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Egyptian Artifacts

Tomb Chapel of Raemkai

This beautiful 𓄀𓆑𓂋 raised relief is part of a much larger tomb chapel 𓀻𓋴𓉐 that is on display at the MET. This tomb chapel 𓀻𓋴𓉐 belonged to a man named π“‚‹π“ˆ– Raemkai, however, it was originally built for someone else! This was originally built for an official named π“‚‹π“ˆ– Neferiretnes, and he either fell out of favor or his family 𓅕𓉔𓅱𓏏𓀀𓁐𓏦 could no longer care for the tomb π“‡‹π“«π“Šƒπ“‰ so it was then repurposed for Raemkai! 

Tomb Chapel of Raemkai
These two women are personifications of various cities, as indicated by the hieroglyphs which accompany the images. This raised relief is from the tomb chapel of Raemkai at the MET.

The tomb chapel 𓀻𓋴𓉐 is where family 𓅕𓉔𓅱𓏏𓀀𓁐𓏦 members of the deceased 𓅓𓏏𓏱 would leave offerings for their loved ones. This tomb chapel 𓀻𓋴𓉐 also typically contains a False Door. False Doors served as ways for the living relatives to make offerings π“Š΅π“π“Šͺ𓏏𓏔𓏦 to the deceased 𓅓𓏏𓏱. The False Door acted as a link between the land of the living and the land of the dead.

This particular relief is from the east 𓋁𓃀𓏏𓏭 wall of the tomb chapel 𓀻𓋴𓉐 which shows a total of twenty-two π“Ž†π“Ž†π“» women π“Šƒπ“π“‚‘π“π“π“ͺ carrying baskets of various goods on their heads. These woman are not servants, which can be inferred by the sophisticated types of jewelry 𓂝𓏏𓍒 they are wearing: broad collars π“…±π“‹΄π“π“ŽΊπ“‹π“¦, bracelets 𓂝𓏠𓆑𓂋𓏏𓇛π“ͺ, anklets, and even very fancy wigs 𓄿𓂋𓏏𓁸𓏦! 

These twenty-two π“Ž†π“Ž†π“» women π“Šƒπ“π“‚‘π“π“π“ͺ are actually personifications of various places; both Egyptian and foreign. The hieroglyphs π“ŠΉπ“Œƒπ“ͺ next to each woman π“Šƒπ“π“‚‘π“π“ names the village or estates that they represent! We know that these are names of locations/villages due to the β€œπ“Š–β€ determinative hieroglyph π“ŠΉπ“Œƒ that appears at the end of each word! The β€œπ“Š–β€ is the determinative for village/city! 

I love this tomb chapel 𓀻𓋴𓉐, but it is so hard to take good pictures 𓏏𓅱𓏏𓏦 due to the lightning!

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Video

Video – Egyptian Amulets and Molds

This video reveals the β€œsecret” to how the ancient Egyptians were able to make so many amulets π“Šπ“Šͺπ“…†π“ͺ that were so small π“ˆ–π“†“π“‹΄π“…© and detailed – they used molds! These molds are typically made of terracotta and allowed artists to not only mass produce amulets π“Šπ“Šͺπ“…†π“ͺ, but also make the amulets π“Šπ“Šͺπ“…†π“ͺ small and detailed! 

The amulets π“Šπ“Šͺπ“…†π“ͺ that you see in the video  are grapes, daisy/rosette, Taweret 𓏏𓄿𓅩𓂋𓏏𓆗, Bes π“ƒ€π“‹΄π“„œ, the Eye of Horus π“…ƒπ“€­, the Eye of Ra 𓇳𓏺𓁛, various types of plants 𓆾𓆰𓆰𓆰, scarabs 𓐍π“Šͺ𓂋𓂋𓆣π“ͺ, and then some rings π“‚π“ˆ–π“π“‹ͺ𓏦! I didn’t point them out in the video, but see if you can spot the frogs π“ˆŽπ“‚‹π“‚‹π“†π“¦!!

Lets’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! See if you can spot these in the video!!

π“‡³π“§π“Ž  – Nebmaatra (throne name for Amenhotep III)

π“‡‹π“ π“ˆ–π“Š΅π“‹Ύπ“‹† – Amenhotep III (birth name)

π“‡“π“ˆžπ“ – King’s Great Wife

π“˜π“‡Œπ“­- Tiye 

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Reading Hieroglyphs

The Vulture Hieroglyph

Lets’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ!

Today π“‡π“‡‹π“ˆ–π“‡³ we are going to be looking at a symbol that is used a lot in hieroglyphic writing π“Ÿπ“›π“₯ and inscriptions π“Ž˜π“…±π“Ž–. There are multiple uses for the β€œvulture 𓅐,” hieroglyph π“ŠΉπ“Œƒ, so let’s get started!Β 

Vulture Hieroglyph
The Vulture Hieroglyph in sunken relief, from a sarcophagus at the MET

The β€œvulture 𓅐” hieroglyph π“ŠΉπ“Œƒ is usually a triliteral phonogram and represents the sounds β€œmjt/mwt.” In modern times, we infer that this would be pronounced like β€œmut.” However, the β€œvulture 𓅐” can also represent the sounds β€œmt” or β€œmjjwt” as well.

The β€œvulture 𓅐” is also used as a determinative in the word for β€œvulture π“ˆ–π“‚‹π“…,” and any words that have a root of β€œnr.” 

One of the more popular uses for the β€œvulture 𓅐” is in the word for β€œmother.” There are multiple variants for β€œmother” in Middle Egyptian/hieroglyphs π“ŠΉπ“Œƒπ“ͺ, so let’s take a look:

𓅐𓏏𓁐

𓅐𓏏𓏏𓁐

𓅐𓏏

𓅐𓅆𓆇

π“…π“π“Ž

𓅐𓏏𓁐𓅆

All of these words would be pronounced like “mut,” despite the fact that some have differing symbols! However, even with spelling differences, all of the symbols will still write out “mut!”

The word for β€œmother” also appears in royal titles: 

𓇓𓅐 – King’s Mother 

π“…π“π“ŠΉ – God’s Mother (can be in reference to the mother of the pharaoh 𓉐𓉻, or to the goddess π“ŠΉπ“ Isis π“Š¨π“π“₯)

The word for β€œmother” also appears in names π“‚‹π“ˆ–π“¦: 

𓇼𓅐𓏏𓆑 – Duamutef (jackal headed Son of Horus that guarded the stomach. His name π“‚‹π“ˆ– means β€œHe Who Worships His Mother.”)

π“Œ’π“ˆ–π“… / π“Œ’π“ˆ–π“…π“€Ό – Senemut (Hatshepsut’s most trusted advisor. His name means β€œMother’s Brother.”) 

For some reason when I am writing hieroglyphs π“ŠΉπ“Œƒπ“ͺ myself, I sometimes get the β€œvulture 𓅐” and the β€œEgyptian vulture 𓄿” mixed up! A lot of the bird symbols look similar, which I why I think that happens to me! 

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Video

Video – Statues of Isis and Horus

The image 𓏏𓅱𓏏 of Isis π“Š¨π“π“₯ feeding Horus π“…ƒπ“€­ as a baby is one of the most popular images 𓏏𓅱𓏏𓏦 of the Third Intermediate Period, Late Period and even through the Ptolemaic and Roman Periods.  This video examines the significance of the statues of Isis π“Š¨π“π“₯ feeding Horus π“…ƒπ“€­!

This image 𓏏𓅱𓏏 appeared in bronze π“ˆ”π“€π“ˆ’π“¦, stone π“‡‹π“ˆ–π“‚‹π“Šͺ, and even as small π“ˆ–π“†“π“‹΄π“…© amulets π“Šπ“Šͺπ“…†π“ͺ! My Nonno would always point out these pieces of Isis π“Š¨π“π“₯ feeding Horus π“…ƒπ“€­ as a baby because he felt they were so significant to the evolution of religious art through time. 

While my Nonno loved Egyptian π“†Žπ“π“€€π“ and Roman art, he also loved Christian/Biblical art, so these Egyptian π“†Žπ“π“€€π“ statues 𓏏𓅱𓏏𓀾π“ͺ were kind of a natural connection between his area of interests! I always make sure to look for statues 𓏏𓅱𓏏𓀾π“ͺ like this in museums whenever I visit! 

Symbolically, Isis π“Š¨π“π“₯ was thought to be the mother 𓄿𓏏𓁐 of the pharaoh 𓉐𓉻, and was often associated with motherhood, the protection of women π“Šƒπ“π“‚‘π“π“, and a user of magic π“Ž›π“‚“π“„Ώπ“œ.  As Isis π“Š¨π“π“₯ became a more popular religious figure, she was associated with cosmological order and was considered to be the embodiment of fate by the Romans.  Isis π“Š¨π“π“₯ was widely worshipped during the Roman times, and Isis π“Š¨π“π“₯ feeding Horus π“…ƒπ“€­ as a baby has even appeared on the back of Roman coins.

This image 𓏏𓅱𓏏 of a mother 𓄿𓏏𓁐 holding a child π“π“‡Œπ“€• is thought to have inspired the well known Catholic images of the Virgin Mary holding Jesus as a baby. 

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Egyptian Artifacts

Hatshepsut and International Women’s Day

Yesterday 𓋴𓆑𓇳 was International Womens Day and I didn’t get a chance to post, so I am going to post today π“‡π“‡‹π“ˆ–π“‡³! This picture 𓏏𓅱𓏏 is ten years π“Ž† old (it’s from 2013) and of course it’s me and Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ at the MET! This gallery looks a little bit different now and the Maned Sphinx π“Ž›π“…±π“ƒ­π“€ of Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ is no longer with the White Limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ Statue 𓏏𓅱𓏏𓀾 of Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ! Not going to lie, but I love seeing these two 𓏻 together π“ˆ–π“Š— and I miss the old Gallery 115 setup!Β 

Hatshepsut and International Women's Day
Me and the Maned Sphinx of Hatshepsut (left) and the White Limestone Statue of Hatshepsut (right)

Let’s learn a bit more about my favorite pharaoh 𓉐𓉻, the legendary Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ!Β Not only was she the most successful female pharaoh 𓉐𓉻 in Egyptian history, she was just one of the most successful pharaohs 𓉐𓉻π“₯ ever!

Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ was the first pharaoh 𓉐𓉻 to state her divine conception and birth π“„Ÿ through images 𓏏𓅱𓏏𓏦 and text π“Ÿπ“›π“₯ at her mortuary temple at Deir el-Bahri 𓂦𓂋𓂦π“₯𓉐. Hatshepsut’s π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ story shows that the god π“ŠΉ Amun π“‡‹π“ π“ˆ–π“€­ was her father, and this reinforced her right to rule π“ˆŽπ“π“‹Ύ. These images 𓏏𓅱𓏏𓏦 were not available to the public, but only to a select few such as priests π“ŠΉπ“›π“ͺ and officials π“‹΄π“‚‹π“€€π“ͺ so it probably wasn’t propaganda. 

What caused Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ to want to claim herself as pharaoh 𓉐𓉻? We will probably never know the events that caused this to happen, so anything written by Egyptologists is mostly speculative. Whatever the reasoning, I’m glad that she did become pharaoh 𓉐𓉻 because Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ has been my inspiration ever since I was a little girl and my Nonno taught me about her for the first 𓏃 time! I’ll never forget learning that a woman π“Šƒπ“π“‚‘π“π“ was the pharaoh 𓉐𓉻 of Egypt π“†Žπ“…“π“π“Š–! Seeing these statues 𓏏𓅱𓏏𓀾π“ͺ in the museum give me joy each time! 

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Egyptian Artifacts

Reconstruction from the Palace at Malqata

In order to celebrate his Heb Sed Festival π“Ž›π“ƒ€π“‹΄π“‚§π“π“Ž±π“‡³π“ͺ, the pharaoh 𓉐𓉻 Amenhotep III π“‡³π“§π“Ž  built a new palace π“‚π“Ž›π“π“‰₯𓉐 which was referred to as β€œThe House of Rejoicing” at present day Malqata in Egypt π“†Žπ“…“π“π“Š–. The Heb Sed Festival π“Ž›π“ƒ€π“‹΄π“‚§π“π“Ž±π“‡³π“ͺ, also known as the β€œ30 Year Jubilee,” was meant to celebrate the 30th year of a pharaoh’s 𓉐𓉻 reign π“‹Ύπ“ˆŽπ“. Amenhotep III π“‡‹π“ π“ˆ–π“Š΅π“‹Ύπ“‹† threw himself three separate Heb Sed Festivals π“Ž›π“ƒ€π“‹΄π“‚§π“π“Ž±π“‡³π“ͺ, even though he did not rule π“‹Ύπ“ˆŽπ“ for ninety years!Β 

Reconstruction using blue tiles from the Palace at Malqata
The blue faience tiles were found at Malqata, but this design is a reconstruction of what it might have looked like (the MET)

This beautiful 𓄀𓆑𓂋 decoration is a reconstruction using the tiles that were found during the excavation of Amenhotep III’s π“‡‹π“ π“ˆ–π“Š΅π“‹Ύπ“‹† palace at Malqata. These strikingly blue 𓇋𓁹𓏏𓄿𓏸π“₯ faience π“‹£π“ˆ–π“π“Έπ“Ό tiles were found on the floor of ruins of a temple π“‰Ÿπ“π“‰ dedicated to the god π“ŠΉ Amun π“‡‹π“ π“ˆ–π“€­. 

After the death of pharaoh 𓉐𓉻 Amenhotep III π“‡³π“§π“Ž , his palace π“‚π“Ž›π“π“‰₯𓉐 and the surrounding villages (used by the people serving the pharaoh 𓉐𓉻) at Malqata were abandoned and the site was never used again during ancient Egyptian times. This caused the site to fall into ruin and get covered by the desert π“…Ÿπ“‚‹π“π“ˆŠ sand. This allowed The House of Rejoicing and surrounding villages at Malqata to be preserved decently well, and it is considered to be one of the most extensive town sites to be preserved in Egypt π“†Žπ“…“π“π“Š–. 

Many examples of these blue 𓇋𓁹𓏏𓄿𓏸π“₯ faience π“‹£π“ˆ–π“π“Έπ“Ό tiles have been found at Malqata, along with other beautiful 𓄀𓆑𓂋 artwork that decorated the palace π“‚π“Ž›π“π“‰₯𓉐! It must have been such a beautiful sight to see!

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Egyptian Artifacts

Beaded Necklaces from Amarna

𓄀𓆑𓂋𓅱𓏭𓇑𓇑 – How beautiful this is! Let’s take a closer look at these beautiful 𓄀𓆑𓂋 beaded necklacesΒ  𓂝𓏏𓍒π“ͺ from Amarna π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–!Β 

Beaded Necklaces from Amarna
Beaded Necklaces from Amarna (the MET)

There are many different styles of beads, and I just love how striking the colors are! On these necklaces 𓂝𓏏𓍒𓏦, the bright yellow beads are in the form of a Uraeus 𓇋𓂝𓂋𓏏𓆗. A Uraeus 𓇋𓂝𓂋𓏏𓆗 is usually depicted as an upright snake 𓇋𓂝𓂋𓏏𓆙 and is a symbol of sovereignty, royalty, and divine authority in Egypt π“†Žπ“…“π“π“Š–. The Uraeus 𓇋𓂝𓂋𓏏𓆗 is usually associated with the pharaoh 𓉐𓉻, but in the later time periods also worn by women π“Šƒπ“π“‚‘π“π“π“ͺ and certain deities π“ŠΉπ“ŠΉπ“ŠΉ. 

The reddish/brown colored beads are in the shape of a fly 𓂝𓆑𓆑𓆦! Flies 𓂝𓆑𓆑𓆦π“ͺ were seen as an amulet π“Šπ“Šͺπ“…† of protection and were possibly used to protect the wearer from insect bites. I love the fly 𓂝𓆑𓆑𓆦 beads/amulets π“Šπ“Šͺ𓅆𓏦!Β 

Beaded Necklaces from Amarna
Beaded Necklaces from Amarna (the MET)

There are so many ways to say β€œnecklace” in Middle Egyptian, so let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! Here are some different ways to say β€œnecklace”: 

π“…±π“‹΄π“π“ŽΊπ“‹ broad collar 

π“ π“ˆ–π“‡‹π“π“‹§ necklace (menat)

𓃀𓏲𓃀𓏲 necklace, collar

𓂝𓏏𓍒 jewelry, necklace (with stone beads)

π“ˆ™π“ƒ€π“…±π“‹ necklace

π“ˆ™π“…±π“‹ necklace

I chose to use β€œπ“‚π“π“’β€ when writing out this description because this word (pronounced like β€œat”) is the word specifically for a necklace π“ˆ™π“ƒ€π“…±π“‹ that has stone beads π“‡‹π“ˆ–π“‚‹π“Šͺ! I figured that was a pretty close description to the artifacts in this display! The Menat π“ π“ˆ–π“‡‹π“π“‹§ and the broad collar π“…±π“‹΄π“π“ŽΊπ“‹ are very specific types of necklaces and neither of them are shown in this picture 𓏏𓅱𓏏! 

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Egyptian Artifacts

The Tyet Knot

Today π“‡π“‡‹π“ˆ–π“‡³ we are going to look at a symbol known as the Tyet Knot π“Ž¬ or the Isis Knot π“Ž¬!Β 

Tyet Knot
The Tyet Knot drawn in the Book of the Dead of Imhotep (the MET)

This particular Tyet Knot π“Ž¬ is from the Book of the Dead of 𓉐𓂋𓏏𓂻𓅓𓉔𓂋𓏲𓇳𓏺𓍼𓏺 Imhotep at the MET! Even though this Book of the Dead 𓉐𓂋𓏏𓂻𓅓𓉔𓂋𓏲𓇳𓏺𓍼𓏺 is from the Ptolemaic Period, the origin of the Tyet Knot π“Ž¬ from the First Dynasty/Early Dynastic Period! It always amazes me how the same religious symbols just persisted through Egyptian history! 

The Tyet Knot π“Ž¬, also known as the Isis knot π“Ž¬, was considered a very strong symbol of protection π“…“π“‚π“Ž‘π“€œ and came to be associated with Isis π“Š¨π“π“₯. The Egyptians π“†Žπ“π“€€π“π“ͺ believed that knots π“Ž¬ were able to bind and then release magic π“Ž›π“‚“π“„Ώπ“œ. The Isis Knots π“Ž¬ were also mostly used in a funerary context, such as amulets π“Šπ“Šͺ𓅆𓏦 (starting in the New Kingdom) placed on mummies 𓇋𓁹𓅱𓀾π“ͺ or as part of spells π“Ž›π“‚“π“›π“¦ in the Book of the Dead 𓉐𓂋𓏏𓂻𓅓𓉔𓂋𓏲𓇳𓏺𓍼𓏺. 

In chapter 156 of the Book of the Dead 𓉐𓂋𓏏𓂻𓅓𓉔𓂋𓏲𓇳𓏺𓍼𓏺, it states that the Tyet Knot π“Ž¬ amulet π“Šπ“Šͺπ“…† should be made of red π“‚§π“ˆ™π“‚‹π“…Ÿ jasper and placed on the neck of the mummy 𓇋𓁹𓅱𓀾! The spell states that the Tyet Knot π“Ž¬ amulet π“Šπ“Šͺπ“…† β€œwill drive away whoever would commit a crime against him.” 

Let’s take a look at the hieroglyphic meaning! Called the β€œtie π“Ž¬β€ by Gardiner, this symbol is an ideogram for β€œTyet Knot π“Ž¬β€ or β€œIsis Knot π“Ž¬β€ and is associated with the sound β€œtjt” which would be pronounced like β€œtyet.” 

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Egyptian Artifacts

Wooden Model of a Cattle Stable

I love wooden models so much because I love tiny π“ˆ–π“†“π“‹΄π“…© things and the models also remind me of dollhouses! I could spend such a long time just looking at these models – they have been preserved so well and they are so detailed!Β 

Wooden Model
Wooden Model of a Cattle Stable from the tomb of Meketre

This wooden 𓆱𓏏𓏺 model (and many others) were found in the tomb π“‡‹π“«π“Šƒπ“‰ of the Royal Chief Steward Meketre who lived during the reign π“‹Ύ of Montuhotep II π“ π“ˆ–π“Ώπ“…±π“Š΅π“π“Šͺ and possibly Amenemhat I π“‡‹π“ π“ˆ–π“…“π“„‚π“. There were 24 π“Ž†π“Ž†π“½ almost perfectly preserved models found in the tomb π“‡‹π“«π“Šƒπ“‰. Half of the models are at the MET, while the other half are at the Egyptian Museum in Cairo!

Meketre’s high status as an official π“‹΄π“‚‹π“€€ is why he was able to afford so many wooden 𓆱𓏏𓏺 models and such an elaborate burial. Even though Meketre was well off, the models do provide a look into the life π“‹Ή of the non-royals during the Middle Kingdom! 

While Egyptian π“†Žπ“π“€€π“ religious beliefs didn’t necessarily change much over time, some of the customs did! The Egyptians π“†Žπ“π“€€π“π“ͺ believed that the dead 𓅓𓏏𓏱 needed nourishment in the forms of food 𓇬𓀁𓅱𓏔π“₯ and water π“ˆ—, even in the afterlife 𓇼𓄿𓏏𓉐. In the Middle Kingdom, wooden 𓆱𓏏𓏺 models depicting different types of food 𓇬𓀁𓅱𓏔π“₯ production were placed in a sealed chamber in the tomb π“‡‹π“«π“Šƒπ“‰. It was thought that the models would hold magical more π“Ž›π“‚“π“„Ώπ“œ power than the carvings used during the Old Kingdom, and also keep the deceased 𓅓𓏏𓏱 nourished! 

This particular model depicts a β€œModel Cattle Stable” in which workers are feeding cattle 𓄀𓆑𓂋𓏏𓃒𓏦 in order to fatten them for slaughter. In ancient Egypt π“†Žπ“…“π“π“Š–, cattle 𓄀𓆑𓂋𓏏𓃒𓏦 were revered due to the worship of many cow 𓄀𓆑𓂋𓏏𓃒 gods π“ŠΉπ“ŠΉπ“ŠΉ, however, they were also used for food 𓇬𓀁𓅱𓏔π“₯. Only the rich could afford to eat beef 𓇋𓍯𓄿𓄹, so I guess Meketre wanted to stock up for the afterlife 𓇼𓄿𓏏𓉐! I can’t say I blame him! 

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Reading Hieroglyphs

Acquaintance, Knowledge, and more in Hieroglyphs!

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

Today π“‡π“‡‹π“ˆ–π“‡³ we are going to look at an interesting word (𓂋𓐍𓏏 – rαΈ«t) that has many meanings depending on its determinative hieroglyph π“ŠΉπ“Œƒ! The determinative symbol is the last symbol in a word π“Œƒπ“‚§π“…±π“€ that helps to summarize the meaning of the whole word π“Œƒπ“‚§π“…±π“€!Β 

Acquaintance, Number, and more in Hieroglyphs!
𓂋𓐍𓏏 on a relief at the MET

In the context of the inscription π“Ž˜π“…±π“Ž– in the picture 𓏏𓅱𓏏, this word π“Œƒπ“‚§π“…±π“€ means β€œacquaintance 𓂋𓐍𓏏” and the full inscription π“Ž˜π“…±π“Ž– is the title of β€œKing’s Acquaintance 𓇓𓂋𓐍𓏏.” In the title, the determinative in the word β€œacquaintance” is not written! Usually, when you see 𓂋𓐍𓏏 on its own without a determinative, it means β€œlist 𓂋𓐍𓏏.” 

However, just like any language, simple small words can act as the root of bigger words or phrases! Pay attention to the determinatives at the end of some of these words and how they can relate to each other in some way! Let’s take a look at some of them: 

𓂋𓐍𓏏 – List

𓂋𓐍𓏏𓂝 – To Wash Clothes

𓇓𓂋𓐍𓏏 – King’s Acquaintance (Title)

𓂋𓐍𓏏𓏛 – Female Friend, Female Acquaintance

𓂋𓐍𓏏𓏛 – Knowledge, Number, Amount 

𓂋𓐍𓏏𓏛𓏦 – Knowledge, Number, Amount, List (notice how this version has two determinatives – the β€œπ“¦β€ is making it plural)

π“‚‹π“π“π“π“π“›π“œ – The Wise

π“‚‹π“π“π“ŽŸπ“ – More, Most

Let’s breakdown the symbols:

The β€œmouth 𓂋” symbol functions most commonly as a uniliteral phonogram and is used to represent the sound β€œr.” It can also be used as an ideogram for the word β€œmouth 𓂋𓏺.” 

The β€œplacenta or sieve 𓐍” symbol is a uniliteral phonogram and is associated with the sound β€œαΈ«.” This symbol is actually considered β€œunclassified” because Egyptologists actually don’t know what it exactly represents! 

The β€œflat loaf of bread 𓏏” is a uniliteral phonogram used to represent the sound β€œt.” It also functions as the ideogram for the word β€œbread 𓏏𓏺” and can be used to make words feminine when placed at the end of the word!Β