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Egyptian Artifacts

Early Dynastic Animal Statuettes

We are going back to the Early Dynastic Period today ๐“‡๐“‡‹๐“ˆ–๐“‡ณ! I love anything to do with Egyptian hippos ๐“Œ‰๐“๐“ƒฏ๐“ฆ!!!

This calcite ๐“ฑ hippopotamus ๐“Œ‰๐“๐“ƒฏ and faience ๐“‹ฃ๐“ˆ–๐“๐“ธ๐“ผ crocodile ๐“…“๐“‹ด๐“Ž›๐“†Œ are dated c. 3100โ€“2649 B.C.E and are from Abydos ๐“‹๐“ƒ€๐“ˆ‹๐“Š–. The hippopotamus ๐“Œ‰๐“๐“ƒฏ figure was found near a shrine ๐“๐“Šƒ๐“…“๐“‚œ๐“‰ and was most likely an offering ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ to the deity ๐“Šน Khentiamentiu ๐“ƒข๐“ƒ๐“ ๐“„ฟ. 

Khentiamentiu ๐“ƒข๐“ƒ๐“ ๐“„ฟ is an early jackal ๐“Šƒ๐“„ฟ๐“ƒ€๐“ƒฅ headed deity ๐“Šน whose name ๐“‚‹๐“ˆ– means โ€œForemost of the Westerners.โ€ We know that phrase because later on it was commonly used as a title of Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ข before it then became Osirisโ€™ ๐“น๐“Šจ๐“€ญ title! Before the popularity of Osiris ๐“น๐“Šจ๐“€ญ, Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ข was the chief god ๐“Šน of the dead ๐“…“๐“๐“ฑ, which is why it was his title first! The temple ๐“‰Ÿ๐“๐“‰ at Abydos ๐“‹๐“ƒ€๐“ˆ‹๐“Š– which was originally dedicated to Khentiamentiu ๐“ƒข๐“ƒ๐“ ๐“„ฟ then solely became dedicated to Osiris ๐“น๐“Šจ๐“€ญ during the First Intermediate Period. 

Hippopotamuses ๐“Œ‰๐“๐“ƒฏ๐“ฆ and crocodiles ๐“…“๐“‹ด๐“Ž›๐“†Œ๐“ฆ were both feared and revered along the Nile ๐“‡‹๐“๐“‚‹๐“…ฑ๐“ˆ—๐“ˆ˜๐“ˆ‡๐“บ because while they were very dangerous animals, little figurines like these (and then later on, amulets ๐“Š๐“Šช๐“…†๐“ช) could offer protection ๐“…“๐“‚๐“Žก๐“€œ to the dead ๐“…“๐“๐“ฑ or the living ๐“†ฃ๐“‚‹๐“€€๐“ช. This is why hippopotamuses ๐“Œ‰๐“๐“ƒฏ๐“ฆ and crocodiles ๐“…“๐“‹ด๐“Ž›๐“†Œ๐“ฆ are very common to see in early Egyptian art! The hippo ๐“Œ‰๐“๐“ƒฏ is also seen as a symbol of fertility. 

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Reading Hieroglyphs Video

Video – The Goddess Hathor in Hieroglyphs!

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช! 

This is the name ๐“‚‹๐“ˆ– of the goddess ๐“Šน๐“ Hathor ๐“‰ก in hieroglyphs ๐“Šน๐“Œƒ๐“ช! Iโ€™m sure you can see this, but Hathorโ€™s ๐“‰ก name ๐“‚‹๐“ˆ– is unique compared to that of the other deities ๐“Šน๐“Šน๐“Šน! This is because her name is written with a composite hieroglyph ๐“Šน๐“Œƒ! A composite hieroglyph ๐“Šน๐“Œƒ is the combination of many symbols into one symbol! Even with the combination of the symbols, the sounds of the original symbol are still retained! 

Hathorโ€™s ๐“‰ก name ๐“‚‹๐“ˆ– is the combination of an enclosure (house) ๐“‰— and the falcon ๐“…ƒ. 

๐“‰— +๐“…ƒ = ๐“‰ก 

Het (๐“‰—) + Heru (๐“…ƒ) = ๐“‰ก 

If the two ๐“ป symbols were written separately, we would actually read Hathorโ€™s ๐“‰ก name ๐“‚‹๐“ˆ– as โ€œHouse of Horusโ€ or โ€œEstate of Horusโ€ (depending on how you translated the ๐“‰— hieroglyph) – so that is the literal translation of her name ๐“‚‹๐“ˆ–! 

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Egyptian Artifacts

Aswan Granite

After limestone ๐“‡‹๐“ˆ–๐“ˆ™๐“Œ‰ and sandstone ๐“‚‹๐“…ฑ๐“‚ง๐“๐“Œ—๐“ˆ™, โ€œAswan Graniteโ€ was the third most used rock ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™ by the ancient Egyptians! โ€œAswan Graniteโ€ is actually a collective term used to describe all of the intrusive igneous rocks in the Aswan ๐“‹ด๐“ƒน๐“ˆ–๐“Œ๐“ฒ๐“Š– area, even though they arenโ€™t all granitic! Diorite and granodiorite ๐“ ๐“ˆ–๐“๐“๐“ŠŒ are other igneous rocks looped into this category, even though granite ๐“‡‹๐“ˆ–๐“ˆ™๐“ˆ–๐“Œณ๐“ฟ is a felsic rock (lighter in color and lower in density with more quartz ๐“ ๐“ˆ–๐“Œ๐“ˆ™) as opposed to diorite/granodiorite ๐“ ๐“ˆ–๐“๐“๐“ŠŒ (intermediate rock, less quartz ๐“ ๐“ˆ–๐“Œ๐“ˆ™, both dark and light in color). 

The most common of the โ€œAswan Graniteโ€ rocks ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™๐“ฆ is known as red granite ๐“…“๐“Œณ๐“๐“Žถ. Red granite ๐“…“๐“Œณ๐“๐“Žถ was used for many different types of things such as vases, statues ๐“๐“…ฑ๐“๐“€พ๐“ช, sarcophagi ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ๐“ช, stelae ๐“Ž—๐“…ฑ๐“†“๐“‰ธ๐“ฆ, obelisks ๐“‰ถ๐“‰ถ๐“‰ถ, and for parts of buildings and temples ๐“‰Ÿ๐“๐“‰๐“ช! 

Quarrying of the โ€œAswan Graniteโ€ started in the Old Kingdom and was even used to build the Pyramids ๐“‹๐“…“๐“‚‹๐“‰ด at Giza! During the New Kingdom (particularly 18th Dynasty), red granite ๐“…“๐“Œณ๐“๐“Žถ became extremely popular again, especially amongst the pharaohs ๐“‰๐“‰ป๐“ช and many of them had their statues ๐“๐“…ฑ๐“๐“€พ๐“ช and funerary equipment ๐“ˆŽ๐“‚‹๐“‹ด๐“๐“๐“Šญ carved out of this durable stone ๐“‡‹๐“ˆ–๐“‚‹๐“Šช! 

One of the best examples of these red granite ๐“…“๐“Œณ๐“๐“Žถ statues ๐“๐“…ฑ๐“๐“€พ๐“ช are the ones that used to line Hatshepsutโ€™s ๐“‡‹๐“ ๐“ˆ–๐“Žน๐“๐“„‚๐“๐“€ผ๐“ช temple at Deir el-Bahri ๐“‚ฆ๐“‚‹๐“‚ฆ๐“ฅ๐“‰. She had the red granite ๐“…“๐“Œณ๐“๐“Žถ shipped 500 ๐“ฒ๐“ฒ๐“ฒ๐“ฒ๐“ฒ miles up the Nile ๐“‡‹๐“๐“‚‹๐“…ฑ๐“ˆ—๐“ˆ˜๐“ˆ‡๐“บ from Aswan ๐“‹ด๐“ƒน๐“ˆ–๐“Œ๐“ฒ๐“Š– to the temple ๐“‰Ÿ๐“๐“‰!ย 

The ancient Egyptians ๐“†Ž๐“๐“€€๐“๐“ช were such master geologists they even distinguished regular โ€œgranite ๐“‡‹๐“ˆ–๐“ˆ™๐“ˆ–๐“Œณ๐“ฟโ€ from โ€œred granite ๐“…“๐“Œณ๐“๐“Žถโ€ in the hieroglyphs ๐“Šน๐“Œƒ๐“ช! The picture ๐“๐“…ฑ๐“ below is a close up of a sample red granite ๐“…“๐“Œณ๐“๐“Žถ from my collection so you can get a better look at this gorgeous ๐“„ค rock ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™!ย 

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Reading Hieroglyphs Video

Video – Letโ€™s read some Hieroglyphs!

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!

This inscription ๐“Ÿ๐“›๐“ฅ comes from the false door of a man named Mery (4th Dynasty/Old Kingdom), however the inscription ๐“Ÿ๐“›๐“ฅ is about his wife ๐“‚‘๐“๐“ Niankhwadjet ๐“ˆ–๐“‡…๐“๐“‹น. 

Right Hieroglyphs ๐“Šน๐“Œƒ๐“ช Column:

๐“‡“๐“‚‹๐“๐“ – Kingโ€™s Acquaintance

๐“‰ก – Hathor

๐“Šน๐“› – Priest [Priestess in this case] (literally โ€œGodโ€™s Servantโ€) 

All together, this inscription ๐“Ÿ๐“›๐“ฅ would read โ€œThe Kingโ€™s Acquaintance, Priestess of Hathorโ€ฆโ€ The title โ€œKingโ€™s Acquaintance ๐“‡“๐“‚‹๐“๐“โ€œ is taken to mean that the person was close to the pharaoh ๐“‰๐“‰ป! 

Left Hieroglyphs ๐“Šน๐“Œƒ๐“ช Column: 

๐“ŽŸ – Possessor

๐“Œณ๐“๐“„ช – Reverence

๐“ˆ–๐“‡…๐“๐“‹น – Niankhwadjet

โ€œPossessor of Reverence, Niankhwadjet.โ€

Letโ€™s put it all together! 

๐“‡“๐“‚‹๐“๐“๐“‰ก๐“Šน๐“›๐“ŽŸ๐“Œณ๐“๐“„ช๐“ˆ–๐“‡…๐“๐“‹น

โ€œThe Kingโ€™s Acquaintance, Priestess of Hathor, Possessor of Reverence, Niankhwadjet.โ€

Here is my past post (with photographs) on this beautiful piece!

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Reading Hieroglyphs

The “King’s Acquaintance”

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!ย 

Today ๐“‡๐“‡‹๐“ˆ–๐“‡ณ we are going to be looking at a Title that appears ๐“ˆ on statues ๐“๐“…ฑ๐“๐“€พ๐“ช and in funerary inscriptions ๐“Ÿ๐“›๐“ฅ. The title of โ€œ๐“‡“๐“‚‹๐“๐“ – Kingโ€™s Acquaintanceโ€ is used to denote people who were close to the pharaoh ๐“‰๐“‰ป and can be written in two ways: 

๐“‡“๐“‚‹๐“๐“ – if the person was female

๐“‡“๐“๐“‚‹๐“ – if the person was male

In the case of this inscription ๐“Ÿ๐“›๐“ฅ, which was for a female, Kingโ€™s Acquaintance ๐“‡“๐“‚‹๐“๐“ is written in the female form of the word! The Title has also been translated as โ€œGentlewoman,โ€ and โ€œCourt Lady,โ€ while the male version (๐“‡“๐“๐“‚‹๐“) can also be translated as โ€œCustodian of the Kingโ€™s Property.โ€ 

Letโ€™s take a closer look at the hieroglyphs ๐“Šน๐“Œƒ๐“ช that make up this title! 

The โ€œSedge ๐“‡“โ€ symbol is one of the most common hieroglyphs you will see in inscriptions! It functions as a biliteral phonogram and is associated with the sound โ€œsw.โ€ Most commonly, the symbol is used as an ideogram for the word โ€œKing,โ€ which is associated with the sound โ€œnswt.โ€ In this case of this title, the sedge is functioning as an ideogram!

The โ€œplacenta or sieve ๐“โ€ symbol is a uniliteral phonogram and is associated with the sound โ€œแธซ.โ€ This symbol is actually considered โ€œunclassifiedโ€ because Egyptologists actually donโ€™t know what it exactly represents! 

The โ€œmouth ๐“‚‹โ€ symbol functions most commonly as a uniliteral phonogram and is used to represent the sound โ€œr.โ€ It can also be used as an ideogram for the word โ€œmouth ๐“‚‹๐“บ.โ€ 

The โ€œflat loaf of bread ๐“โ€ is a uniliteral phonogram used to represent the sound โ€œt.โ€ It also functions as the ideogram for the word โ€œbread ๐“๐“บโ€ and can be used to make words feminine when placed at the end of the word! 

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Egyptian Artifacts

First Dynasty Lion Cub

How cute is this lion ๐“Œณ๐“น๐“„ฟ๐“„› cub?! Whenever I am at the MET, I always make sure to stop by and see him!ย 

When I was a kid ๐“๐“‡Œ๐“€”, I absolutely loved this quartzite statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ of a lion ๐“Œณ๐“น๐“„ฟ๐“„› cub because it reminded me of Simba from The Lion King! Only the main features of the lion ๐“Œณ๐“น๐“„ฟ๐“„› cub are seen, and none of the features are โ€œsharply defined ๐“‹ด๐“Šช๐“‚ง๐“š๐“บ๐“›,โ€ however, it is clear that this is a statue ๐“๐“…ฑ๐“๐“€พ of a lion ๐“Œณ๐“น๐“„ฟ๐“„› and it is one of my favorite examples of early Egyptian art!

This cute little lion ๐“Œณ๐“น๐“„ฟ๐“„› is from the First Dynasty (c. 3100โ€“2900 B.C.E.)! During the Pre-Dynastic through Early Dynastic periods, statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช of animals were usually smaller in size (amulet ๐“Š๐“Šช๐“…† size or just a little larger – look above the lion ๐“Œณ๐“น๐“„ฟ๐“„› statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ in the picture ๐“๐“…ฑ๐“ to see examples) This statue ๐“๐“…ฑ๐“๐“€พ thought is almost like a transition piece towards the larger and grander statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช of the later dynasties. This little lion ๐“Œณ๐“น๐“„ฟ๐“„› was originally found in southern ๐“‡”๐“ Upper Egypt ๐“‡“. I love being able to see the changes in Egyptian art through time! 

Geology Time!!! Since quartzite is a very hard stone ๐“‡‹๐“ˆ–๐“‚‹๐“Šช, the Egyptians had to learn how to work with and sculpt these types of rocks ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™๐“ฆ! Quartz ๐“ ๐“ˆ–๐“Œ๐“ˆ™, the mineral ๐“‡‹๐“Œป๐“‚‹๐“…ฑ๐“ˆ™ quartzite is mostly composed of has a hardness of 7 out of 10 on Mohโ€™s Hardness Scale, which means it is very resistant to being scratched! Quartzite is a metamorphic rock, which means it was originally sandstone ๐“‚‹๐“…ฑ๐“‚ง๐“๐“Œ—๐“ˆ™ before it was subjected to intense heat and pressure, which recrystallized it into quartzite. Quartzite is a much stronger and durable rock ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™ than the original sandstone ๐“‚‹๐“…ฑ๐“‚ง๐“๐“Œ—๐“ˆ™. 

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Reading Hieroglyphs

Stela of Aafenmut

Today ๐“‡๐“‡‹๐“ˆ–๐“‡ณ we are going to look at a wooden ๐“†ฑ๐“๐“บ stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ that is dated to the Third Intermediate Period (c. 924โ€“889 B.C.E., 22nd Dynasty) which belonged to a man ๐“Šƒ๐“€€๐“ค named Aafenmut ๐“‰ป๐“†‘๐“ˆ–๐“๐“…๐“†‡. This stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ shows a typical funerary stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ offering ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ scene, and this style of stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ was very popular during this time period. I love this particular style because it is so colorful!ย This stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ is on display at the Metropolitan Museum of Art in NYC.

The Solar Barge ๐“‚ง๐“Šช๐“๐“Šž is shown at the top of the stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ and the Solar Barge ๐“‚ง๐“Šช๐“๐“Šž represents Raโ€™s ๐“‡ณ๐“บ๐“› journey across the sky ๐“Šช๐“๐“‡ฏ. Raโ€™s ๐“‡ณ๐“บ๐“› journey is supposed to be representative of his birth/resurrection (sunrise), growth (day) and then death (sunset). In between Aafenmut ๐“‰ป๐“†‘๐“ˆ–๐“๐“…๐“†‡ and Ra-Horakhty ๐“…Š๐“”๐“”๐“ค is a table filled with offerings ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ of bread ๐“๐“, fruit, and flowers ๐“†ผ๐“…ฑ๐“†ฐ๐“ฆ.ย 

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช! 

๐“…Š๐“”๐“”๐“ค – Ra-Horakhty

๐“Šน๐“‰ผ – Great God

๐“ŽŸ – Lord

๐“‡ฏ – Sky/Heaven

๐“‚ž – Give

๐“†‘ – He

๐“Šต๐“๐“Šช๐“๐“๐“›- Offerings

๐“ – To

๐“Šฉ๐“น – Osiris

๐“ – To

๐“ž – Scribe

๐“บ๐“‰๐“Œ‰๐“บ๐“‰ – Treasury

๐“‰ป๐“†‘๐“ˆ–๐“๐“…๐“†‡ – Aafenmut

๐“™๐“Šค – True of Voice (Justified)

So all ๐“ŽŸ together ๐“ˆ–๐“Š—, this inscription ๐“Ž˜๐“…ฑ๐“Ž– reads: โ€œRa-Horakhty, the Great God, Lord of the Sky/Heaven, may he give offerings to Osiris, to the scribe of the treasury, Aafenmut, True of Voice.โ€ 

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Egyptian Artifacts Reading Hieroglyphs

Sphinx of Senwosret III (Part II)

Here is a link to Part I!

The Horus Name is one of five ๐“พ ways to write the name ๐“‚‹๐“ˆ– of a pharaoh ๐“‰๐“‰ป, and it is the oldest way to do so. The purpose of the Horus Name was to identify the king ๐“‡“ as an earthly representation of the god ๐“Šน Horus ๐“…ƒ๐“€ญ.ย 

The Horus Name consists of three elements: the palace facade ๐“Š, Horus the Falcon ๐“…ƒ standing on top of the palace ๐“Š, and the name ๐“‚‹๐“ˆ– of the pharaoh ๐“‰๐“‰ป within the palace ๐“Š. The palace ๐“Š hieroglyph ๐“Šน๐“Œƒ is pronounced like โ€œserekhโ€ and some Egyptologists are now referring to the Horus Name as the Serekh Name. This was basically the early version of the cartouche! 

On the sphinx ๐“Ž›๐“…ฑ๐“ƒญ of Pharaoh ๐“‰๐“‰ป Senwosret III ๐“‡ณ๐“ˆ๐“‚“๐“‚“๐“‚“, you can see the Horus name, however, the throne name is also in the serekh! This is unusual to see both names ๐“‚‹๐“ˆ–๐“ฆ in the serekh! 

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช! 

๐“Šน๐“†ฃ๐“…ฑ – โ€œHorus, Divine of Formโ€ (Neter-kheperu) (Horus Name)

๐“‡ณ๐“ˆ๐“‚“๐“‚“๐“‚“ – โ€œThe Souls of Ra have Appearedโ€ (Kha kau ra) (Throne Name)

Something I love about this sphinx ๐“Ž›๐“…ฑ๐“ƒญ, is that it is made out of gneiss, which is one of my favorite rocks ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™๐“ฆ! Gneiss is a foliated metamorphic rock ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™ which means that it was subjected to such extreme heat and pressure during its formation (probably due to mountain ๐“ˆ‹๐“…ณ building or plate tectonics), that the minerals ๐“‡‹๐“Œป๐“‚‹๐“…ฑ๐“ˆ™๐“ฆ have separated into bands of light (felsic) and dark (mafic) colored minerals ๐“‡‹๐“Œป๐“‚‹๐“…ฑ๐“ˆ™๐“ฆ! This gives gneiss a natural zebra-like appearance! 

Gebel el-Asr is the only quarry ๐“Ž›๐“๐“๐“‰ in Egypt ๐“†Ž๐“…“๐“๐“Š– where gneiss can be found, and gneiss was prized from the Predynastic to Middle Kingdoms for statue ๐“๐“…ฑ๐“๐“€พ making!

The following pictures ๐“๐“…ฑ๐“ show a close up of one of my samples of gneiss, so you can see this banding! 

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Egyptian Artifacts

Sphinx of Senwosret III (Part I)

Pharaohs ๐“‰๐“‰ป๐“ฆ were commonly represented as sphinxes ๐“Ž›๐“…ฑ๐“ƒญ๐“ฆ in ancient Egyptian art for many reasons. A sphinx ๐“Ž›๐“…ฑ๐“ƒญ is a mythical creature that has the body of a lion ๐“Œณ๐“น๐“„ฟ๐“„› and the head of a human. In ancient Egypt ๐“†Ž๐“…“๐“๐“Š–, lions ๐“Œณ๐“น๐“„ฟ๐“„›๐“ช have been associated with kingship ๐“‡“๐“‡Œ since prehistoric times due to their strength ๐“Œ€ and ferocity. The sphinx ๐“Ž›๐“…ฑ๐“ƒญ was the perfect representation of the strength ๐“Œ€ of the pharaoh ๐“‰๐“‰ป due to its lion ๐“Œณ๐“น๐“„ฟ๐“„› body, while the face still preserved the image ๐“๐“…ฑ๐“ of the king ๐“‡“ himself. 

This magnificent sphinx ๐“Ž›๐“…ฑ๐“ƒญ is a representation of the 12th Dynasty Pharaoh ๐“‰๐“‰ป Senwosret III ๐“‡ณ๐“ˆ๐“‚“๐“‚“๐“‚“. Senwosret III ๐“‡ณ๐“ˆ๐“‚“๐“‚“๐“‚“ has very distinctive facial features, so he is very easy to spot in Middle Kingdom art. Senwosret III ๐“‡ณ๐“ˆ๐“‚“๐“‚“๐“‚“ is wearing the characteristic nemes head cloth ๐“ˆ–๐“…“๐“‹ด and false beard ๐“๐“ƒ€๐“Šƒ๐“…ฑ๐“๐“ธ, which are both signs of kingship ๐“‡“๐“‡Œ. 

While this is not a professional term, to me, Senwosret III ๐“‡ณ๐“ˆ๐“‚“๐“‚“๐“‚“ looks like a โ€œsad and tired old man,โ€ which is how I distinguish him from statues ๐“๐“…ฑ๐“๐“€พ๐“ช of other pharaohs ๐“‰๐“‰ป๐“ฆ. This depiction of a pharaoh demonstrates how in the Middle Kingdom, some of the art took a more realistic approach, instead of the typical idealistic approach. Usually, pharaohs ๐“‰๐“‰ป๐“ฆ and people were shown at their best, not how they actually looked. However, this sphinx ๐“Ž›๐“…ฑ๐“ƒญ shows a detachment from idealistic depictions. 

This sphinx ๐“Ž›๐“…ฑ๐“ƒญ is in a crouching position, which to the Egyptians ๐“†Ž๐“๐“€€๐“๐“ช meant that it was a guardian of a sacred place, such as a temple ๐“‰Ÿ๐“๐“‰ or an important building. This is why rows or lines of sphinxes have been found at various temples ๐“‰Ÿ๐“๐“‰๐“ช around Egypt ๐“†Ž๐“…“๐“๐“Š– – the sphinx ๐“Ž›๐“…ฑ๐“ƒญ, and therefore the pharaoh ๐“‰๐“‰ป, was using his strength ๐“Œ€ and might to protect these sacred places!ย 

Here is a link to Part II!

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Egyptian Artifacts

Ushabti and Miniature Coffin

Today ๐“‡๐“‡‹๐“ˆ–๐“‡ณ, we are going to take a look at this unique ushabti ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ that was discovered in the mortuary temple ๐“‰Ÿ๐“๐“‰ of the pyramid ๐“‹๐“…“๐“‚‹๐“‰ด of the pharaoh ๐“‰๐“‰ป Senwosret I ๐“„Š๐“‹ด๐“‚‹๐“๐“Šƒ๐“ˆ– (Dynasty 12). This was probably left as some type of offering ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ. The ushabti ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ and coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ are made out of wood ๐“†ฑ๐“๐“บ and are covered in gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ leaf. 

The ushabti ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ and coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ contain the name ๐“‚‹๐“ˆ– of Wahneferhotep, who was probably the son ๐“…ญ of Senwosret I ๐“„Š๐“‹ด๐“‚‹๐“๐“Šƒ๐“ˆ– due to the title โ€œKingโ€™s Son ๐“‡“๐“…ญโ€ appearing in the hieroglyphs ๐“Šน๐“Œƒ๐“ช. These two ๐“ป objects seen here are the only place where Wahneferhotepโ€™s name ๐“‚‹๐“ˆ–appears, so we know nothing about him!ย 

What is so cool about the miniature coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ is that it is so detailed and similar to an actual coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ! The text ๐“Ÿ๐“›๐“ฅ on the miniature coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ is inscribed with the same funerary spells as regular sized coffins would be! The eyes ๐“น๐“๐“ฆ on this side of the coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ would allow the mummy ๐“‡‹๐“น๐“…ฑ๐“€พ (or in this case, the ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ) to see outside of it! The ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ was even found covered with linen ๐“ฑ and laying on its side! This was very typical of Middle Kingdom burial practices ๐“ˆŽ๐“‚‹๐“‹ด๐“๐“๐“Šญ, and it was something my Nonno would always point out to me when we were in a museum! 

The text ๐“Ÿ๐“›๐“ฅ on the ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ is a version of the standard โ€œShabti Spell. This spell ๐“Ž›๐“‚“๐“› gives the ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ the power to complete tasks (farming, manual labor, etc) for the deceased ๐“…“๐“๐“ฑ in the Field of Reeds ๐“‡๐“๐“ˆ…๐“‡‹๐“„ฟ๐“‚‹๐“…ฑ๐“†ฐ๐“Š– so the deceased ๐“…“๐“๐“ฑ doesnโ€™t have to do any work in the afterlife ๐“‡ผ๐“„ฟ๐“๐“‰.