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Egyptian Artifacts

Funerary Mask of Wah at the MET

Todayย ๐“‡๐“‡‹๐“ˆ–๐“‡ณย we are going to be looking at the Funerary Mask of Wah! Wah was an estate manager for a wealthy nobleman and he lived during theย reign ๐“‹พ of the pharaohย ๐“‰๐“‰ปย Amenemhat Iย ๐“‡‹๐“ ๐“ˆ–๐“…“๐“„‚๐“(12th Dynasty/Middle Kingdom).ย 

Funerary Masks (also called Burial Masks or Mummy Masks) were an important part of a personโ€™s burial equipment ๐“ˆŽ๐“‚‹๐“‹ด๐“๐“๐“Šญ because the mask could either serve as protection ๐“…“๐“‚๐“Žก๐“€œ for the deceased ๐“…“๐“๐“ฑ, or take the place of the body if the head was destroyed or lost. In the Egyptian religion, the body of the deceased ๐“…“๐“๐“ฑ needed to stay intact in order for the deceased ๐“…“๐“๐“ฑ to be transported to the afterlife ๐“‡ผ๐“„ฟ๐“๐“‰/Field of Reeds ๐“‡๐“๐“ˆ…๐“‡‹๐“„ฟ๐“‚‹๐“…ฑ๐“†ฐ๐“Š–. This was the purpose of mummification – to preserve the body so both the Ka ๐“‚“ (soul) and the Ba ๐“…ก๐“บ(life force) would be able to recognize the body! 

Wahโ€™s Mummy Mask is made of cartonnage (ancient Egyptian paper mache), gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ foil and wood ๐“†ฑ๐“๐“บ. The gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ face and the blue hair ๐“‡‹๐“น๐“๐“„ฟ๐“ธ๐“ฅ is significant because the ancient Egyptians believed that the gods ๐“Šน๐“Šน๐“Šน and goddesses ๐“Šน๐“Šน๐“Šน๐“ had skin/hair of gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ or lapis lazuli ๐“๐“‹ด๐“ƒ€๐“‚ง๐“ง. While the facial features on the mask appear neither masculine or feminine, the beard that is on Wahโ€™s chin indicates that this mask belonged to a male. 

My favorite feature on the mask is the very detailed broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ that is painted ๐“‡จ๐“‚‹๐“…ฑ๐“ญ๐“ธ๐“ฆ on! The broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ was the necklace of choice by both the gods ๐“Šน๐“Šน๐“Šน, the pharaohs ๐“‰๐“‰ป๐“ฆ, and the wealthy! Many Mummy Masks show the deceased wearing a broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹! 

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Egyptian Artifacts

Graeco-Roman Stela

This is certainly an interesting stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ for sure!

This stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ is made of limestone ๐“‡‹๐“ˆ–๐“ˆ™๐“Œ‰ but the craftsmanship is kind ofโ€ฆoff! This is very typical for work from the time period (1st Century B.C.E. – 4th Century A.D.). During the Greek and Roman periods, objects like amulets ๐“Š๐“Šช๐“…†๐“ช, stelae ๐“Ž—๐“…ฑ๐“†“๐“‰ธ๐“ช, statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช, and more were so mass produced that the craftsmanship suffered. Letโ€™s take a look at what is going on!ย 

The top section of the stela ๐“Ž—๐“…ฑ๐“†“๐“‰ธ seems to be trying to follow the traditional Egyptian way – the winged ๐“‚ง๐“Œณ๐“๐“†ƒ sun disc ๐“‡ณ๐“บ and the Uraeus ๐“‡‹๐“‚๐“‚‹๐“๐“†— are roughly carved but are definitely there! This design is known as โ€œ Horus the Behdetiteโ€ and is a representation of Horus ๐“…ƒ๐“€ญ that is popular on stelae ๐“Ž—๐“…ฑ๐“†“๐“‰ธ๐“ช. Under that, two ๐“ป jackals ๐“Šƒ๐“„ฟ๐“ƒ€๐“ƒฅ๐“ฆ are depicted! 

In the middle section, from the left, Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ is depicted holding an ankh ๐“‹น or key which most likely symbolizes his association with/ability to access the underworld (a very Graeco-Roman version of Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ)! Then the four ๐“ฝ people to the right of Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ are identified by the Greek inscription below: “Pekysis, son of Aruotes, and his brother Pachoumis; Tbaikis the elder and Tbaikis the younger.” Pekysis is thought to be the man holding the torch! Osiris ๐“น๐“Šจ๐“€ญ is depicted all the way on the right! 

Thanks to the MET for the Greek translation because I certainly donโ€™t speak Greek! 

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Egyptian Artifacts Reading Hieroglyphs

Coffin of Wah at the MET

Letโ€™s take a look at the coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ of a man named ๐“‚‹๐“ˆ– Wah, who lived during the early reign ๐“‹พ of the pharaoh ๐“‰๐“‰ป Amenemhat I ๐“‡‹๐“ ๐“ˆ–๐“…“๐“„‚๐“(12th Dynasty/Middle Kingdom). 

In the first picture ๐“๐“…ฑ๐“ you can see a dedication to Osiris ๐“น๐“Šจ๐“€ญ in hieroglyphs ๐“Šน๐“Œƒ๐“ช, which is better known as the โ€œOffering Formula.โ€ If you want to learn one ๐“บ phrase in hieroglyphs ๐“Šน๐“Œƒ๐“ช, learn this one!!! It is everywhere!!ย 

Here is the full inscription ๐“Ÿ๐“›๐“ฅ: ๐“‡“๐“๐“Šต๐“™๐“น๐“Šจ๐“ŽŸ๐“Šฝ๐“‚ง๐“…ฑ๐“Š–. Letโ€™s break down the offering formula because we havenโ€™t done so in a while. Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!

๐“‡“๐“๐“Šต๐“™ – An Offering the King Gives

๐“น๐“Šจ๐“€ญ – Osiris (his name is missing the determinative this time – usually itโ€™s written as ๐“น๐“Šจ๐“€ญ)

๐“ŽŸ – Lord 

๐“Šฝ๐“‚ง๐“Š– – Djedu (usually written as ๐“Šฝ๐“‚ง๐“…ฑ๐“Š–)

So all together ๐“ˆ–๐“Š—, this inscription ๐“Ÿ๐“›๐“ฅ reads: โ€œAn Offering the King gives Osiris, Lord of Djedu.โ€ Djedu ๐“Šฝ๐“‚ง๐“…ฑ๐“Š– refers to the birthplace of Osiris ๐“น๐“Šจ๐“€ญ. 

The eyes ๐“น๐“๐“ฆ on this side of the coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ would allow the mummy ๐“‡‹๐“น๐“…ฑ๐“€พ to see outside of it! Inside the coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ, the mummy ๐“‡‹๐“น๐“…ฑ๐“€พ would usually be laid on his side so his eyes ๐“น๐“๐“ฆ matched up with the eyes on the coffin ๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ! This was very typical of Middle Kingdom burial practices ๐“ˆŽ๐“‚‹๐“‹ด๐“๐“๐“Šญ, and it was something my Nonno would always point out to me when we were in a museum! 

As a kidย ๐“๐“‡Œ๐“€•ย (and even now as an adult) I found this practice absolutely fascinating! Now every time I am in a museum, I tell the story to someone about the eyes ๐“‡‹๐“น๐“…ฑ๐“€พ of the mummy ๐“‡‹๐“น๐“…ฑ๐“€พ, just like my Nonno told me!

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Egyptian Artifacts Reading Hieroglyphs

Canopic Chest and Mummy of Ukhotep

This is the mummyย ๐“‡‹๐“น๐“…ฑ๐“€พย and canopic chest of a manย ๐“Šƒ๐“€€๐“คย named Ukhotep ๐“‹‚๐“Šต๐“๐“Šช who lived during Dynasty 12 of the Middle Kingdom. Ukhotep ๐“‹‚๐“Šต๐“๐“Šช was the chief treasurer, which is why he probably received such gorgeous ๐“„ค funerary equipment ๐“ˆŽ๐“‚‹๐“‹ด๐“๐“๐“Šญ, such as this canopic chest that contains dedications to the Four Sons of Horus. The purpose of the canopic chest was to hold the four ๐“ฝ canopic jars which contained the organsย ๐“‡‹๐“‚ง๐“‚‹๐“„น๐“ฆย of the deceasedย ๐“…“๐“๐“ฑ.ย 

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช! Since the directional symbols are pointing towards the right, we will start reading from the right!

๐“‡‹๐“„ช๐“๐“‡Œ – Venerated/Revered/Honored

๐“๐“‚‹ – Before

๐“‡ผ๐“…๐“๐“†‘ – Duamutef

๐“‹‚๐“Šต๐“๐“Šช – Ukhotep

๐“ŽŸ๐“„ช – Possessor of Honor

๐“™๐“Šค – True of Voice (Justified)

โ€œHonor ๐“‡‹๐“„ช๐“โ€ is the full word while the phrase โ€œ๐“ŽŸ๐“„ช Possessor of Honorโ€ only uses the โ€œspine and spinal chord ๐“„ชโ€ symbol to write โ€œHonor.โ€ Also, โ€œ๐“ŽŸ๐“„ช Possessor of Honorโ€ can be written as โ€œ๐“ŽŸ๐“„ช๐“บ,โ€ it just depends on the spacing on the object it is being inscribed on. 

As a beginner, the shortening of words can get confusing, but this is where practice comes in!ย 

These pieces are at the MET in NYC!

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Egyptian Artifacts

A Beautiful Broad Collar

โ€œ๐“„ค๐“†‘๐“‚‹๐“…ฑ๐“ญ๐“‡‘๐“‡‘ – How Beautiful This Is!โ€ – I feel like this is the only appropriate phrase to describe this broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ at the MET! I have used this Middle Egyptian phrase to describe broad collars ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹๐“ฆ in past posts too! I just think they are gorgeous ๐“„ค pieces of jewelry especially this one, because it is so colorful! 

In Middle Egyptian, the word for broad collar was ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ (pronounced โ€œwesekh) or simply just the determinative hieroglyph ๐“‹๐“บ could be used for the whole word.

The broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ was the necklace of choice by both the gods ๐“Šน๐“Šน๐“Šน and the pharaohs ๐“‰๐“‰ป๐“ฆ. The broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ reached peak popularity during the 18th Dynasty and this particular one was made during the reign of Akhenatenย ๐“‡‹๐“๐“ˆ–๐“‡ณ๐“…œ๐“๐“ˆ– (c. 1353โ€“1336 B.C.E.).

Broad collars ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹๐“ฆ could be made of many different types of materials, including gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰, but the one shown in this picture ๐“๐“…ฑ๐“ is made of colorful faience ๐“‹ฃ๐“ˆ–๐“๐“ธ๐“ผ beads. The beads are each representative of a different plant ๐“‡๐“…“๐“†ฐ! The center row has blue ๐“‡‹๐“น๐“๐“„ฟ๐“ธ๐“ฅ, yellow, green ๐“‡…๐“„ฟ๐“†“๐“›, and red ๐“‚ง๐“ˆ™๐“‚‹๐“…Ÿ cornflowers. Then there are three rows of dates (in yellow, green ๐“‡…๐“„ฟ๐“†“๐“›, and red ๐“‚ง๐“ˆ™๐“‚‹๐“…Ÿ), and the outer beads are white ๐“Œ‰๐“†“๐“‡ณ lotus petals. 

This broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ looks like it is in almost perfect condition, however, the beads were re-strung during modern times! 

Fun Fact: This broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ is actually from the private collection of Howard Carter! 

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Egyptian Artifacts Reading Hieroglyphs

Two Alabaster Monkey Vases

These are two ๐“ป alabaster vases at the MET which show a mother ๐“…๐“๐“ monkey holding a baby monkey!

These are dated to Dynasty Six of the Old Kingdom (c. 2289โ€“2246 B.C.E.). Archaeologists think that these vases allude to fertility because they were probably given to some of the pharaohโ€™s ๐“‰๐“‰ป favorite couriers during the jubilee. In the second picture ๐“๐“…ฑ๐“, the vase on the left is inscribed with the name ๐“‚‹๐“ˆ– of the pharaoh ๐“‰๐“‰ป Merenre ๐“‡ณ๐“Œป๐“‚‹๐“ˆ– and the vase on the right is inscribed with the name ๐“‚‹๐“ˆ– of the pharaoh ๐“‰๐“‰ป Pepi I ๐“Šช๐“‡‹๐“Šช๐“‡‹ (you canโ€™t see it in my picture – sorry!).

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!

๐“†ฅ – King of Upper and Lower Egypt (He of the Sedge and the Bee)

(๐“‡ณ๐“Œป๐“‚‹๐“ˆ–) – Merenre

๐“†– – Eternal

๐“‹น – Life

Iโ€™ve said this before (itโ€™s still true), that the names of the earlier pharaohs are a great way to practice reading phonogram hieroglyphs! Letโ€™s take a closer look at Merenre ๐“‡ณ๐“Œป๐“‚‹๐“ˆ–! 

The symbol โ€œ๐“‡ณ – sunโ€ is usually seen as an ideogram for โ€œRa/Re.โ€ The symbol โ€œ๐“‡ณ – sunโ€ can also be a determinative for sun, day, and time. โ€œRa ๐“‡ณโ€ is written in the cartouche first and said last due to honorific transposition.

The โ€œhoe ๐“Œปโ€ (and itโ€™s variants ๐“Œธ, ๐“Œบ, and ๐“Œธ) are biliteral phonograms that represent the sound โ€œmrโ€ (might have been pronounced like โ€œmerโ€). 

The โ€œ mouth – ๐“‚‹โ€ is a uniliteral phonogram for the sound โ€œrโ€ and can be an ideogram for the word โ€œmouth ๐“‚‹๐“บ.โ€ 

The โ€œripple of water ๐“ˆ–โ€ is also a phonogram sign, and it is also uniliteral sign. The โ€œ๐“ˆ–โ€ is associated with the sound of โ€œn!โ€ 

All together, the name ๐“‚‹๐“ˆ– Merenre ๐“‡ณ๐“Œป๐“‚‹๐“ˆ– means โ€œThe Beloved of Reโ€ or โ€œThe One Re Loves.โ€ 

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Egyptian Artifacts

Bust of Akhenaten at the Louvre

Letโ€™s take another look at an Amarna Period piece! This is a limestoneย ๐“‡‹๐“ˆ–๐“ˆ™๐“Œ‰ย bust of Akhenatenย ๐“‡‹๐“๐“ˆ–๐“‡ณ๐“…œ๐“๐“ˆ–ย that is currently in the Louvre! While you all know Hatshepsutย ๐“‡‹๐“ ๐“ˆ–๐“Žน๐“๐“„‚๐“๐“€ผ๐“ชย is my favorite pharaohย ๐“‰๐“‰ป, Akhenatenย ๐“‡‹๐“๐“ˆ–๐“‡ณ๐“…œ๐“๐“ˆ–ย is my second favorite! I always refer to Akhenatenย ๐“‡‹๐“๐“ˆ–๐“‡ณ๐“…œ๐“๐“ˆ–ย as โ€œmy favorite disasterโ€ because I think that is quite the succinct way to describe his 17 ๐“Ž†๐“€ year rule ๐“‹พ of Egyptย ๐“†Ž๐“…“๐“๐“Š–!ย 

While it canโ€™t be seen in my pictures ๐“๐“…ฑ๐“๐“ฆ, some of the paintย ๐“‡จ๐“‚‹๐“…ฑ๐“ญ๐“ธ๐“ฆย is still preserved on the bust! One of the places that still has traces of paint is the Blue Crown (Khepresh)ย ๐“†ฃ๐“‚‹๐“ˆ™๐“‹™ย that Akhenatenย ๐“‡‹๐“๐“ˆ–๐“‡ณ๐“…œ๐“๐“ˆ–ย is wearing. Also, the ears and back of the neck still have traces of paint.ย 

The Uraeus ๐“‡‹๐“‚๐“‚‹๐“๐“†— is missing from the front of the Blue Crown ๐“†ฃ๐“‚‹๐“ˆ™๐“‹™, and it was probably lost in antiquity. The Uraeus ๐“‡‹๐“‚๐“‚‹๐“๐“†— symbolizes divine authority, royalty, supremacy, and also acted as protection ๐“…“๐“‚๐“Žก๐“€œ for the pharaoh ๐“‰๐“‰ป. Fun Fact: no example of the Blue Crown (Khepresh) ๐“†ฃ๐“‚‹๐“ˆ™๐“‹™ has been found by archaeologists! 

The artistic style during Akhenatenโ€™s ๐“‡‹๐“๐“ˆ–๐“‡ณ๐“…œ๐“๐“ˆ– rule ๐“‹พ was very different than the traditional Egyptian art styles, which makes pieces like this bust so weird and wonderful in their own way! I will never get tired of studying Amarna art!ย 

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Egyptian Artifacts

Small Ivory Chair of Akhenaten

This tiny ๐“ˆ–๐“†“๐“‹ด๐“…ฉ ivory chair ๐“Ž›๐“Šจ๐“๐“†ฑ probably held a tiny ๐“ˆ–๐“†“๐“‹ด๐“…ฉ statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ at one point! This chair ๐“Ž›๐“Šจ๐“๐“†ฑ is only about 5cm in height so it is very tiny! The amount of detail that the artist was able to carve into such a small piece is incredible! 

On the back of the chair ๐“Ž›๐“Šจ๐“๐“†ฑ, Akhenatenโ€™s nomen (birth name) and prenomen (throne name) are carved underneath the rays of the Aten ๐“‡‹๐“๐“ˆ–๐“‡ณ. Letโ€™s break down the names ๐“‚‹๐“ˆ–๐“ฆ! 

๐“‡‹๐“๐“ˆ–๐“‡ณ๐“…œ๐“๐“ˆ– – Akhenaten โ€œLiving Spirit of the Atenโ€ – this is his โ€œbirth nameโ€ – though not really because Akhenaten changed his name to Akhenaten from Amenhotep IVย ๐“‡‹๐“ ๐“ˆ–๐“Šต๐“Šน๐“‹พ๐“Œ€!ย 

๐“‡ณ๐“„ค๐“†ฃ๐“‡ณ๐“ฆ๐“Œก๐“ˆ– – Neferkheperrua โ€œThe Beautiful One of the Manifestations of Raโ€ is the throne name, which was probably taken when he was still calling himself Amenhotep IV ๐“‡‹๐“ ๐“ˆ–๐“Šต๐“Šน๐“‹พ, since the name ๐“‚‹๐“ˆ– contains โ€œRa ๐“‡ณโ€ and not โ€œAten ๐“‡‹๐“๐“ˆ–๐“‡ณ.โ€ 

๐“‹ โ€“ this symbol on the back of the chair ๐“Ž›๐“Šจ๐“๐“†ฑ is a combination of many different things! Most prominently, it is thought to be representative of the lungs ๐“Šƒ๐“Œด๐“„ฅ๐“…ฑ๐“„บ and the windpipe ๐“„ฅ. The lungs ๐“Šƒ๐“Œด๐“„ฅ๐“…ฑ๐“„บ are a symbol of Upper Egypt ๐“‡“ and the windpipe ๐“„ฅ was a symbol of Lower Egypt ๐“†ค. Just like how the lungs ๐“Šƒ๐“Œด๐“„ฅ๐“…ฑ๐“„บ and the windpipe ๐“„ฅ need to work together in order for a person to survive, Upper ๐“‡“ and Lower ๐“†ค Egypt needed to be unified in order for Egypt ๐“†Ž๐“…“๐“๐“Š– to be a strong country!

The lung ๐“Šƒ๐“Œด๐“„ฅ๐“…ฑ๐“„บ and windpipe ๐“„ฅ design ๐“‹ was usually found on objects that belonged to the pharaoh ๐“‰๐“‰ป.

The three ๐“ผ men ๐“Šƒ๐“€€๐“ฆ on the side of the chair ๐“Ž›๐“Šจ๐“๐“†ฑ represent foreigners – a Libyan, an Asiatic, and a Nubian all of which are kneeling and raising their arms in a worshipping ๐“‡ผ๐“„ฟ๐“€ข stance. 

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Egyptian Artifacts

Doorjamb from a Temple of Rameses II

This large piece at the MET is referred to as a โ€œDoorjamb from a Temple of Rameses II.โ€ Basically, that means these blocks came from a gateway at a temple that was built in honor of one of Rameses IIโ€™sย ๐“‡ณ๐“„Š๐“ง๐“‡ณ๐“‰๐“ˆ–ย royal jubilees.ย 

The offering scene that is on the doorjamb is Rameses II ๐“‡ณ๐“„Š๐“ง๐“‡ณ๐“‰๐“ˆ– making an offering to the god ๐“Šน Ptah-Tatanen ๐“Šช๐“๐“Ž›๐“ฏ, who was the patron god ๐“Šน of the jubilee. Ptah-Tatanen ๐“Šช๐“๐“Ž›๐“ฏ is a combination of the deities ๐“Šน๐“Šน๐“Šน Ptah ๐“Šช๐“๐“Ž›๐“ฑ (the creator god ๐“Šน) and Tatanen ๐“ฏ, a lesser known deity who was the personification of the primordial mound that rose during the Egyptian creation myth. Tatanen ๐“ฏ is often compared to Geb ๐“…ญ๐“ƒ€๐“€ญ (the god ๐“Šน of the Earth ๐“‡พ๐“‡พ), however Tatanen ๐“ฏ is often associated with things that come from the interior of the Earth ๐“‡พ๐“‡พ such as minerals, rocks ๐“‡‹๐“ˆ–๐“‚‹๐“ˆ™๐“ฆ, and plants ๐“†พ๐“†ฐ๐“†ฐ๐“†ฐ! 

So Geb ๐“…ญ๐“ƒ€๐“€ญ is the Earthโ€™s ๐“‡พ๐“‡พ surface (The Upper Earth), while Tatanen ๐“ฏ is the Earthโ€™s ๐“‡พ๐“‡พ interior (The Lower Earth)! As a geologist, I love how the ancient Egyptians ๐“†Ž๐“๐“€€๐“๐“ช were able to make this distinction between the spheres of the Earth ๐“‡พ๐“‡พ in their mythology! They also recognized the atmosphere (another sphere of the Earth ๐“‡พ๐“‡พ) as the god ๐“Šน Shu ๐“†„๐“…ฑ๐“€ญ! Itโ€™s all so impressive to me! 

Ptah-Tatanen ๐“Šช๐“๐“Ž›๐“ฏ in hieroglyphs ๐“Šน๐“Œƒ๐“ช is broken down like this: 

๐“Šช๐“๐“Ž› – Ptah (spelled out with phonogram symbols)

๐“ฏ – Tatanen (the determinative/ideogram)

Ptahโ€™s ๐“Šช๐“๐“Ž›๐“ฑ determinative was basically replaced with the determinative for Tatanen ๐“ฏ to make the godโ€™s ๐“Šน name ๐“‚‹๐“ˆ–! 

Can you spot Ptah-Tatanen ๐“Šช๐“๐“Ž›๐“ฏ in the inscription on the doorjamb???

(Also Rameses IIIโ€™s ๐“‡ณ๐“„Š๐“ง๐“ˆ˜๐“‡‹๐“ ๐“ˆ– cartouches appear on this too on the bottom of the doorjamb – he clearly usurped this piece for his own use and didnโ€™t change all of the cartouches!)

Categories
Egyptian Artifacts Reading Hieroglyphs

Mislabeled Canopic Jars

These canopic jars are very famous pieces from the British Museum! Any time you read a book on mummification or Egyptian funerary practices, these canopic jars will make an appearance! The first book on Egypt ๐“†Ž๐“…“๐“๐“Š– my Nonno ever gave me was Carol Andrewsโ€™ book on the mummies at the British Museum, and of course these canopic jars were in the book! It was so exciting to see them in person! However, these are โ€œdummyโ€ canopic jars; they arenโ€™t even totally hollow inside so they definitely werenโ€™t used during the mummification process. 

But thatโ€™s not what is the most interesting here; whatโ€™s most interesting is in the hieroglyphs ๐“Šน๐“Œƒ๐“ช! Each canopic jar has a lid that represents one of the Four Sons of Horus. Each one has the task of protecting a specific organย ๐“‡‹๐“‚ง๐“‚‹๐“„นย of the deceased!ย 

From the left: 

-Qebehsenuef ๐“๐“Œข๐“Œข๐“Œข๐“†‘๐“€ญ (falcon head) held the intestines ๐“ˆ–๐“Šช๐“…ฎ๐“„ฟ๐“ฒ๐“ผ

-Imseti ๐“‡‹๐“…“๐“Šƒ๐“ฟ๐“€ญ (human head) held the liver ๐“…“๐“Šƒ๐“๐“„น๐“ธ๐“ธ๐“ธ

-Hapi ๐“Ž›๐“‘๐“Šช๐“‡Œ๐“€ญ (baboon head) held the lungs ๐“Šƒ๐“Œด๐“„ฅ๐“…ฑ๐“„บ

-Duamutef ๐“‡ผ๐“…๐“๐“†‘๐“€ญ (jackal head) held the stomach ๐“‚‹๐“„ฃ๐“ป

Now, if you take a closer look at the inscriptions ๐“Ÿ๐“›๐“ฅ on the jars – Qebehsenuef ๐“๐“Œข๐“Œข๐“Œข๐“†‘๐“€ญ is labeled with Duamutefโ€™s ๐“‡ผ๐“…๐“๐“†‘๐“€ญ name ๐“‚‹๐“ˆ– and vice versa! 

Iโ€™m not sure if it is an ancient mistake or a mistake by the museum! Iโ€™m always so amused when I come across stuff like this!

The inscription above the names is a common one that we have gone over before:

๐“†“๐“Œƒ๐“‡‹๐“ˆ– – Words Spoken By

๐“น๐“Šจ๐“Šน – Osiris (the symbol for โ€œgod ๐“Šนโ€ is used as the determinative here instead of the usual โ€œ๐“€ญโ€ – I love seeing variation)!!