Tag: the met

Video

The Mastaba of Perneb – Video

Post author By ancientegyptblog7
Post date June 19, 2023

@ancientegyptblog
Perneb 𓉐𓂋𓈖𓎟𓃀 was a palace administrator during the 5th Dynasty, and he had his tomb 𓇋𓐫𓊃𓉐 built at Memphis 𓏠𓈖𓄤𓆑𓂋𓉴𓊖 (modern day Saqqara). This type of tomb 𓇋𓐫𓊃𓉐 is commonly referred to today as a mastaba, but in ancient Egyptian times they were referred to as a “House of Eternity 𓉐𓆖.” The word “mastaba” is Arabic for the word “bench,” and these tombs 𓇋𓐫𓊃𓉐𓏪 got their modern name 𓂋𓈖 due to their rectangular structure and flat roofs! I am standing inside the mastaba 𓉐𓆖 of Perneb 𓉐𓂋𓈖𓎟𓃀 at the MET in front of his False Door! I will never forget seeing it for the first time with my Nonno – the first time I saw it, there was no glass on the reliefs! Seeing this for the first time will always be one of my greatest memories! I love being inside the mastaba 𓉐𓆖 because I feel like I am in Egypt – 𓆎𓅓𓏏𓊖 I love being in tombs 𓇋𓐫𓊃𓉐𓏪! False Doors served as ways for the living relatives to make offerings 𓊵𓏏𓊪𓏏𓏔𓏦 to the deceased 𓅓𓏏𓏱 and there is a spot at the base of the False Door where offerings 𓊵𓏏𓊪𓏏𓏔𓏦 are meant to be left. The False Door acted as a link between the land of the living 𓋹𓈖𓐍 and the land of the dead 𓅓𓏏𓏱. The ancient Egyptians 𓆎𓏏𓀀𓁐𓏪 believed that the soul 𓂓 of the deceased 𓅓𓏏𓏱 could travel between the two lands 𓇿𓇿 through the False Door. They are also known as “ka 𓂓 doors” or “soul 𓂓 doors.” This is my personal video and original text. DO NOT repost. #ancientEgypt #ancientegyptblog #egyptology #hieroglyphics #letsreadsomehieroglyphs #egitto #metropolitanmuseumofart #metmuseum #hieroglyphs #anticoegitto #egyptologist #egyptianhistory
♬ Cruel Summer – Taylor Swift

Perneb 𓉐𓂋𓈖𓎟𓃀 was a palace administrator during the 5th Dynasty, and he had his tomb 𓇋𓐫𓊃𓉐 built at Memphis 𓏠𓈖𓄤𓆑𓂋𓉴𓊖 (modern day Saqqara). This type of tomb 𓇋𓐫𓊃𓉐 is commonly referred to today as a mastaba, but in ancient Egyptian times they were referred to as a “House of Eternity 𓉐𓆖.” The word “mastaba” is Arabic for the word “bench,” and these tombs 𓇋𓐫𓊃𓉐𓏪 got their modern name 𓂋𓈖 due to their rectangular structure and flat roofs!

I am standing inside the mastaba 𓉐𓆖 of Perneb 𓉐𓂋𓈖𓎟𓃀 at the MET in front of his False Door! I will never forget seeing it for the first time with my Nonno – the first time I saw it, there was no glass on the reliefs! Seeing this for the first time will always be one of my greatest memories! I love being inside the mastaba 𓉐𓆖 because I feel like I am in Egypt – 𓆎𓅓𓏏𓊖 I love being in tombs 𓇋𓐫𓊃𓉐𓏪!

False Doors served as ways for the living relatives to make offerings 𓊵𓏏𓊪𓏏𓏔𓏦 to the deceased 𓅓𓏏𓏱 and there is a spot at the base of the False Door where offerings 𓊵𓏏𓊪𓏏𓏔𓏦 are meant to be left.

The False Door acted as a link between the land of the living 𓋹𓈖𓐍 and the land of the dead 𓅓𓏏𓏱. The ancient Egyptians 𓆎𓏏𓀀𓁐𓏪 believed that the soul 𓂓 of the deceased 𓅓𓏏𓏱 could travel between the two lands 𓇿𓇿 through the False Door. They are also known as “ka 𓂓 doors” or “soul 𓂓 doors.”

If you’re interested in the beautiful reliefs that are on the walls of this mastaba 𓉐𓆖, you can read my previous post about them here!

The Mastaba of Perneb — Me in front of Perneb’s False Door inside his mastaba

This is my personal video, photo, and original text. DO NOT repost.

Tags mastaba, the met, video

Egyptian Artifacts

Sphinx of Amenhotep II

Post author By ancientegyptblog7
Post date June 18, 2023

This is a sandstone 𓂋𓅱𓂧𓏏𓌗𓈙 Sphinx 𓎛𓅱𓃭𓏤 of Amenhotep II 𓇋𓏠𓈖𓊵𓏏𓊪! Amenhotep II 𓇋𓏠𓈖𓊵𓏏𓊪 was pharaoh 𓉐𓉻𓏥 during the 18th Dynasty and was the son 𓅭 of Thutmosis III 𓇳𓏠𓆣. He ruled 𓋾𓈎𓏏 Egypt 𓆎𓅓𓏏𓊖 for about 26 𓎆𓎆𓏿 years and the first two 𓏻 years of his rule might have been a co-reign with his father 𓇋𓏏𓀀.

A small sandstone Sphinx of Amenhotep II

Why do so many pharaohs 𓉐𓉻𓏥 represent themselves as sphinxes 𓎛𓅱𓃭𓏦? A sphinx 𓎛𓅱𓃭𓏤 is a mythical creature and is the combination of a lion 𓌳𓁹𓄿𓄛 (the body) and a human (the head 𓁶𓏺). In ancient Egypt 𓆎𓅓𓏏𓊖, lions 𓌳𓁹𓄿𓄛𓏪 have been associated with kingship 𓇓𓇌 since prehistoric times due to their strength 𓌀 and ferocity. The sphinx 𓎛𓅱𓃭 was the perfect representation of the strength 𓌀 of the pharaoh 𓉐𓉻 due to its lion 𓌳𓁹𓄿𓄛 body, while the face still preserved the image 𓏏𓅱𓏏 of the king 𓇓 himself.

Sphinxes 𓎛𓅱𓃭𓏦 are incredibly powerful creatures because not only do they represent the physical strength 𓄇𓏏𓂝𓏭 of a lion 𓌳𓁹𓄿𓄛, but also the power of a pharaoh 𓉐𓉻.

Amenhotep II 𓇋𓏠𓈖𓊵𓏏𓊪 loved to portray himself as powerful (as all pharaohs 𓉐𓉻𓏥 did), but Amenhotep II 𓇋𓏠𓈖𓊵𓏏𓊪 is actually most known for his athletic abilities! Many depictions show him as an accomplished archer!

Amenhotep II’s birth name is actually the same as Amenhotep I, which is 𓇋𓏠𓈖𓊵𓏏𓊪. Let’s break down the meaning of the name:

𓇋𓏠𓈖 – Amun

𓊵𓏏𓊪 – Satisfied

So the name translates to “Amun is Satisfied.”

We can tell pharaohs 𓉐𓉻𓏥 with the same name apart based on their throne name! Amenhotep II’s throne name is “Aakheperura 𓇳𓉻𓆣𓏦!” Let’s break down the meaning of the name:

𓇳 – Ra

𓉻 – Great

𓆣𓏦 – Manifestations

The name translates to “The Great Manifestations of Ra.”

This is my personal photograph and original text. DO NOT repost.

Tags amenhotep ii, artifact, sphinx, the met

Reading Hieroglyphs

Cleopatra VII’s Cartouche

Post author By ancientegyptblog7
Post date June 13, 2023

Let’s read some hieroglyphs 𓊹𓌃𓏪! Today we are going to take a closer look at Cleopatra VII’s 𓈎𓃭𓇋𓍯𓊪𓄿𓂧𓂋𓏏𓄿𓆇 cartouche 𓏠𓈖𓈙𓍷!

Cleopatra VII 𓈎𓃭𓇋𓍯𓊪𓄿𓂧𓂋𓏏𓄿𓆇 is arguably one of the most famous pharaohs 𓉐𓉻𓏦 to ever rule Egypt 𓆎𓅓𓏏𓊖 and one of the most famous women in history. Even though Cleopatra VII 𓈎𓃭𓇋𓍯𓊪𓄿𓂧𓂋𓏏𓄿𓆇 was Greek, she is considered to be the last pharaoh 𓉐𓉻 of Egypt 𓆎𓅓𓏏𓊖.

Cleopatra VII’s Cartouche on a statue on display at the MET

This picture shows the birth name cartouche 𓏠𓈖𓈙𓍷 of Cleopatra VII 𓈎𓃭𓇋𓍯𓊪𓄿𓂧𓂋𓏏𓄿𓆇! Since Cleopatra VII 𓈎𓃭𓇋𓍯𓊪𓄿𓂧𓂋𓏏𓄿𓆇 was Greek and not native Egyptian, this cartouche 𓏠𓈖𓈙𓍷 of hers is very phonetic – most of the hieroglyphs 𓊹𓌃𓏪 used are uniliteral signs, which means that they correspond to a single sound, just like a letter in the alphabet.

Let’s take a closer look!

𓈎 – The “sandy slope 𓈎” symbol is a uniliteral phonogram associated with the sound “q.”

𓃭 – the “recumbent lion 𓃭” was traditionally a biliteral phonogram for the sound “rw,” however, during the Hellenistic Period it adopted the sound of “L.”

𓇋 – The “reed 𓇋” represents the sound of “ı͗,” however it can also function as an ideogram for the word “reed 𓇋𓏺.”

𓍯 – The “lasso 𓍯” was traditionally a biliteral phonogram for “w3” (wah) but became evolved to adopt the sound of “o.”

𓊪 – The “stool 𓊪” is a uniliteral phonogram for the sound “p.”

𓄿 – The “Egyptian Vulture 𓄿” represents the sound “3” which would be pronounced like “ah.”

𓂧 – The “hand 𓂧” represents the sound “d” and is also the ideogram for the word “hand.”

𓂋 – The “mouth 𓂋” symbol is used to represent the sound “r.” It can also be used as an ideogram for the word “mouth 𓂋𓏺.”

𓏏 – The “flat loaf of bread 𓏏” is a uniliteral phonogram used to represent the sound “t.” It also functions as the ideogram for the word “bread 𓏏𓏺.”

𓄿 – see above!

𓆇 – The “egg 𓆇” symbol is kind of used as a determinative here?? The “egg 𓆇” is usually used this way in the name of the goddess “Isis 𓊨𓏏𓆇,” who was a very popular deity at the time so there is probably a relation. The “egg 𓆇” symbol can adopt different sounds depending on how it’s used.

It’s pretty cool to see the versatility of the hieroglyphic 𓊹𓌃𓏪 symbols with examples of foreign names 𓂋𓈖𓏦!

This is my personal photograph and original text. DO NOT repost without permission.

Tags cleopatra iv, hieroglyph lessons, hieroglyphs, the met

Egyptian Artifacts

Composite Papyrus Capital

Post author By ancientegyptblog7
Post date June 11, 2023

This piece is called the “Composite Papyrus Capital” and it is on display at the MET! This used to be a part of a larger column 𓅱𓐍𓇋𓇅 that measured over seven 𓐀 meters tall! In building/archaeology, the “capital” is the name of the decorated uppermost part of the column 𓅱𓐍𓇋𓇅!

Composite Papyrus Capital on display at the MET

This column 𓅱𓐍𓇋𓇅 was originally at the Temple of Amun at the Kharga Oasis which was built by the pharaoh 𓉐𓉻 Nectanebo I 𓇳𓆣𓂓(378 – 360 B.C.E.). This was part of a large temple 𓉟𓏏𓉐 building program that Nectanbo I 𓈖𓆱𓐍𓏏𓂡𓃭𓆑 initiated as a way to resist the threat of Persian rule through the introduction of more traditional Egyptian religious works.

The most striking aspect of this column capital is the intricate design and the preserved colors. While Egypt 𓆎𓅓𓏏𓊖 is a desert 𓅟𓂋𓏏𓈊, is has always had diverse plant 𓇐𓅓𓆰 life thanks to the Nile River 𓇋𓏏𓂋𓅱𓈗𓈘𓈇𓏺. Ancient Egyptian art always showcased the biodiversity of the area and this column does that beautifully! Papyrus plants 𓇅𓆰 (upper) and flatsedge plants 𓇓 (lower) are the main decoration on the column. Both plants 𓆾𓆰𓆰𓆰 were very common along the Nile 𓇋𓏏𓂋𓅱𓈗𓈘𓈇𓏺 and were quite important to the Egyptian economy.

Some of the preserved colors they can be seen are green 𓇅𓄿𓆓𓏛, yellow and red 𓂧𓈙𓂋𓅟. I always love when stone 𓇋𓈖𓂋𓊪 works still have retained their original color because most of the time, the colors have faded over time.

This is my personal photograph and original text. DO NOT repost without permission.

Tags artifact, nectanbo i, the met

Video

Wax Ushabtis – Video

Post author By ancientegyptblog7
Post date June 10, 2023

@ancientegyptblog
Before ushabtis 𓆷𓄿𓍯𓃀𓏏𓏮𓀾𓏪 evolved in the 12th Dynasty, wax 𓏠𓈖𓎛𓏸𓏦 figurines that looked like humans (and had their own mini coffins 𓋴𓅱𓎛𓏏𓆱𓏦) werew placed in tombs 𓇋𓐫𓊃𓉐𓏪 with the deceased 𓅓𓏏𓏱! These precursor-ushabtis 𓆷𓄿𓍯𓃀𓏏𓏮𓀾𓏪 were made of beeswax and beeswax was said to have magical 𓎛𓂓𓄿𓏜 powers of protection 𓅓𓂝𓎡𓀜, resurrection, and regeneration. The figures are somewhat detailed and were wrapped in a linen cloth 𓍱 and placed in the mini-coffin 𓋴𓅱𓎛𓏏𓆱. The coffin 𓋴𓅱𓎛𓏏𓆱 did not identify any role or jobs that the figure had (like the text on a ushabti 𓆷𓄿𓍯𓃀𓏏𓏮𓀾 could identify what it’s job was), but it did identify the name 𓂋𓈖 of the deceased 𓅓𓏏𓏱. Sometimes even the standard Offering Formula (𓇓𓏏𓊵𓏙 an offering the king gives) appeared on the mini-coffin 𓋴𓅱𓎛𓏏𓆱 as if it were a real one! If these figures weren’t workers, then what was their purpose? It is thought that this figure would take the place of the body should the body of the deceased 𓅓𓏏𓏱 be destroyed. These particular wax 𓏠𓈖𓎛𓏸𓏦 figures belonged to Queen Neferu, who lived during the 11th Dynasty (c. 2051–2030B.C.E) during the reign of Montuhotep II 𓏠𓈖𓍿𓅱𓊵𓏏𓊪. Her tomb 𓇋𓐫𓊃𓉐 had many of these wax 𓏠𓈖𓎛𓏸𓏦 figures, however in general, not many similar ones have been found (in comparison to the amount of ushabtis 𓆷𓄿𓍯𓃀𓏏𓏮𓀾𓏪 that have been found) Ushabtis 𓆷𓄿𓍯𓃀𓏏𓏮𓀾𓏪 evolved into the little worker figures we know today during the 12th Dynasty, but became very popular during the New Kingdom. This is my personal video and original text. DO NOT repost without permission. #ancientEgypt #egyptology #ushabti #shabti #egyptologist #egyptianhistory #egyptianmythology #ancientegyptblog #metropolitanmuseumofart @The Metropolitan Museum of Art
♬ original sound – ancientegyptblog Nicole Lesar

Before ushabtis 𓆷𓄿𓍯𓃀𓏏𓏮𓀾𓏪 evolved in the 12th Dynasty, wax 𓏠𓈖𓎛𓏸𓏦 figurines that looked like humans (and had their own mini coffins 𓋴𓅱𓎛𓏏𓆱𓏦) were placed in tombs 𓇋𓐫𓊃𓉐𓏪 with the deceased 𓅓𓏏𓏱!

These precursor-ushabtis 𓆷𓄿𓍯𓃀𓏏𓏮𓀾𓏪 were made of beeswax and beeswax was said to have magical 𓎛𓂓𓄿𓏜 powers of protection 𓅓𓂝𓎡𓀜, resurrection, and regeneration. The figures are somewhat detailed and were wrapped in a linen cloth 𓍱 and placed in the mini-coffin 𓋴𓅱𓎛𓏏𓆱. The coffin 𓋴𓅱𓎛𓏏𓆱 did not identify any role or jobs that the figure had (like the text on a ushabti 𓆷𓄿𓍯𓃀𓏏𓏮𓀾 could identify what it’s job was), but it did identify the name 𓂋𓈖 of the deceased 𓅓𓏏𓏱. Sometimes even the standard Offering Formula (𓇓𓏏𓊵𓏙 an offering the king gives) appeared on the mini-coffin 𓋴𓅱𓎛𓏏𓆱 as if it were a real one!

If these figures weren’t workers, then what was their purpose? It is thought that this figure would take the place of the body should the body of the deceased 𓅓𓏏𓏱 be destroyed.

These particular wax 𓏠𓈖𓎛𓏸𓏦 figures belonged to Queen Neferu, who lived during the 11th Dynasty (c. 2051–2030B.C.E) during the reign of Montuhotep II 𓏠𓈖𓍿𓅱𓊵𓏏𓊪. Her tomb 𓇋𓐫𓊃𓉐 had many of these wax 𓏠𓈖𓎛𓏸𓏦 figures, however in general, not many similar ones have been found (in comparison to the amount of ushabtis 𓆷𓄿𓍯𓃀𓏏𓏮𓀾𓏪 that have been found).

Ushabtis 𓆷𓄿𓍯𓃀𓏏𓏮𓀾𓏪 evolved into the little worker figures we know today during the 12th Dynasty, but became very popular during the New Kingdom.

Wax Ushabtis on display at the MET

This is my personal video and original text. DO NOT repost without permission.

Tags artifact, shabti, the met, ushabti, video

Reading Hieroglyphs

“Given Life”

Post author By ancientegyptblog7
Post date June 9, 2023

“Given Life 𓏙𓋹”

“Given Life” in raised relief on display at the MET

Happy 800 𓏲𓏲𓏲𓏲𓏲𓏲𓏲𓏲 posts to @ancientegyptblog (on Instagram)! I honestly can’t believe how much I’ve written, but what’s even more unbelievable is how many people have read what I’ve written! I’m not going to lie; I’m so proud!

“Given Life 𓏙𓋹” is such a simple and easy phrase to learn when you’re starting on your hieroglyph 𓊹𓌃 journey. While “Given Life 𓏙𓋹” is a super common phrase to see in inscriptions 𓏟𓏛𓏥, it is also super meaningful in ancient Egypt 𓆎𓅓𓏏𓊖 – that’s why it appeared everywhere! A lot of inscriptions 𓏟𓏛𓏥 either started or ended with “Given Life 𓏙𓋹.” Usually, these inscriptions 𓏟𓏛𓏥 were meant to preserve the name 𓂋𓈖 of the deceased, so their soul 𓂓𓏺 could continue to live on.

You all have “Given Life 𓏙𓋹” to not only my posts, but more importantly, to my memories about my Nonno and also his knowledge 𓂋𓐍𓏏𓏜 that he shared with me. This account started as a memorial for my Nonno, and it always will be. Thank you 𓋴𓏏𓍯𓄿𓀢 guys!!

Let’s read some hieroglyphs 𓊹𓌃𓏪! Let’s break down these two 𓏻 symbols and take a closer look at what they mean:

The “bread mold 𓏙” symbol is functions as a phonogram for “d” or “ḏj” and also as “rdj” in the word for “give.” The most common use for this symbol is as the word “give.”

The “sandal strap 𓋹” more commonly known as the “Ankh,” is a triliteral phonogram that has the sound “ˁnḫ” which would sound like “ankh.” While it can also be an ideogram for “sandal strap” and “mirror,” the “sandal strap 𓋹” is much more commonly seen as the word for “Life.”

This is my personal photograph and original text. DO NOT repost without permission.

Tags hieroglyph lessons, hieroglyphs, the met

Egyptian Artifacts

Inscribed Stones

Post author By ancientegyptblog7
Post date June 7, 2023

There are two 𓏻 things that completely fascinate me: ancient Egyptian history and geology so these “inscribed stones” are so interesting to me! I love when I can combine my passion for these two 𓏻 subjects! Rocks 𓇋𓈖𓂋𓈙𓏥 are basically the hieroglyphs 𓊹𓌃𓏪 of the Earth 𓇾𓇾! What’s even better is when hieroglyphs 𓊹𓌃𓏪 appear on pieces/fragments of rock 𓇋𓈖𓂋𓈙 – it’s like hieroglyph 𓊹𓌃 inception!

Many Inscribed Stones with the cartouche of Hatshepsut on display at the MET

The MET has these listed as “inscribed stones,” which were most likely intentionally put at the base of Hatshepsut’s 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 Valley Temple as offerings 𓊵𓏏𓊪𓏏𓏔𓏦. Three 𓏼 different types or rocks are shown in the picture 𓏏𓅱𓏏 above: limestone 𓇋𓈖𓈙𓌉, sandstone 𓂋𓅱𓂧𓏏𓌗𓈙 and quartzite. All three 𓏼 of these rocks 𓇋𓈖𓂋𓈙𓏥 are found in abundance across Egypt 𓆎𓅓𓏏𓊖, especially the sandstone 𓂋𓅱𓂧𓏏𓌗𓈙 and limestone 𓇋𓈖𓈙𓌉!

A closeup of an Inscribed Stone with the throne name of Hatshepsut on it! Look at how beautiful the carvings are! The details on the “ka 𓂓” symbol are particularly stunning!

While many of these “inscribed stones” have very rough carvings on them, the cartouche 𓏠𓈖𓈙𓍷 that appears in the picture 𓏏𓅱𓏏 above on the limestone 𓇋𓈖𓈙𓌉 rock 𓇋𓈖𓂋𓈙 is quite beautiful 𓄤𓆑𓂋! The version of Hatshepsut’s 𓇋𓏠𓈖𓎹𓏏𓄂𓏏𓀼𓏪 name 𓂋𓈖 that appears on these fragments of rock 𓇋𓈖𓂋𓈙 is her throne name, which is the name she took when she became pharaoh 𓉐𓉻! Her throne name is “Maatkare 𓇳𓁦𓂓” which translates to “Truth is the Soul of Re.”

Let’s take a closer look at what the symbols in her name mean:

𓇳 – Ra

𓁦 – Maat (Truth)

𓂓 – Ka (Soul)

This is my personal photograph and original text. DO NOT repost without permission.

Tags artifact, hatshepsut, hieroglyphs, the met

Egyptian Artifacts

Ritual Statue

Post author By ancientegyptblog7
Post date June 5, 2023

A “Ritual Statue” was used in ancient Egypt 𓆎𓅓𓏏𓊖 on processional boats to show the pharaoh 𓉐𓉻 worshipping the gods 𓊹𓊹𓊹. Usually, the statues 𓏏𓅱𓏏𓀾𓏪 that appeared on these processional/ceremonial boats were of the gods 𓊹𓊹𓊹 exclusively. This particular ritual statue 𓏏𓅱𓏏𓀾 is the earliest one found from ancient Egypt 𓆎𓅓𓏏𓊖 that depicts a pharaoh 𓉐𓉻!

Ritual Statue of the 18th Dynasty pharaoh Thutmosis III on display at the MET

Another important aspect of this statue 𓏏𓅱𓏏𓀾 is that it is made of bronze 𓈔𓏤𓈒𓏦 – with the exception of a few Middle Kingdom examples, this statue 𓏏𓅱𓏏𓀾 seems to be the start of bronze 𓈔𓏤𓈒𓏦 statuary in ancient Egypt 𓆎𓅓𓏏𓊖! Both ritual statues 𓏏𓅱𓏏𓀾𓏪 and bronze 𓈔𓏤𓈒𓏦 statuary became much more common during the Third Intermediate and Late Periods.

My Nonno loved bronze 𓈔𓏤𓈒𓏦 statuary, and I do too because they are always so well preserved and the details can easily be seen! On this statue 𓏏𓅱𓏏𓀾 in particular, the gold 𓋞𓃉𓃉𓃉 around the eyes 𓁹𓏏𓏦 is still intact (some of the gold was restored) as is the nemset jar 𓏌𓏺! The inlays in the eyebrows are missing, but might have been gold 𓋞𓃉𓃉𓃉 or stone 𓇋𓈖𓂋𓊪. While an arm 𓂝𓏺 may be missing, this gives us insight into the artistic ingenuity of the Egyptian artisans; the arms 𓂝𓏦 attach perfectly into the grooves provided, which allowed for more detailed work!

This statue 𓏏𓅱𓏏𓀾 is dated to the 18th Dynasty (New Kingdom) and we know that because the throne name of the pharaoh 𓉐𓉻 Thutmosis III 𓇳𓏠𓆣 appears on the belt that the statue 𓏏𓅱𓏏𓀾 is wearing! Kneeling bronze 𓈔𓏤𓈒𓏦 statues 𓏏𓅱𓏏𓀾𓏪 of pharaohs 𓉐𓉻𓏦 dated to the New Kingdom are extremely rare!

Egyptologists can also date this statue 𓏏𓅱𓏏𓀾 to the 18th Dynasty based on the clothes it is wearing; the combination of the Khepresh Crown 𓆣𓂋𓈙𓋙 and the way the skirt is styled (longer in the front) are very typical pharaonic fashion for the 18th Dynasty!

This statue 𓏏𓅱𓏏𓀾 is also very small 𓈖𓆓𓋴𓅩 and is only 5 inches (13.1 cm) tall!

This is my personal photograph and original text. DO NOT repost without permission.

Tags artifact, the met, thutmosis iii

Egyptian Artifacts Reading Hieroglyphs

Thoth on a Coffin

Post author By ancientegyptblog7
Post date June 4, 2023

Let’s read some hieroglyphs 𓊹𓌃𓏪 – with the god 𓊹 of writing 𓏟𓏛𓏥 himself, Thoth 𓅝𓏏𓏭! I love Thoth 𓅝because I love hieroglyphs 𓊹𓌃𓏪 and he’s my second favorite Egyptian deity! Let’s take a look at a depiction of Thoth on a coffin!

Thoth on a Coffin depicted as an Ibis with a human body.

This photo 𓏏𓅱𓏏 shows some details on the mummiform coffin 𓅱𓇋𓀾 of a man named Kharrushere who lived during the Third Intermediate Period/22nd Dynasty (c. 825–712 B.C.E.). Elaborately decorated coffins 𓅱𓇋𓀾𓏪 are very typical of this time period and I love just looking at them and enjoying the beautiful 𓄤𓆑𓂋 art!

Thoth 𓅝𓏏𓏭 was represented in multiple ways, and was always associated with either the baboon or the ibis 𓉔𓃀𓅤. When in humanoid form (like on this coffin 𓅱𓇋𓀾), he was represented as a human body with the head of an ibis 𓉔𓃀𓅤.

Let’s break down the hieroglyphs 𓊹𓌃 that are to the left of Thoth!

𓆓𓌃𓇋𓈖 – Words Spoken By

𓅤 – Thoth (“Djeuty” in Middle Egyptian)

𓎟 – Lord

𓊹𓌃 – Hieroglyphs (“Divine Words/Writing”)

Thoth 𓅤𓀭 was thought to have invented writing 𓏟𓏛𓏥, and was thus the god 𓊹 of all record keeping, hence the epithet “Lord of the Divine Words/Writing 𓎟𓊹𓌃.” Due to his vast knowledge, 𓂋𓐍𓏏𓏜 Thoth 𓁟 was thought to know magic 𓎛𓂓𓄿𓏜 and secrets 𓃀𓋴𓆟𓏛𓏦 that were unknown to the rest of the gods 𓊹𓊹𓊹 in the Egyptian pantheon. He was also the god 𓊹 of scribes 𓏟𓀀𓏪.

Thoth 𓅤 has many ways to write his name 𓂋𓈖 in hieroglyphs! Here are a few of them:

𓅤𓀭

𓅤

𓅝𓏏𓏭𓀭

𓅝𓏏𓏭

𓁟

Most of the deities 𓊹𓊹𓊹 in the Egyptian pantheon have many variations of ways to write their names in hieroglyphs 𓊹𓌃!

This is my personal photograph and original text. DO NOT repost without permission.

Tags artifact, gods and goddesses, hieroglyph lessons, hieroglyphs, the met, thoth

Egyptian Artifacts

Art in Amenhotep III’s Palace

Post author By ancientegyptblog7
Post date June 3, 2023

The art in Amenhotep III’s 𓇳𓁧𓎠 palace 𓂝𓎛𓏏𓉥𓉐 at present-day Malqata must have been such a sight to see! Malqata is located near Thebes 𓌀𓏏𓊖 in Upper Egypt 𓇓 on the West Bank of the Nile 𓇋𓏏𓂋𓅱𓈗𓈘𓈇𓏺. One of the reasons why the palace 𓂝𓎛𓏏𓉥𓉐 at Malqata is so fascinating is because of the beautiful 𓄤𓆑𓂋 artwork that has been discovered throughout it!

One of the many pieces of art in Amenhotep III’s Palace from Malqata. The duck and various forms of vegetation create a relaxing ambience!

Believe it or not, this beautiful 𓄤𓆑𓂋 piece of art actually was part of the decoration on the floor in one of the rooms of the palace 𓂝𓎛𓏏𓉥𓉐! I love how the blue 𓇋𓁹𓏏𓄿𓏸𓏥, green 𓇅𓄿𓆓𓏛, gold 𓋞𓃉𓃉𓃉 and cream colors complement each other and make a relaxing ambience. Plus, I think ducks 𓄿𓊪𓂧𓅭𓏪 are adorable and I love how this duck 𓄿𓊪𓂧𓅭 is just hanging out amongst the flowers 𓆼𓅱𓆰𓏦/papyrus 𓇅𓆰 and other vegetation 𓇆𓆰𓏥!

In order to celebrate his Heb Sed Festival 𓎛𓃀𓋴𓂧𓏏𓎱𓇳𓏪, the pharaoh 𓉐𓉻 Amenhotep III 𓇳𓁧𓎠 built a new palace 𓂝𓎛𓏏𓉥𓉐 which was referred to as “The House of Rejoicing” at present day Malqata in Egypt 𓆎𓅓𓏏𓊖. The Heb Sed Festival 𓎛𓃀𓋴𓂧𓏏𓎱𓇳𓏪, also known as the “30 Year Jubilee,” was meant to celebrate the 30th year of a pharaoh’s 𓉐𓉻 reign 𓋾𓈎𓏏. The construction started during year 11 𓎆𓏺 of his reign, and Amenhotep III 𓇳𓁧𓎠 made Malqata his primary residence by year 29 𓎆𓎆𓐀𓏺.

Malqata was abandoned by Akhenaten 𓇋𓏏𓈖𓇳𓅜𓐍𓈖 when he succeeded his father. Many archaeologists speculate that many of the artists 𓍍𓏏𓏭𓀁 and craftsmen that worked at Malqata also worked in the Amarna 𓈌𓏏𓉐𓇋𓏏𓈖𓊖 workshops because similar floor-art has also been found at Amarna 𓈌𓏏𓉐𓇋𓏏𓈖𓊖.

This is my personal photograph and original text. DO NOT repost without permission.

Tags amenhotep iii, artifact, the met

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