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Video

Canopic Jars (Video)

The Four Sons of Horus were an integral part of ancient Egyptian religion – usually in a funerary aspect. 

During the process of mummification ๐“‹ด๐“‚ง๐“๐“…ฑ๐“Ž (which took about 70 ๐“Ž†๐“Ž†๐“Ž†๐“Ž†๐“Ž†๐“Ž†๐“Ž† days), the embalmers removed the internal organs ๐“‡‹๐“‚ง๐“‚‹๐“„น๐“ฆ and placed them in Canopic Jars. Each of the four ๐“ฝ jars was for one of the major internal organs ๐“‡‹๐“‚ง๐“‚‹๐“„น๐“ฆ and each jar had a different head which represented one of the four Sons of Horus.

Qebehsenuef ๐“๐“Œข๐“Œข๐“Œข๐“†‘๐“€ญ (falcon head) held/protected the intestines ๐“ˆ–๐“Šช๐“…ฎ๐“„ฟ๐“ฒ๐“ผ. 

Hapi ๐“Ž›๐“‘๐“Šช๐“‡Œ๐“€ญ (baboon head) held/protected the lungs ๐“Šƒ๐“Œด๐“„ฅ๐“…ฑ๐“„บ

Duamutef ๐“‡ผ๐“…๐“๐“†‘๐“€ญ (jackal head) held/protected the stomach ๐“‚‹๐“„ฃ๐“ป

Imseti ๐“‡‹๐“…“๐“Šƒ๐“ฟ๐“€ญ (human head) held/protected the liver ๐“…“๐“Šƒ๐“๐“„น๐“ธ๐“ธ๐“ธ

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Video

Statue of Imhotep (Video)

My Nonno always made a point to make sure we saw Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช in every museum that we went to. It was part of the fun of going to the museum!! After seeing โ€œThe Mummyโ€ for the first time when I was about ten ๐“Ž† years old, I had already known about Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช for years from a historical perspective!!

Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช, meaning โ€œHe who comes in peace,โ€ was a non-royal man ๐“Šƒ๐“€€๐“ค who became deified (reached godly status).  This is a very rare occurrence, as it was thought by the Egyptians ๐“†Ž๐“๐“€€๐“๐“ช that the Pharaoh ๐“‰๐“‰ป was the only god ๐“Šน on the Earth ๐“‡พ๐“‡พ.  Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช was not deified in his lifetime – it was about 2,000 ๐“†ผ๐“†ผ years after his death ๐“…“๐“๐“ฑ that he began to be worshipped ๐“‡ผ๐“„ฟ๐“€ข as a god ๐“Šน.  

Not much is known about Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช from his lifetime – much information about Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช is from Demotic texts or stelae ๐“Ž—๐“…ฑ๐“†“๐“‰ธ๐“ช that were written thousands of years after his death ๐“…“๐“๐“ฑ. 

Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช is famous for being an incredible architect and is credited with designing Djoserโ€™s ๐“‚ฆ Step Pyramid (aka the first ever pyramid ๐“‹๐“…“๐“‚‹๐“‰ด) at Memphis ๐“ ๐“ˆ–๐“„ค๐“†‘๐“‚‹๐“‰ด๐“Š– (modern day Saqqara). He was also a physician! 

Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช is always depicted as a man ๐“Šƒ๐“€€๐“ค seated in a chair, usually with a piece of papyrus ๐“…“๐“‘๐“๐“› in his lap. Much like the god ๐“Šน Ptah ๐“Šช๐“๐“Ž›๐“ฑ(who he is said to be the son ๐“…ญ of), he wears a cap on his head. Once you are able to remember what Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช look like, you will be able to recognize them in any museum that you go to! 

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Video

Blue Faience Tiles from Djoser’s Step Pyramid (Video)

These blue ๐“‡‹๐“น๐“๐“„ฟ๐“ธ๐“ฅ faience ๐“‹ฃ๐“ˆ–๐“๐“ธ๐“ผ tiles decorated the lower levels of Djoserโ€™s ๐“‚ฆ Step Pyramid ๐“‹๐“…“๐“‚‹๐“‰ด Complex. There were over 30,000 tiles used!!! The tiles were meant to represent various types of reeds that covered the walls of Djoserโ€™s ๐“‚ฆ palace. 

I have always been obsessed with anything having to do with the Step Pyramid ๐“‹๐“…“๐“‚‹๐“‰ด solely because of Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช. My Nonno always spoke more about Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šช than Djoser ๐“‚ฆ! My Nonno always pointed these tiles out to me in the museum. While to most people, the tiles look somewhat insignificant compared to beautifully ๐“„ค carved reliefs and statues ๐“๐“…ฑ๐“๐“€พ๐“ช, my Nonno always said that these types of tiles were important because they were really only found in the Step Pyramid ๐“‹๐“…“๐“‚‹๐“‰ด and one of Djoserโ€™s ๐“‚ฆ other buildings at Saqqara. The tiles were pretty much a โ€œuniquely Imhotep ๐“‡๐“…“๐“Šต๐“๐“Šชโ€ thing according to Nonno! 

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Video

Head of Tutankhamun (Video)

To celebrate the 100 ๐“ฒ year anniversary of the discovery of Pharaoh Tutankhamunโ€™s ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“ tomb ๐“‡‹๐“ซ๐“Šƒ๐“‰ (11/4/1922), here is a closer look at the head of a statue ๐“๐“…ฑ๐“๐“€พ of Tutankhamun ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“! 

While to most this statue ๐“๐“…ฑ๐“๐“€พ head may seem anti-climatic after seeing the Temple of Dendur, I have always loved it because it is a portrait of Pharaoh Tutankhamun ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“. As a kid, seeing King Tut in the MET was just SO COOL. I still think itโ€™s cool – even though Iโ€™m an adult, I still canโ€™t shake the child-like fascination I have with Tutankhamun ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“

This limestone ๐“‡‹๐“ˆ–๐“ˆ™๐“Œ‰ statue ๐“๐“…ฑ๐“๐“€พ was made during Tutankhamunโ€™s ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“ reign (18th Dynasty), and it shows that Tutankhamun ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“ brought back the old religion and traditional styles of Egyptian art and sculpture. 

The hand ๐“‚ง๐“๐“บ that can be seen on the back of Tutankhamunโ€™s ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“ head is the hand ๐“‚ง๐“๐“บ of the god ๐“Šน Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ. Since Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ (king of the gods ๐“Šน๐“Šน๐“Šน) is touching Tutankhamunโ€™s crown, it can be interpreted that Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ approved of Tutankhamunโ€™s ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“ reign. 

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Egyptian Artifacts

Gold Statuette of Amun

This gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ statuette ๐“๐“…ฑ๐“๐“€พ of the god ๐“Šน Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ is so beautiful ๐“„ค to see in person! In the picture ๐“๐“…ฑ๐“ the statue ๐“๐“…ฑ๐“๐“€พ looks large but it is only about 7 inches (~18cm) tall! This statue is dated to the 22nd Dynasty (c. 945โ€“712 B.C.E.). While the artistic features of the statue ๐“๐“…ฑ๐“๐“€พ definitely reflect this Third Intermediate Period, there are some callbacks to the 18th Dynasty artistic styles (the facial features in particular).ย 

This solid gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ statue ๐“๐“…ฑ๐“๐“€พ is a very rare example of the statues ๐“๐“…ฑ๐“๐“€พ๐“ช that filled the sanctuaries of the temples ๐“‰Ÿ๐“๐“‰. There is a trace of a loop on Amunโ€™s ๐“‡‹๐“ ๐“ˆ–๐“€ญ crown, which means that this statuette ๐“๐“…ฑ๐“๐“€พ could have been worn by a priest ๐“Šน๐“› or by another statue ๐“๐“…ฑ๐“๐“€พ. Or, the statue ๐“๐“…ฑ๐“๐“€พ could have been mounted on top of a scepter or standard. The exact use is speculation right now! The color of gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ was often associated with the sun ๐“†„๐“…ฑ๐“‡ถ, and the skin of the gods ๐“Šน๐“Šน๐“Šน were thought to be made of gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰. 

Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ is depicted with his flat topped crown, with the characteristic feathers ๐“†„๐“†„๐“†„ having been lost in antiquity. He is wearing the false beard, and is carrying the Ankh ๐“‹น, a symbol of life ๐“‹น๐“ˆ–๐“, in his hand. In the other hand he carries a scimitar ๐“Œ›๐“บ, which in temple reliefs, Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ is usually seen presenting to the pharaoh ๐“‰๐“‰ป. This gift of a scimitar ๐“Œ›๐“บ is usually meant to ensure military victories!

The god ๐“Šน Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ gained popularity during the Middle Kingdom, however, it was during the New Kingdom (18th Dynasty in particular) that Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ became the most important/most prominent god ๐“Šน in the Egyptian pantheon. Amun ๐“‡‹๐“ ๐“ˆ–๐“€ญ had many different roles and was worshipped ๐“‡ผ๐“„ฟ๐“€ข as a creator god, solar god, fertility god, warrior god, and king of the gods. Amunโ€™s ๐“‡‹๐“ ๐“ˆ–๐“€ญ is also considered the โ€œuniversal godโ€ meaning that his power permeated the cosmos and all that the cosmos contained! 

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Reading Hieroglyphs

“Sem Priest” in Hieroglyphs

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!ย 

Priests ๐“Šน๐“›๐“ช and the Priesthood ๐“ƒน๐“ˆ–๐“Œ๐“๐“ญ๐“‡ผ๐“€€ were important roles in Egyptian society because religion was so central to life ๐“‹น๐“ˆ–๐“ and death ๐“…“๐“๐“ฑ in ancient Egypt ๐“†Ž๐“…“๐“๐“Š–. However, priests ๐“Šน๐“›๐“ช did not preach to the public – their main role was to care for the gods ๐“Šน๐“Šน๐“Šน in the temples. The priesthood ๐“ƒน๐“ˆ–๐“Œ๐“๐“ญ๐“‡ผ๐“€€ was established during the Early Dynastic Period (c. 3150-2613 B.C.E.) and became more developed during the Old Kingdom (c. 2613-2181 B.C.E.). The Sem Priests ๐“‹ด๐“…“ ceased to exist in the New Kingdom forward. 

Throughout inscriptions ๐“Ÿ๐“›๐“ฅ, we are used to seeing the word for priest/high priest as โ€œ๐“Šน๐“›โ€ which literally translates to โ€œGodโ€™s Servant.โ€ However, in the Old and Middle Kingdoms, there were special priests ๐“Šน๐“›๐“ช who were referred to as โ€œSemโ€ ๐“‹ด๐“…“ priests.

The Sem Priests ๐“‹ด๐“…“ were the priests who were responsible for the Opening of the Mouth Ceremony ๐“„‹๐“๐“‚‹๐“บ. The Sem Priests ๐“‹ด๐“…“ performed this while dressed in leopard ๐“‹๐“ƒ€๐“‡Œ๐“ƒฎ skin robes, and this ceremony is what allowed the deceased ๐“…“๐“๐“ฑ to be able to speak, see, hear, eat and drink in the afterlife ๐“‡ผ๐“„ฟ๐“๐“‰. The Sem Priests ๐“‹ด๐“…“ were also responsible for mummification ๐“‹ด๐“‚ง๐“๐“…ฑ๐“Ž; so they embalmed the corpse and recited all of the spells ๐“Ž›๐“‚“๐“›๐“ฆ while wrapping the mummy ๐“‡‹๐“น๐“…ฑ๐“€พ. 

The word we see here in the inscription, ๐“‹ด๐“…“๐“Žก, is a title that the Sem Priests ๐“‹ด๐“…“ had, and can even be a variant way to write just Sem Priest ๐“‹ด๐“…“. 

Sem Priest ๐“‹ด๐“…“ can also be written with a determinative, and can be spelled as: ๐“‹ด๐“…“๐“€€, ๐“‹ด๐“…“๐“€™, ๐“‹ด๐“…“๐“€ผ. 

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Reading Hieroglyphs

“Belongs to Me” in Hieroglyphs

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช! 

Today ๐“‡๐“‡‹๐“ˆ–๐“‡ณ we are going to look at a word that sometimes pops up in inscriptions ๐“Ÿ๐“›๐“ฅ! These hieroglyphs ๐“Šน๐“Œƒ๐“ช are from a Middle Kingdom relief which is dated to the reign ๐“‹พ๐“ˆŽ๐“ of the pharaoh ๐“‰๐“‰ป Montuhotep II ๐“ ๐“ˆ–๐“ฟ๐“…ฑ๐“Šต๐“๐“Šช (c. 2010-2000 B.C.E.).ย 

This simple word (or phrase in English) โ€œ๐“ˆ–๐“ˆ–๐“Žกโ€ could mean either โ€œbelongs to me,โ€ โ€œmine,โ€ or โ€œon my part.โ€ 

The โ€œripple of water ๐“ˆ–โ€ is a uniliteral phonogram sign, which means it has the sound of a single consonant. The โ€œ๐“ˆ–โ€ is associated with the sound of โ€œn!โ€ The ๐“ˆ– has many grammatical functions on its own, and it can mean โ€œto,โ€ โ€œof,โ€ โ€œfor,โ€ โ€œwe/us/our,โ€ โ€œin,โ€ โ€œbecause,โ€ โ€œthrough,โ€ and some others! How do we know which word it is? Context clues! 

The โ€œBasket with a Handle ๐“Žกโ€ symbol is also a uniliteral phonogram that has the sound of โ€œk.โ€ A lot of people get this one confused with just the โ€œbasket ๐“ŽŸโ€ symbol which is a biliteral phonogram that has the sound โ€œnb.โ€ These are very different symbols with different meanings so try not to confuse the two!

Another way to write โ€œ๐“ˆ–๐“ˆ–๐“Žกโ€ in hieroglyphs ๐“Šน๐“Œƒ๐“ช is โ€œ๐“ˆ–๐“ˆ–๐“Žก๐“‡‹๐“€€,โ€ which is a more uncommon variant. 

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Reading Hieroglyphs

“King with a White Crown and Flail” Hieroglyph

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!ย 

Today ๐“‡๐“‡‹๐“ˆ–๐“‡ณ we are going to look at the โ€œKing with a White Crown and Flail ๐“€ดโ€ symbol! This symbol can act as both a determinative and an ideogram! It can be used as a determinative in the word for โ€œKing ๐“‡“๐“€ดโ€ and also as a determinative for โ€œOsiris ๐“น๐“‡“๐“€ด.โ€

The โ€œKing with a White Crown and Flail ๐“€ดโ€ symbol is also one the many symbols that can be used as an ideogram to solely represent the word for โ€œKing ๐“€ดโ€ in both titles and phrases. 

The โ€œKing with a White Crown and Flail ๐“€ดโ€ symbol is a variant of the symbol โ€œKing With a White Crown ๐“€ฒโ€ and the two symbols can usually be used interchangeably with each other in inscriptions ๐“Ÿ๐“›๐“ฅ! 

Here are some ways we can use โ€œ๐“€ดโ€ in inscriptions ๐“Ÿ๐“›๐“ฅ! 

๐“‡“๐“๐“€ด – King of Upper Egypt/King

๐“†ค๐“๐“€ด/๐“†ค๐“๐“€ด๐“ฅ – King of Lower Egypt/King

๐“€ด – King

๐“น๐“‡“๐“€ด – Osiris/The Osiris King

๐“น๐“Šจ๐“‚‹๐“€ด – Osiris

So if you see the โ€œKing with a White Crown and Flail ๐“€ดโ€ symbol in an inscription, you are probably looking at a word that has to do with either a King or Osiris! 

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Reading Hieroglyphs

Translation of the Sarcophagus of Henhenet

This very simple limestone ๐“‡‹๐“ˆ–๐“ˆ™๐“Œ‰ sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ from the reign of Montuhotep II ๐“ ๐“ˆ–๐“ฟ๐“…ฑ๐“Šต๐“๐“Šช (Dynasty 11, c. 2051โ€“2030 B.C.E.) and belonged to a priestess ๐“Šน๐“› of Hathor ๐“‰ก named Henhenet ๐“‰”๐“ˆ–๐“‰”๐“ˆ–๐“. This is one of my favorite pieces to see at the MET specifically because of the hieroglyphs ๐“Šน๐“Œƒ๐“ช that the sarcophagus has inscribed on it! 

This sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ shows the standard offering formula, the name ๐“‚‹๐“ˆ–of the deity ๐“Šน, and the titles associated with that deity ๐“Šน. This standard way of writing the offering formula is extremely common, and if you know it, you will be able to recognize it anywhere!

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช:

๐“‡“๐“๐“Šต๐“™๐“‡‹๐“ˆ–๐“Šช๐“ƒฃ๐“ถ๐“บ๐“ˆ‹๐“†‘๐“‡‹๐“ถ๐“…ฑ๐“๐“Ž๐“ŽŸ๐“‡พ๐“‚ฆ

๐“‡“๐“๐“Šต๐“™ An Offering the King Gives 

๐“‡‹๐“ˆ–๐“Šช๐“ƒฃ – Anubis

๐“ถ๐“บ๐“ˆ‹๐“†‘ – Upon his Hill/Mountain

๐“‡‹๐“ถ๐“…ฑ๐“๐“Ž- He Who is in the Mummy Wrappings (can also be written as ๐“‡‹๐“ถ๐“…ฑ๐“๐“Ž๐“Š–)

๐“ŽŸ๐“‡พ๐“‚ฆ – Lord of the Sacred Land

Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ held many important titles, all of which signify how important he was to not only embalming, but to all aspects of a personโ€™s death ๐“…“๐“๐“ฑ. The title โ€œUpon His Hill/Mountain ๐“ถ๐“บ๐“ˆ‹๐“†‘โ€ references the cliff that usually surrounded necropolises, which Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ would preside over. The title โ€œHe who is in the mummy wrappings ๐“‡‹๐“ถ๐“…ฑ๐“๐“Ž๐“Š–โ€œ signifies Anubisโ€™ ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ role in the mummification process, which is what he is most known for. โ€œLord of the Sacred Land ๐“ŽŸ๐“‡พ๐“‚ฆโ€ refers to the necropolis or cemeteries that Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ would guard. 

While this sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ contains a lot of Anubisโ€™ ๐“‡‹๐“ˆ–๐“Šช๐“ƒฃ titles, one that does not appear on this sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ is โ€œLord of the Necropolis ๐“ŽŸ๐“‡พ๐“‚ฆ๐“ˆŠ.โ€

Also, Anubisโ€™ name ๐“‚‹๐“ˆ– is shortened here and is missing a symbol: it is written as ๐“‡‹๐“ˆ–๐“Šช๐“ƒฃ instead of ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ! I see this a lot with Anubisโ€™ ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ name ๐“‚‹๐“ˆ–, and it is done to save space! 

Here is the second ๐“Œ๐“ป part of the inscription ๐“Ÿ๐“›๐“ฅ!

๐“ˆŽ๐“‚‹๐“Œ ๐“‹ด๐“€๐“‰ฌ๐“„ค๐“„ค๐“†‘๐“‚‹๐“๐“…“๐“‡‹๐“ซ๐“Šƒ๐“‰๐“‹ด๐“ˆ–๐“Šผ๐“‰“๐“๐“‚‹๐“ƒฃ๐“…๐“Šน๐“‰ฑ

๐“ˆŽ๐“‚‹๐“Œ ๐“‹ด๐“€๐“‰ฌ – Burial (I donโ€™t have the composite hieroglyph on the sarcophagus so I used the two symbols here)

๐“„ค๐“†‘๐“‚‹๐“- Good 

๐“…“ – In Her

๐“‡‹๐“ซ๐“Šƒ๐“‰ – Tomb 

๐“‹ด๐“ˆ–๐“Šผ – Necropolis

๐“‰“ – A Voice Offering 

๐“๐“‚‹ – Before

๐“ƒฃ – Anubis 

๐“… – In Front At 

๐“Šน๐“‰ฑ – Godโ€™s Booth (Shrine for Anubis)

So all ๐“ŽŸ together ๐“ˆ–๐“Š—, the second ๐“Œ๐“ป part of the inscription ๐“Ÿ๐“›๐“ฅ reads: โ€œA good burial in her tomb of the necropolis with a voice offering before Anubis, in front at the godโ€™s boothโ€ฆโ€

The first ๐“… part of the inscription ๐“Ÿ๐“›๐“ฅ (from yesterdayโ€™s post) contains a lot about Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ, and this second part of the inscription ๐“Ÿ๐“›๐“ฅ continues with that theme! Here we can see Anubisโ€™ ๐“ƒฃ title โ€œIn Front at the Godโ€™s Booth ๐“…๐“Šน๐“‰ฑโ€ in which โ€œGodโ€™s Booth ๐“Šน๐“‰ฑโ€ refers to a shrine specifically dedicated to Anubis ๐“ƒฃ himself! This second ๐“Œ๐“ป part of the inscription ๐“Ÿ๐“›๐“ฅ also only uses the determinative symbol of โ€œ๐“ƒฃโ€ to spell out Anubisโ€™ ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ name ๐“‚‹๐“ˆ–! 

Here is the third part of the inscription ๐“Ÿ๐“›๐“ฅ:

๐“Šน๐“‰ฑ๐“ˆ–๐“‡‹๐“Œณ๐“„ช๐“๐“‡Œ๐“๐“‡“๐“๐“†ญ๐“Œก๐“๐“๐“‰ก๐“Šน๐“›๐“‰”๐“ˆ–๐“‰”๐“ˆ–๐“๐“™๐“…ฑ๐“๐“Šค

๐“Šน๐“‰ฑ – Godโ€™s Booth (Shrine for Anubis)

๐“ˆ–๐“‡‹- For The/By The

๐“Œณ๐“„ช๐“๐“‡Œ๐“ – Venerated/Revered

๐“‡“ – King 

๐“๐“†ญ๐“Œก๐“๐“ – Sole Ornament 

๐“‰ก – Hathor

๐“Šน๐“› – High Priestess

๐“‰”๐“ˆ–๐“‰”๐“ˆ–๐“ – Henhenet

๐“™๐“…ฑ๐“๐“Šค – True of Voice

The title โ€œSole Ornament of the King ๐“‡“๐“๐“†ญ๐“Œก๐“๐“โ€ carried a lot of prestige, but no real responsibility or authority! The word โ€œsoleโ€ in this case does not mean โ€œuniqueโ€ as we would define it in English, but rather signified a high social rank. Henhenetโ€™s ๐“‰”๐“ˆ–๐“‰”๐“ˆ–๐“ true role was as a High Priestess ๐“Šน๐“› of Hathor ๐“‰ก, which is why she was able to be buried in a sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ! 

I also love how Henhenetโ€™s ๐“‰”๐“ˆ–๐“‰”๐“ˆ–๐“ name ๐“‚‹๐“ˆ– is spelled because it is very phonetic –ย ๐“‰” = h, ๐“ˆ– = n, and ๐“ = t so when we add in the โ€œsoft eโ€ to make it pronounceable to us modern people, we get Henhenet ๐“‰”๐“ˆ–๐“‰”๐“ˆ–๐“! Thereโ€™s also no determinative here, and her name could have also possibly been written as ๐“‰”๐“ˆ–๐“‰”๐“ˆ–๐“๐“!ย 

Categories
Reading Hieroglyphs

Offering Table Dedicated to the God Seth

This piece is a large offering table ๐“‚๐“ƒ€๐“…ก๐“„ฟ๐“‹ƒ that was dedicated to the god ๐“Šน Seth ๐“Šƒ๐“๐“„ก๐“ฃ by the 19th Dynasty pharaoh ๐“‰๐“‰ป Seti I ๐“‡ณ๐“ฆ๐“ .

There is a lot going on with this piece! On the reliefs, Seti I ๐“‡ณ๐“ฆ๐“  can be seen worshipping thegod Seth ๐“Šƒ๐“๐“„ก๐“ฃ, whose likeness has been erased. During the Ramesside time period, many pharaohs had โ€œSethโ€ as part of their name ๐“‚‹๐“ˆ– because Sethโ€™s ๐“Šƒ๐“๐“„ก๐“ฃ status was elevated at the time due to him being both a powerful aggressor and being associated with foreign lands. Once Seth ๐“Šƒ๐“๐“„ก๐“ฃ fell out of favor, his name ๐“‚‹๐“ˆ–/images ๐“๐“…ฑ๐“๐“ฆ were no longer used. Seth’s image is even removed, except for when he is mentioned in Seti I’s ๐“‡ณ๐“ฆ๐“  name ๐“‚‹๐“ˆ–! The image of the goddess ๐“Šน๐“Nephthys ๐“ŽŸ๐“๐“‰—๐“๐“‰๐“ has not been erased, because even though she is the consort of Seth ๐“Šƒ๐“๐“„ก๐“ฃ, she was considered a favorable figure in Egyptian mythology.

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช! 

In the picture ๐“๐“…ฑ๐“ above, we see Seti Iโ€™s Horus Name: ๐“…ƒ๐“ƒ’๐“‚ก๐“…“๐“ˆ๐“‹†๐“‹ด๐“‹น๐“ˆ–๐“๐“ˆ™๐“ˆ™ โ€œThe Strong bull who appeared in Thebes and sustains the Two Lands.โ€ 

In the picture ๐“๐“…ฑ๐“ above, we see Seti I ๐“‡ณ๐“ฆ๐“  making an offering ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ to the goddess ๐“Šน๐“Nephthys ๐“ŽŸ๐“๐“‰—๐“๐“‰๐“ (her name ๐“‚‹๐“ˆ– is written above her), who is the consort of Seth ๐“Šƒ๐“๐“„ก๐“ฃ. We can also see Seti Iโ€™s ๐“‡ณ๐“ฆ๐“  titles and cartouches: 

๐“†ฅ – King of Upper and Lower Egypt 

๐“ŽŸ๐“‡ฟ๐“‡ฟ – Lord of the Two Lands

(๐“‡ณ๐“ฆ๐“ ) – Menmaatra (throne name)

(๐“Šช๐“๐“Ž›๐“ฃ๐“‡Œ๐“Œธ๐“ˆ–) – Seti, Beloved of Ptah (birth name)

๐“™ – Given

๐“†– – Eternity

In the next picture ๐“๐“…ฑ๐“ (above) we see the cartouches again, and Seti worshipping Seth. The hieroglyphs ๐“Šน๐“Œƒ๐“ช translate to:

๐“™ – Given

๐“‹น – Life

๐“†‘ – His

๐“Šฝ – Stability

๐“Œ€ – Strength

So all together, the inscription reads: “๐“™๐“‹น๐“†‘๐“Šฝ๐“Œ€ Given Life, His Stability and Strength.”

The last picture ๐“๐“…ฑ๐“ (above) is another variant of the Horus name! 

I always find pieces such as these so fascinating, because upon first look, it looks like just a large slab of rock ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™. But in reality, there is so much to analyze and unpack when it comes to the images ๐“๐“…ฑ๐“๐“ฆ and the hieroglyphs ๐“Šน๐“Œƒ๐“ช, and how they relate to the time period, and even the time periods that came long after this piece was made. While it was made during the 19th Dynasty (reign of Seti I ๐“Šช๐“๐“Ž›๐“ฃ๐“‡Œ๐“Œธ๐“ˆ–), it was definitely altered afterwards.