This is a sunken relief of Nefertiti ππππ³π€π€π€π€π€πππ and one of her daughters π ππ¦. A hand ππ€ holding an ankh πΉ can be seen being extended to Nefertiti ππππ³π€π€π€π€π€πππ and the princess, which is a very common representation of the sole sun π³π€ god πΉ, Aten ππππ³.
The relief is carved in limestone ππππ and some of the paint can still be seen on the relief! One of the things that is unique about the art from the period of Akhenatenβs ππππ³π ππ rule (referred to by Egyptologists as the Amarna Period) is that a lot of the art depicts the life πΉππ of the royal family π ππ ±ππππ¦ as a unit. Before this time period, royal families π§ππππ ±ππΈπΈπΈ were not really depicted together at all – usually it was just the pharaoh ππ» in art and the monuments.
Due to the fact that Akhenaten ππππ³π ππ and Nefertiti ππππ³π€π€π€π€π€πππ were seen as a ruling unit, Nefertiti ππππ³π€π€π€π€π€πππ was seen as being just as responsible for the shift in the Egyptian religion as Akhenaten ππππ³π ππ was. Much of the art from this period has sustained heavy damage, because it was purposefully hacked away at and destroyed, or used in other building projects – almost like an ancient Egyptian recycling program!
While Nefertitiβs ππππ³π€π€π€π€π€πππ face πΆπ€ is totally destroyed, the princessβ face πΆπ€ is not. This is illustrative of the violence shown towards images ππ ±ππ¦ of Nefertiti ππππ³π€π€π€π€π€πππ after her death π ππ± due to her part in the changing religion. The princessβ face πΆπ€ was not touched, probably because she wasnβt seen as responsible. The hieroglyphs πΉππͺ have also been totally destroyed, but ironically the word βAten ππππ³β is the one word that can still be seen! The word for Aten ππππ³ was most likely part of the princessβ name ππ.