 of the great general 𓀎𓏦, Pharaoh Thutmosis III 𓇳𓏠𓆣 is hidden away in one of the minor galleries at the Metropolitan Museum of Art.

I find this piece to be so beautiful 𓄤 because the white 𓌉𓆓𓇳 limestone 𓇋𓈖𓈙𓌉 (it honestly looks like marble to me – but marble is metamorphosed limestone) contrasts so well with the black 𓆎𓅓 paint 𓇨𓂋𓅱𓏭𓏸𓏦 on the nemes 𓈖𓅓𓋴 head cloth and the eyes 𓁹𓏦. Some red 𓂧𓈙𓂋𓅟 paint 𓇨𓂋𓅱𓏭𓏸𓏦 can even still be seen on the Uraeus 𓇋𓂝𓂋𓏏𓆗 that is on Thutmosis III’s 𓅝𓄠𓋴 forehead!

Thutmosis III 𓅝𓄠𓋴 is one of Egypt’s 𓆎𓅓𓏏𓊖 most successful pharaohs 𓉐𓉻𓏦. He was only three 𓏼 years old when his father Thutmosis II 𓇳𓉻𓆣𓈖 passed away, and was a co-regent with Hatshepsut 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 before she completely took over the throne. During her rule 𓋾, Thutmosis III 𓇳𓏠𓆣 was a member of the military and gained valuable experience that allowed him to be such a successful pharaoh 𓉐𓉻. He ruled 𓋾 Egypt 𓆎𓅓𓏏𓊖 for 54 𓎆𓎆𓎆𓎆𓎆𓏽 years, and was a very accomplished general 𓀎𓏦, having led troops into battle himself. Thutmosis III 𓅝𓄠𓋴 has been rumored to have never lost a battle! 

This statue 𓏏𓅱𓏏𓀾 was found during excavations of Montuhotep II’s 𓏠𓈖𓍿𓅱𓊵𓏏𓊪 temple 𓉟𓏏𓉐 at Deir el-Bahri. The face of this statue 𓏏𓅱𓏏𓀾 is not the original, it is a cast; the original face is in the Egyptian Museum in Cairo! The MET then made a cast of the torso of the statue 𓏏𓅱𓏏𓀾, and that is now at the Egyptian Museum as well! So each museum has a real part of the statue 𓏏𓅱𓏏𓀾, and a cast of the statue 𓏏𓅱𓏏𓀾! The face and torso of the statue 𓏏𓅱𓏏𓀾 were not found at the same time, hence why they ended up in different places! 

This piece is dated to the 18th Dynasty, c. 1479–1425 B.C.E. (New Kingdom). 

Categories
Egyptian Artifacts

White Cross-Lined Ware Pottery with Hippo

Today 𓏇𓇋𓈖𓇳, we are going to travel all the way back to predynastic Egypt 𓆎𓅓𓏏𓊖 (c. 3500-3300 B.C.E.)! More specifically, this piece is dated to the Naqada II Period (also known as the Gerzean Period), which is a period of accelerated development in art and culture. This time period is when more elaborate pottery began to appear and people started to get buried in larger and more elaborate tombs 𓇋𓐫𓊃𓉐𓏪! This was all before the first 𓏃 writing 𓏟𓏛𓏥 even appeared, which was during Naqada III (3200-3000 B.C.E.).

This piece of pottery 𓏠𓈖𓇋𓏋 is commonly referred to as “white cross-lined ware” by archaeologists. Flinders Petrie, the first Egyptologist to try and date predynastic pottery, described white cross-lined ware pottery 𓏠𓈖𓇋𓏋 as being a reddish-brown or dark red 𓂧𓈙𓂋𓅟 color that was decorated with white 𓌉𓆓𓇳 images 𓅱𓏏𓅱𓏪 or geometric drawings. White cross-lined ware pottery 𓏠𓈖𓇋𓏋 is usually only found in Upper Egypt 𓇓, near Abydos 𓍋𓃀𓈋𓊖 and Naqada. 

I absolutely love this piece of pottery 𓏠𓈖𓇋𓏋 because the cute hippos𓌉𓏏𓃯𓏦 that are on it!  The hippopotamus 𓌉𓏏𓃯 is one of the animals that appears frequently in early Egyptian imagery 𓏏𓅱𓏏 probably because the people of the Nile 𓇋𓏏𓂋𓅱𓈗𓈘𓈇𓏺 needed to always be on their guard in regards to hippos 𓌉𓏏𓃯𓏦 since they could dominate both the land 𓇾𓇾 and the water 𓈗. 

Even as ancient Egyptian culture evolved, Egyptians 𓆎𓏏𓀀𓁐𓏪 both feared and revered 𓇋𓌴𓄪 hippos 𓌉𓏏𓃯𓏦 due to their strength 𓄇𓏏𓂝𓏭 and power. While hippos 𓌉𓏏𓃯𓏦 were the most feared animals along the Nile, images 𓅱𓏏𓅱𓏪 of them could offer protection 𓅓𓂝𓎡𓀜, such as in the form of amulets 𓊐𓊪𓅆𓏪 which evolved much later. 

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Egyptian Artifacts

“Nefer” Broad Collar

𓄤𓆑𓂋𓅱𓏭𓇑𓇑 – How beautiful this is! Look at this beautiful 𓄤 broad collar 𓅱𓋴𓐍𓎺𓋝! 

The broad collar 𓅱𓋴𓐍𓎺𓋝 was the necklace of choice by both the gods 𓊹𓊹𓊹, the pharaohs 𓉐𓉻𓏦, and the nobility/wealthy! This broad collar 𓅱𓋴𓐍𓎺𓋝 is unique because traditionally they were made with faience 𓋣𓈖𓏏𓏸𓏼 beads while this particular broad collar 𓅱𓋴𓐍𓎺𓋝 is made of gold 𓋞𓃉𓃉𓃉 and glass 𓋣𓈖𓏏𓏸𓏼! Fun fact: glass and faience are the same word in hieroglyphs 𓊹𓌃𓏪: 𓋣𓈖𓏏𓏸𓏼!

If you look closely at this broad collar 𓅱𓋴𓐍𓎺𓋝, you will see a familiar hieroglyphic 𓊹𓌃𓏪 symbol: 𓄤! The “heart and windpipe 𓄤” symbol is a triliteral phonogram that represents the sound “nfr” which in modern times we pronounce like “nefer.” The word “nfr 𓄤” translates to “beautiful” or “good” and is a very popular symbol not only in hieroglyphic 𓊹𓌃𓏪 phrases such as titles, but also in names 𓂋𓈖𓏦! 

So basically, this broad collar 𓅱𓋴𓐍𓎺𓋝 is just saying “beautiful 𓄤” over and over and over again! Maybe the broad collar 𓅱𓋴𓐍𓎺𓋝 was supposed to bring good 𓄤 wishes to the wearer, or just make them  even more beautiful 𓄤! Isn’t that what nice jewelry is all about, even in modern times?!

The MET has this piece titled “Broad Collar of Nefer Amulets” and it belonged to one of the foreign wives of pharaoh 𓉐𓉻 Thutmosis III 𓇳𓏠𓆣, as that is the tomb 𓇋𓐫𓊃𓉐 the piece was found in. This piece is dated to the 18th Dynasty (c. 1504–1450 B.C.E.). 

Categories
Egyptian Artifacts

Isis Feeding Horus as a Baby

The image 𓏏𓅱𓏏 of Isis 𓊨𓏏𓁥 feeding Horus 𓅃𓀭 as a baby is one of the most popular images 𓏏𓅱𓏏𓏦 of the Third Intermediate Period, Late Period and even through the Ptolemaic and Roman Periods.  

This image 𓏏𓅱𓏏 appeared in bronze 𓈔𓏤𓈒𓏦, stone 𓇋𓈖𓂋𓊪, and even as small 𓈖𓆓𓋴𓅩 amulets 𓊐𓊪𓅆𓏪! My Nonno would always point out these pieces of Isis 𓊨𓏏𓁥 feeding Horus 𓅃𓀭 as a baby because he felt they were so significant to the evolution of religious art through time. 

While my Nonno loved Egyptian 𓆎𓏏𓀀𓁐 and Roman art, he also loved Christian/Biblical art, so these Egyptian 𓆎𓏏𓀀𓁐 statues 𓏏𓅱𓏏𓀾𓏪 were kind of a natural connection between his area of interests! I always make sure to look for statues 𓏏𓅱𓏏𓀾𓏪 like this in museums whenever I visit! 

Symbolically, Isis 𓊨𓏏𓁥 was thought to be the mother𓅐𓏏𓁐 of the pharaoh 𓉐𓉻, and was often associated with motherhood, the protection of women 𓊃𓏏𓂑𓏏𓁐, and a user of magic 𓎛𓂓𓄿𓏜.  As Isis 𓊨𓏏𓁥 became a more popular religious figure, she was associated with cosmological order and was considered to be the embodiment of fate by the Romans.  Isis 𓊨𓏏𓁥 was widely worshipped during the Roman times, and Isis 𓊨𓏏𓁥 feeding Horus 𓅃𓀭 as a baby has even appeared on the back of Roman coins.

This image 𓏏𓅱𓏏 of a mother 𓅐𓏏𓁐 holding a child 𓐍𓇌𓀕 is thought to have inspired the well known Catholic images of the Virgin Mary holding Jesus as a baby.