Tag: akhenaten

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Egyptian Artifacts

The Wilbour Plaque

Not only is the Wilbour Plaque one of my absolute favorite pieces, this is one of the most famous pieces of Amarna-era art! The Brooklyn Museum has an amazing collection of artifacts from Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– rule π“‹Ύπ“ˆŽπ“ and I’ll never forget the first time I got to see it with my Nonno!Β 

Wilbour Plaque
Me with the Wilbour Plaque at the Brooklyn Museum!

After Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ, Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– is my second favorite pharaoh 𓉐𓉻 because of just how different his reign π“‹Ύπ“ˆŽπ“ was compared to the other pharaohs 𓉐𓉻π“₯ – not only did the art style completely change, but the religion changed too! 

The top piece in the display is known as the Wilbour Plaque, named after Charles Wilbour who acquired it in 1881. This limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ piece is interesting because it is complete as is it was; it was never part of a larger scene and was most likely used as a model for sculptors! Sculptor models were used by artists as references when they were making official art of the pharaoh 𓉐𓉻!Β 

The Wilbour Plaque (top) and another Sculptor’s Model (bottom) on display at the Brooklyn Museum!

While there aren’t any inscriptions π“Ÿπ“›π“₯, it is assumed that the people represented here are Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€π“„€π“„€π“„€π“„€π“‡π“π“­. However, some argue that the person accompanying Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€π“„€π“„€π“„€π“„€π“‡π“π“­ in the image 𓏏𓅱𓏏 could either be Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“ or Smenkare π“‡³π“Šƒπ“‰»π“‚“π“‚¦π“†£. 

To me this piece is interesting because the Aten π“‡‹π“π“ˆ–π“‡³ is no where in sight! Usually Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– is always accompanied by an image of the sun 𓇳𓏺/Aten π“‡‹π“π“ˆ–π“‡³ with sun rays shining on him. It’s almost kinda weird to see him like this! 

The second piece in the display is another sculptor’s model! This piece shows Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– with another member of the royal family, and a hand! 

This is my personal photograph and original text. DO NOT repost without permission.

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Egyptian Artifacts

Talatat Blocks

These small π“ˆ–π“†“π“‹΄π“…© β€œTalatat” Blocks are made of limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ and were used solely during the reign π“‹Ύπ“ˆŽπ“ of the pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–! These were used in the construction of the Aten π“‡‹π“π“ˆ–π“‡³ temple π“‰Ÿπ“π“‰ at Karnak (this construction started when he was still Amenhotep IV π“‡‹π“ π“ˆ–π“Š΅π“ŠΉπ“‹Ύπ“Œ€) and the palace π“‚π“Ž›π“π“‰₯𓉐 at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–. Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š– was the capital of Egypt π“†Žπ“…“π“π“Š– during the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–.Β 

Talatat Blocks
Talatat Blocks from the palace at Akhetaten on display at the Brooklyn Museum.

These limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ Talatat blocks were unique because they were so small π“ˆ–π“†“π“‹΄π“…© a single worker could carry them and put it into place. This was meant to expedite construction and make building a lot faster. The Talatat are also unique because they were only used during the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–, and were never used again.Β 

These Talatat at the Brooklyn Museum were once brightly painted in striking colors, as was most of the Egyptian monuments 𓏠𓏍. These specific blocks are from the palace π“‚π“Ž›π“π“‰₯𓉐 at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–, which is where Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“ grew up! These blocks reconstruct a pastoral scene. 

However, the Talatat were not found at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–; instead these blocks were reused by the pharaoh 𓉐𓉻 Rameses II π“‡‹π“ π“ˆ–π“ˆ˜π“‡³π“Ίπ“„Ÿπ“‹΄π“‡“ to build a pylon at Magna. The Talatat that are now seen in museums all over have been found in other places because the blocks were reused when other pharaohs 𓉐𓉻π“₯ took the throne. They were also reused by Horemheb π“‡³π“‚¦π“†£π“Όπ“‡³π“‰π“ˆ–. The famous Hypostyle Hall at Karnak (started by Seti I π“Šͺπ“π“Ž›π“£π“‡Œπ“ŒΈπ“ˆ– and completed by Rameses II π“‡‹π“ π“ˆ–π“ˆ˜π“‡³π“Ίπ“„Ÿπ“‹΄π“‡“) is built with Talatat! 

Tens of thousands of Talata have been found across Egypt π“†Žπ“…“π“π“Š– and I’m sure that there are still many more to be found!Β 

This is my personal photograph and original text. DO NOT repost without permission.

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Reading Hieroglyphs

Cartouches of the Aten

Usually, a cartouche π“ π“ˆ–π“ˆ™π“· enclosed the name π“‚‹π“ˆ– of a pharaoh 𓉐𓉻. The oval surrounding the names π“‚‹π“ˆ–π“¦ of the pharaoh 𓉐𓉻 was meant to be protection π“…“π“‚π“Ž‘π“€œ from evil π“ƒ€π“‡‹π“ˆ–π“π“…¨ both in life π“‹Ή and in the afterlife 𓇼𓄿𓏏𓉐. During the 18th Dynasty, the name π“‚‹π“ˆ– of the King’s Great Wife π“‡“π“ˆžπ“ would also sometimes appear in a cartouche π“ π“ˆ–π“ˆ™π“·. 

Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– was not a pharaoh 𓉐𓉻 that followed tradition! Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– reign π“‹Ύπ“ˆŽπ“, which archaeologists sometimes refer to as the β€œAmarna Revolution” is a period of less than 20 π“Ž†π“Ž† years which showed big changes not only to the traditional Egyptian religion, but also changes to the traditional Egyptian art. 

This fragment does not contain the cartouches π“ π“ˆ–π“ˆ™π“·π“¦ of the pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–. Instead, the cartouches π“ π“ˆ–π“ˆ™π“·π“¦ are very long way to write the name π“‚‹π“ˆ– of Aten π“‡‹π“π“ˆ–π“‡³, the sole sun 𓇳𓏺 deity π“ŠΉ in Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– new religion.Β 

Cartouches of the Aten
The Cartouches of the Aten

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! These are two 𓏻 of the β€œearly” cartouches π“ π“ˆ–π“ˆ™π“·π“¦ of the Aten π“‡‹π“π“ˆ–π“‡³, as there were variations during the later part of the Amarna period. The two 𓏻 cartouches π“ π“ˆ–π“ˆ™π“·π“¦ are incomplete, but since we know what the cartouches π“ π“ˆ–π“ˆ™π“·π“¦ are supposed to say, I will translate both! 

Here is the first two cartouches at the top of the fragment:  π“‹Ήπ“…Šπ“ˆŒπ“ˆŒπ“Ž›π“‚π“»π“›π“π“ˆŒπ“ 

π“‹Ή – Living 

π“…Šπ“ˆŒπ“ˆŒ – Ra-Horakhty

π“Ž›π“‚π“»π“› – Rejoicing 

𓐝 – in

π“ˆŒπ“ – Horizon

This translates to β€œThe Living Ra-Horakhty, Rejoicing in the Horizon.” 

This second cartouche got cut off (you can only see the first two symbols), but here it is: π“π“ˆ–π“‚‹π“†‘π“π“†„π“…±π“‡³π“ˆ–π“π“»π“π“‡‹π“π“ˆ–π“‡³

𓐝 – In 

π“ˆ–π“‚‹ – Name

𓆑 – His 

𓐝 – As 

π“†„π“…±π“‡³π“ˆ–π“π“» – Light

𓐝 – In 

π“‡‹π“π“ˆ–π“‡³ – Aten

This translates to β€œIn His Name As the Light Which is In the Aten.” 

This is my personal photograph and original text. DO NOT repost without permission.

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Egyptian Artifacts

The Chariot in Ancient Egypt

This rectangle fragment of a relief depicting a horse drawn chariot π“…¨π“‚‹π“‚‹π“π“Œ was found at the Great Aten Temple in Amarna (Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–). This piece is estimated to have been carved between c. 1352–1336 B.C.E., which is during the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–. This particular relief pictured was originally part of a much larger image 𓏏𓅱𓏏. Here, chariot π“…¨π“‚‹π“‚‹π“π“Œ attendants are keeping watch of the chariots π“…¨π“‚‹π“‚‹π“π“Œπ“¦ for the royal family.Β 

Chariot
Image of a horse drawn chariot and a chariot attendant from Akhetaten on display at the MET.

Chariots π“…¨π“‚‹π“‚‹π“π“Œπ“¦ (and horses 𓋴𓋴𓅓𓏏𓃗π“ͺ) were not always a part of Egyptian history. It is estimated by historians that the chariot π“…¨π“‚‹π“‚‹π“π“Œ first arrived in Egypt π“†Žπ“…“π“π“Š– around 1600 B.C.E. and that they were introduced by the Hyksos. The first horse 𓋴𓋴𓅓𓏏𓃗 remains in Egypt π“†Žπ“…“π“π“Š– are estimated to be from the Thirteenth Dynasty, so horses 𓋴𓋴𓅓𓏏𓃗π“ͺ must have been introduced to Egypt π“†Žπ“…“π“π“Š– before the Hyksos rule. 

After Ahmose I π“‡Ίπ“„Ÿ defeated the Hyksos and reunified Egypt π“†Žπ“…“π“π“Š– to start the 18th Dynasty/New Kingdom, the chariot π“…¨π“‚‹π“‚‹π“π“Œ became a common sight in both art and in the life of the pharaoh 𓉐𓉻. Chariots π“…¨π“‚‹π“‚‹π“π“Œπ“¦ were the number one choice of transportation for royalty! Chariots π“…¨π“‚‹π“‚‹π“π“Œπ“¦ were also used by pharaohs 𓉐𓉻𓏦 to take part in hunting, and were used by the army for battle. Many reliefs and other forms of art from this time period shows various pharaohs 𓉐𓉻𓏦 hunting or going into battle on their chariot. The chariot π“…¨π“‚‹π“‚‹π“π“Œ became a sign of bravery and strength π“Œ€. 

Fun Fact: the hieroglyph π“ŠΉπ“Œƒ for β€œchariot π“Œβ€ only appeared in Middle Egyptian around the same time that the chariots π“…¨π“‚‹π“‚‹π“π“Œπ“¦ were introduced to Egypt π“†Žπ“…“π“π“Š–! That totally makes sense and it’s so cool to β€œwatch” the language evolve as technology evolved! The same thing happens today! 

This is my personal photograph and original text. DO NOT repost without permission.

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Egyptian Artifacts Reading Hieroglyphs

Cartouches of Akhenaten

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ!

Today π“‡π“‡‹π“ˆ–π“‡³ we are going to be looking at a fragment of a relief that has some gorgeous π“„€ hieroglyphs π“ŠΉπ“Œƒπ“ͺ on it – the cartouches π“ π“ˆ–π“ˆ™π“·π“¦ of the pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–!! This fragment is from present day Amarna, which during Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– rule was known as Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–. Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š– translates to β€œHorizon of the Aten,” and Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– named it the capital of Egypt π“†Žπ“…“π“π“Š– during year five 𓏾 of his reign.Β 

Cartouches of Akhenaten
The Cartouches of Akhenaten on a fragment of a relief from the city of Akhetaten (The MET)

This relief is probably from after year five 𓏾 of his reign, just based off of the throne name variant that is used in the hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

Let’s start from the top row of hieroglyphs π“ŠΉπ“Œƒπ“ͺ! We will start reading from the right since that is where the snake points to! This is a very popular phrase that you may recognize: 𓆖𓏙𓋹. This translates to β€œGiven 𓏙 Eternal 𓆖 Life π“‹Ή.” 

Under that, we are also going to start reading from the right since that is where the directional symbols point to! 

π“†₯ – King of Upper and Lower Egypt

π“‹Ή – Life

𓐝 – On

𓁧 – Maat (Truth)

π“ŽŸπ“‡Ώπ“‡Ώ – Lord of the Two Lands

π“‡³π“„€π“†£π“‡³π“¦π“Œ‘π“ˆ–- Neferkheperura-waenre which means “Beautiful are the Forms/Manifestations of Re, the Unique one of Re” (Akhenaten’s throne name)

On to the next set of hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

𓅭𓇳 – Son of Ra

π“‹Ή – Life

𓐝 – On

𓁧 – Maat (Truth)

π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– – Akhenaten (the β€œbirth name” variant, since Akhenaten’s actual birth name was Amenhotep (IV))

π“ŽŸπ“ˆπ“₯ – Lord of Appearances 

What always gets me is Akhenaten’s throne name of π“‡³π“„€π“†£π“‡³π“¦π“Œ‘π“ˆ–- Neferkheperura-waenre. This particular spelling of the throne name is only seen after he changed his given name from Amenhotep IV π“‡‹π“ π“ˆ–π“Š΅π“ŠΉπ“‹Ύπ“Œ€ to Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–. The original spelling, before the name π“‚‹π“ˆ– change was β€œπ“œπ“„€π“†£π“¦π“‡³π“Œ‘π“ˆ–.” The name π“‚‹π“ˆ– is still pronounced the same and has the same meaning, but the falcon glyph π“œ was changed to just the sun disc 𓇳 (both pronounced Re/Ra).  Also, all of Akhenaten’s other names (Horus name, etc) underwent a change, to remove the other deities π“ŠΉπ“ŠΉπ“ŠΉ, but this one didn’t. 

I wonder why Akhenaten didn’t change the throne name (π“‡³π“„€π“†£π“‡³π“¦π“Œ‘π“ˆ–) to represent the Aten π“‡‹π“π“ˆ–π“‡³, just like how all of his other names π“‚‹π“ˆ–π“¦ were changed. He also kept the title β€œSon of Ra 𓅭𓇳,” instead of changing it to an Aten-based title. There are probably some mysteries that we will never fully comprehend about this time period! 

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Egyptian Artifacts

Statue of Akhenaten and Nefertiti

The love story of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“„€π“π“‡π“˜π“— is one that definitely captures the attention of Egyptologists and non-Egyptologists alike! I have always been fascinated by these two 𓏻 and I was so excited to see this painted limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ statue 𓏏𓅱𓏏𓀾 of the two 𓏻 of them at the Louvre! It was one of my must-see pieces! This statue 𓏏𓅱𓏏𓀾 reminds me of the popular β€œcouples statues” that were prominent in burials during the Old Kingdom! β€œCouple Statues” depict a husband and wife sitting together! 

Akhenaten and Nefertiti
Limestone statue depicting Nefertiti and Akhenaten

Nefertiti π“„€π“π“‡π“˜π“— was the β€œGreat Royal Wife π“‡“π“π“ˆžπ“π“…¨β€ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–. This statue depicts Nefertiti π“„€π“π“‡π“˜π“— (left) and Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– (right) holding hands and walking forward. We know they are walking forward because one foot is placed in front of the other in a striding position. I also love the detail of the sandals 𓍿𓃀𓏏𓋸π“ͺ on their feet! They are also both wearing broad collars π“…±π“‹΄π“π“ŽΊπ“‹π“¦, the necklace π“ π“ˆ–π“‡‹π“π“‹§ of choice for royals and the gods π“ŠΉπ“ŠΉπ“ŠΉ. Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– is also wearing the blue Khepresh crown π“†£π“‚‹π“ˆ™π“‹™ on his head, while Nefertiti appears to be wearing what looks like the red crown π“‚§π“ˆ™π“‚‹π“π“‹”, but there is blue 𓇋𓁹𓏏𓄿𓏸π“₯ paint 𓇨𓂋𓅱𓏭𓏸𓏦 on it! The Uraeus 𓇋𓂝𓂋𓏏𓆗 is still present on the front of both crowns!Β 

What was the purpose of this statue 𓏏𓅱𓏏𓀾? This came from a private home, where it was used in a shrine π“π“Šƒπ“…“π“‚œπ“‰ to worship 𓇼𓄿𓀒 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“„€π“π“‡π“˜π“—. The common people would worship Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“„€π“π“‡π“˜π“— because they were thought to be manifestations 𓆣𓆣𓆣 of the Aten π“‡‹π“π“ˆ–π“‡³ here on Earth. 

The typical Amarna-style (elongated faces and limbs, more body fat in the stomach and thighs) is present here, which makes it very easy to identify these figures as Nefertiti π“„€π“π“‡π“˜π“— and Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–. The Amarna art revolution is so interesting because Egyptian art didn’t change much until Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– rule, then there was this drastic change, and then once Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– died, the ancient Egyptians π“†Žπ“π“€€π“π“ͺ reverted back to the traditional art style and it stated that way for the rest of the civilization. 

Categories
Egyptian Artifacts Reading Hieroglyphs

The Cartouche of Akhenaten

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

Today π“‡π“‡‹π“ˆ–π“‡³ we are going to look at one of the birth name variants for the pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–! Now, this is most definitely a variant, because this cartouche 𓍷 definitely does not show the name π“‚‹π“ˆ– that Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– was given when he was born! The pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– was actually born with the name π“‚‹π“ˆ– Amenhotep IV π“‡‹π“ π“ˆ–π“Š΅π“ŠΉπ“‹Ύπ“Œ€ (Amun is Satisfied, God and Ruler of Thebes), and changed his name π“‚‹π“ˆ– during year five 𓏾 of his reign π“‹Ύπ“ˆŽπ“.Β 

“Lord of Appearances, Akhenaten.”

Let’s take a closer look at Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– cartouche 𓍷! Above the cartouche is his title β€œLord of Appearances π“ŽŸπ“ˆπ“₯.” 

π“‡‹π“π“ˆ–π“‡³ – Aten (pronounced β€œAten”)

π“…œπ“- Spirit (pronounced like β€œahk”)

π“ˆ– – Of (pronounced like β€œn”)

This is where the name π“‚‹π“ˆ– β€œAkhenaten” come from and the name π“‚‹π“ˆ– means β€œSpirit of the Aten.” 

The β€œreed 𓇋” is a uniliteral phonogram for β€œΔ±Ν—,” however it can also function as an ideogram for the word β€œreed 𓇋𓏺.”

The β€œflat loaf of bread 𓏏” is a uniliteral phonogram used to represent the sound β€œt.” It also functions as the ideogram for the word β€œbread 𓏏𓏺.” 

The β€œripple of water π“ˆ–β€ is also a uniliteral phonogram sign. The β€œπ“ˆ–β€ is associated with the sound of β€œn!” 

The β€œπ“‡³ sun disc” symbol is an ideogram for β€œra” or β€œre,” but can also be a determinative in words such as sun 𓆄𓅱𓇳, today π“‡π“‡‹π“ˆ–π“‡³, and Aten π“‡‹π“π“ˆ–π“‡³. 

The β€œcrested ibis π“…œβ€ symbol is a biliteral phonogram sign and is associated with the sound β€œah.” It can also be an ideogram for β€œspirit.”

The β€œplacenta or sieve 𓐍” symbol is a uniliteral phonogram and is associated with the sound β€œαΈ«β€ (similar to a β€œk”). This symbol is actually considered β€œunclassified” because Egyptologists actually don’t know what it exactly represents! 

Something that’s very special about this picture 𓏏𓅱𓏏 is that my Nonno took it when we were at the Vatican Museum together π“ˆ–π“Š—! 

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Egyptian Artifacts Reading Hieroglyphs

Nefertiti’s Name and Titles in Hieroglyphs

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

On this relief from the remains of the Central Palace at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š– (present day Tel el-Amarna), you can see Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–, Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€ π“„€ π“„€ π“„€Β  𓄀𓇍𓏏𓏭, and their daughter 𓅭𓏏 Meriaten π“‡‹π“π“ˆ–π“‡³π“ˆ˜π“π“ praising the sun god, Aten π“‡‹π“π“ˆ–π“‡³. The rays of the sun are depicted as hands giving the symbol of life, the ankh π“‹Ή, to the royal family.Β 

Nefertiti’s cartouche appears twice on this relief. Let’s look at the inscription on the left! Some of it is missing, but I am going to infer the missing pieces: 

π“‡‹π“π“ˆ–π“‡³π“ˆ˜π“π“ – Meriaten (the last two symbols of her name are seen in the inscription 𓏏𓁐) (this is my guess)

π“ŒΊ – Beloved

π“„Ÿπ“‹΄π“ˆ– – Born of 

π“‡“π“π“π“ˆž – King’s Great Wife 

π“‡‹π“π“ˆ–π“‡³π“„€ π“„€ π“„€ π“„€ 𓄀𓇍𓏏𓏭 – Neferneferuaten Nefertiti

π“‹Ήπ“˜ – May She Live! 

𓆖 – Everlasting (eternity)

π“Ž›π“‡³π“Ž› – Eternity

So all together, the inscription reads: β€œMeriaten, born of the beloved King’s Great Wife Neferneferuaten Nefertiti, May she live for everlasting eternity.” 

Nefertiti’s cartouche reads β€œNeferneferuaten Nefertiti” which pretty much translates to β€œBeauty is the Beauties of Aten, the beautiful one has come.” β€œπ“„€β€ is a triliteral phonogram and translates to β€œnfr” (pronounced nefer) which means beauty or beautiful. This is actually the shorthand way to write β€œbeautiful,” and the other  way it appears in inscriptions π“Ÿπ“›π“₯ is fully spelled out as β€œπ“„€π“†‘π“‚‹β€ – it’s still pronounced the same though as β€œπ“†‘ = f” and β€œπ“‚‹ = r.” 

Above her cartouche on the left side of the relief you can see her title β€œKing’s Great Wife” π“‡“π“π“π“ˆž – (ancient Egyptians had no word for queen). Pharaohs 𓉐𓉻π“₯ also usually had multiple wives, so this title denoted the β€œfavorite” wife. 

While both of the following words – 𓆖 and π“Ž›π“‡³π“Ž› mean the word β€œeternity,” a lot of times they are seen together on inscriptions π“Ÿπ“›π“₯! It would be silly to say β€œeternity eternity,” so Egyptologists translate this phrase as β€œπ“†–π“Ž›π“‡³π“Ž› Everlasting Eternity.” 

This relief is presently located at the Petrie Museum of Egyptian Archaeology at UCL, London. 

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Egyptian Artifacts

Limestone Trial Piece of Two Hands

For some reason, this very simple relief of two 𓏻 hands 𓂧𓏏𓏦 was one of my favorite things that I saw at the Petrie Museum in London! 

Flinders Petrie was one of the main excavators at present-day Tel el-Amarna, the site of Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– new capital of Egypt π“†Žπ“…“π“π“Š–.Β  Amarna as it is commonly referred to as, is the modern name π“‚‹π“ˆ– for β€œAkhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š– – Horizon of the Aten,” which replaced Thebes π“Œ€π“π“Š– as the capital of Egypt π“†Žπ“…“π“π“Š–.Β 

During excavations at Amarna π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š– the workshops 𓄯𓏏𓉐𓏦 of artists were found, which contained a lot of unfinished reliefs. These “trial pieces” are though to have been made by young artists who were learning their craft. Even though this is such a simple relief of hands 𓂧𓏏𓏦 with many cracks, I find it to be so beautiful π“„€. The art of the Amarna period fascinates me because it is so different stylistically from other Egyptian art! I love seeing all of the unfinished pieces that were found at Amarna – it’s kind of like getting a behind the scenes view of the art! 

A lot of reliefs in Egypt π“†Žπ“…“π“π“Š– were made on limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰. From a geological perspective, limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ (due to its composition of the mineral calcite 𓍱 – which comes from dead marine organisms), is a very easy rock π“‡‹π“ˆ–π“‚‹π“ˆ™ to sculpt and work with because calcite 𓍱 is a softer mineral π“‡‹π“Œ»π“‚‹π“…±π“ˆ™. Egypt π“†Žπ“…“π“π“Š– used to be completely under water π“ˆ— hundreds 𓏲𓏲𓏲 of millions 𓁨𓁨𓁨 of years ago, hence why limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ (and sandstone π“‚‹π“…±π“‚§π“π“Œ—π“ˆ™) are so abundant – both of these rocks π“‡‹π“ˆ–π“‚‹π“ˆ™π“¦ are classified as sedimentary rocks, which are primarily formed under large bodies of water π“ˆ—!

Limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ is composed of dead 𓅓𓏏𓏱 marine organisms, which I find correlates with ancient Egypt π“†Žπ“…“π“π“Š– as a whole – their entire life π“‹Ή/religion focused on preparing for death 𓅓𓏏𓏱, and they basically built 𓐍𓂀𓅱𓋴𓀧 their civilization out of dead 𓅓𓏏𓏱 things! 

It’s so fascinating how geology and Egyptian history are so closely interrelated! Did you know that Petrie was a geologist and that he was the first to apply stratigraphy (studying rock layers) to the field of archaeology?! 

Categories
Egyptian Artifacts Reading Hieroglyphs

Cartouches of Akhenaten and Nefertiti

While this may just seem like the broken fragment of a statue 𓏏𓅱𓏏𓀾 (and I guess it is), I love this piece at the MET because it contains the cartouches of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“„€π“„€π“„€π“„€π“„€π“‡‹π“π“ˆ–π“‡³π“„€π“‡π“˜π“»π“—!Β 

The Amarna Period, and the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“„€π“π“‡π“˜π“— has always fascinated me, ever since I was a child π“π“‡Œπ“€”. Professional Egyptologists have tried to piece together the series of events that shaped this tumultuous time period of Egyptian history, mostly by looking at the hieroglyphs π“ŠΉπ“Œƒπ“ͺ themselves.

Fragmented statue containing the cartouches of Akhenaten and Nefertiti

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! Let’s start at the right column, since the directional symbols point that way!

π“†₯ – King of Upper and Lower Egypt

π“‹Ή – Life

𓐝 – On

𓁧 – Maat

π“ŽŸπ“‡Ώπ“‡Ώ – Lord of the Two Lands

π“‡³π“„€π“†£π“‡³π“¦π“Œ‘π“ˆ–- Neferkheperura-waenre which means “Beautiful are the Forms/Manifestations of Re, the Unique one of Re” (Akhenaten’s throne name)

𓏙𓋹 – Given Life

Now on to the left column! This first part is cut off, but it’s probably a variant Nefertiti’s title of β€œKing’s Great Wife, as you can see the ending of the word β€œ great 𓅩𓂋𓏏”

π“ˆ˜π“π“†‘ – His Beloved

π“„€π“„€π“„€π“„€π“„€π“‡‹π“π“ˆ–π“‡³π“„€π“‡π“˜π“»π“— – Nefertiti (Neferneferuaten Nefertiti)

𓋹𓏏 – May She Live/The Living

𓆖 – Everlasting/Eternal/Eternity

π“Ž›π“‡³π“Ž› – Eternity

What always gets me is Akhenaten’s throne name of π“‡³π“„€π“†£π“‡³π“¦π“Œ‘π“ˆ–- Neferkheperura-waenre. This particular spelling of the throne name is only seen after he changed his given name from Amenhotep IV π“‡‹π“ π“ˆ–π“Š΅π“ŠΉπ“‹Ύπ“Œ€ to Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–. The original spelling, before the name π“‚‹π“ˆ– change was β€œπ“œπ“„€π“†£π“¦π“‡³π“Œ‘π“ˆ–.” The name π“‚‹π“ˆ– is still pronounced the same and has the same meaning, but the falcon glyph π“œ was changed to just the sun disc 𓇳 (both pronounced Re/Ra).Β  Also, all of Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– other names (Horus name, etc) underwent a change, to remove the other deities π“ŠΉπ“ŠΉπ“ŠΉ, but this one didn’t.Β 

I wonder why Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– didn’t change the throne name (π“‡³π“„€π“†£π“‡³π“¦π“Œ‘π“ˆ–) to represent the Aten π“‡‹π“π“ˆ–π“‡³, just like how all of his other names π“‚‹π“ˆ–π“¦ were changed.Β  Nefertiti’s name also underwent a change; her name π“‚‹π“ˆ– went from just Nefertiti π“„€π“π“‡π“˜π“— to Neferneferuaten Nefertiti π“„€π“„€π“„€π“„€π“„€π“‡‹π“π“ˆ–π“‡³π“„€π“‡π“˜π“»π“— around year 5 of Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ– reign. Year 5 in the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ– is significant, because that is when we see most of the changes to Atenism begin to take place. Year 5 is when Aten π“‡‹π“π“ˆ–π“‡³ became the supreme and only god π“ŠΉ, and the other deities π“ŠΉπ“ŠΉπ“ŠΉ could not be worshipped 𓇼𓄿𓀒.

Since this piece contains the β€œupdated” version of Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– throne name and the longer version of Nefertiti’s π“„€π“„€π“„€π“„€π“„€π“‡‹π“π“ˆ–π“‡³π“„€π“‡π“˜π“»π“— name π“‚‹π“ˆ–, we can assume that this piece was made during or after year 5 of Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– reign π“‹Ύπ“ˆŽπ“.