Did you know that more statues πππππΎπͺ of Amenhotep III π³π§π have survived compared to any other 18th Dynasty pharaoh ππ»? One of the more interesting ones is this statuette of Amenhotep III π³π§π !
This is a very interesting statuette of Amenhotep III π³π§π ! Amenhotep the III π³π§π was the father πππ of the infamous pharaoh ππ» Akhenaten ππππ³π ππ. Akhenaten ππππ³π ππ was originally named Amenhotep IV ππ ππ΅πΉπΎπ, until he changed his name ππ to reflect the Aten ππππ³ and his change to the Egyptian religion.
The first thing that struck me about this statuette was the artistic style. It seems to be very grounded in realism, which is odd because most pharaohs ππ»π¦ wanted to be depicted as being in peak physical condition. It also illustrates some aspects of Amarna-style art, such as the previously mentioned realism and the sagging/exaggerated belly.
This piece almost seems to be a precursor to the Amarna-style. I find these transition-type pieces so interesting because it seems like the Amarna-style art came out of nowhere, however, pieces like this show us that was not the case.
The statuette of Amenhotep III π³π§π is made of ebony wood π±ππΊ and has glass inlaid eyes πΉππ¦ and eyebrows. It consists of the pharaoh standing on a base, and the base contains hieroglyphs πΉππͺ.Β
The hieroglyphs πΉππͺ on the base are thought to refer to one of Amenhotep IIIβs π³π§π Heb Sed πππ΄π§ππ±π³πͺ festivals (he ruled for 38 years). The Heb Sed Festival πππ΄π§ππ±π³πͺ, also known as the β30 Year Jubilee,β was meant to celebrate the 30th year of a pharaohβs ππ» reign πΎππ and then subsequent years afterwards. The hieroglyphs πΉππͺ on the base also contain errors, which means it is probably of non-royal production.
The exact purpose of the statuette is unknown, but it is thought that it could have been used in a household shrine ππΊ to the pharaoh ππ». Household ππΊ statues/shrines actually became popular during the reign of Akhenaten ππππ³π ππ. This would also support the idea that this was of non-royal production.Β
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