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Egyptian Artifacts

Statue of Amenhotep III

Fun fact: more statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ of Amenhotep III π“‡³π“§π“Ž  have survived than any other 18th Dynasty pharaoh 𓉐𓉻, and this is a very interesting statuette of Amenhotep III π“‡³π“§π“Ž ! Amenhotep the III π“‡³π“§π“Ž  was the father 𓇋𓏏𓀀 of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–, who was originally named Amenhotep IV, until he changed his name to reflect the Aten π“‡‹π“π“ˆ–π“‡³.

Statue of Amenhotep III at the Brooklyn Museum

The first thing that struck me was the artistic style. It seems to be very grounded in realism, which is odd because most pharaohs 𓉐𓉻𓏦 wanted to be depicted as being in peak physical condition. It also illustrates some aspects of Amarna-style art, such as the previously mentioned realism and the sagging/exaggerated belly. This piece almost seems to be a precursor to the Amarna style. I find these transition-type pieces so interesting!

The statuette is made of ebony wood 𓆱𓏏𓏺 and has glass inlaid eyes 𓁹𓏏𓏦 and eyebrows. The hieroglyphs π“ŠΉπ“Œƒπ“ͺ on the base are thought to refer to one of Amenhotep III’s π“‡³π“§π“Ž  sed festivals (he ruled for 38 years). The hieroglyphs π“ŠΉπ“Œƒπ“ͺ on the base also contain errors, which means it is probably of non-royal production. The exact purpose of the statuette is unknown, but it is thought that it could have been used in a household shrine 𓉐𓏺 to the pharaoh 𓉐𓉻. Household 𓉐𓏺 statues/shrines actually became popular during the reign of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–.

Statue of Amenhotep III at the Brooklyn Museum