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Egyptian Artifacts

The “Hatshepsut Hole”

Gallery 115 π“²π“Ž†π“Ύ at the MET holds an incredible collection of statues 𓏏𓅱𓏏𓀾π“ͺ which depict Egypt’s π“†Žπ“…“π“π“Š– greatest female pharaoh 𓉐𓉻 (and just one of the greatest pharaohs 𓉐𓉻𓏦 ever), Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ. This room is my happy place; there is just something so incredible about being in Hatshepsut’s 𓇳𓁦𓂓 presence! 

Most pharaohs’ π“‰π“‰»β€œgreatness” is based upon how extensive their building projects were, and Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ had a lot of them. She built the first obelisk 𓉢 in over 90 years, had her mortuary temple at Deir el-Bahri 𓂦𓂋𓂦π“₯𓉐 constructed (where the statues 𓏏𓅱𓏏𓀾π“ͺ in this gallery were found), and had multiple projects from Sinai to Nubia. 

However, despite her extensive building projects, much of her work had been usurped or destroyed. Most of the statues 𓏏𓅱𓏏𓀾π“ͺ in this gallery have been reconstructed; the statues 𓏏𓅱𓏏𓀾π“ͺ were found in pieces and put back together like ancient puzzles by archaeologists.Β 

The "Hatshepsut Hole"
Me with some reconstructed/restored statues of Hatshepsut in Gallery 115 at the MET. These statues were found in The “Hatshepsut Hole.”

At Deir el-Bahri 𓂦𓂋𓂦π“₯𓉐, the β€œHatshepsut Hole” is where many of these fragmented statues were found buried during an excavation by the MET and the Egyptian government. About 25 π“Ž†π“Ž†π“Ύ years after Hatshepsut’s 𓇳𓁦𓂓 death, Thutmosis III 𓇳𓏠𓆣 went on a campaign to have her statuary destroyed and her name π“‚‹π“ˆ– taken off of monuments 𓏠𓏍. No one knows why this occurred or the events that lead up to Thutmosis III 𓇳𓏠𓆣 doing this! 

Ironically, while Thutmosis III 𓇳𓏠𓆣 tried to destroy and erase Hatshepsut’s π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ image 𓏏𓅱𓏏, by burying the statues 𓏏𓅱𓏏𓀾π“ͺ, they have survived in pretty good condition thanks to the Egyptian sand. In a way, Thutmosis III 𓇳𓏠𓆣 did Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ (and archaeologists) a favor by allowing the statues 𓏏𓅱𓏏𓀾π“ͺ to be preserved instead of exposed to the elements/other pharaohs 𓉐𓉻𓏦. 

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Egyptian Artifacts

Gold Roman Mummy Mask

This is a mummy mask 𓅱𓇋𓀾 of a woman π“Šƒπ“π“‚‘π“π“ from the Roman Period of Egypt π“†Žπ“…“π“π“Š–. The Roman Period of Egypt is characterized as being after the death 𓅓𓏏𓏱 of Cleopatra VII π“ˆŽπ“ƒ­π“‡‹π“―π“Šͺ𓄿𓂧𓂋𓏏𓄿𓆇, the last pharaoh 𓉐𓉻, in 31 B.C.E. Even though Cleopatra VII π“ˆŽπ“ƒ­π“‡‹π“―π“Šͺ𓄿𓂧𓂋𓏏𓄿𓆇 was Greek, she is considered to be the last pharaoh 𓉐𓉻 of Egypt π“†Žπ“…“π“π“Š–. Augustus, though he called himself β€œPharaoh π“‰π“‰»π“€€β€œ was the first Emperor of the Roman Empire.Β 

Gold Roman Mummy Mask
Me with the Gold Roman Mummy Mask at the Brooklyn Museum

My Nonno loved the Roman Period of Egypt π“†Žπ“…“π“π“Š– because he loved Roman history too, so Roman Egypt was the combination of his favorite things! The merging of the civilizations also meant the merging of both Egyptian and Roman art styles, as is demonstrated by this mask. The mask is made of cartonnage and mostly overlaid with gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰ leaf. The eyes 𓁹𓏏𓏦 are inlaid with glass π“‹£π“ˆ–π“π“Έπ“Ό, while the garland π“Œ΄π“„Ώπ“Ž›π“†° of flowers 𓆼𓅱𓆰𓏦 is painted.Β 

Gold Roman Mummy Mask
The Gold Roman Mummy Mask at the Brooklyn Museum. The snake bracelets and armlets can be seen in great detail!

My favorite detail on this mummy mask 𓅱𓇋𓀾 are the snake 𓇋𓂝𓂋𓏏𓆙 bracelets 𓂝𓏠𓆑𓂋𓏏𓇛𓏦 that are carved in raised relief on the arms 𓂝𓏦. I love snake 𓇋𓂝𓂋𓏏𓆙 themed jewelry and wear snake 𓇋𓂝𓂋𓏏𓆙 rings π“‚π“ˆ–π“π“‹ͺπ“₯ and bracelets 𓂝𓏠𓆑𓂋𓏏𓇛𓏦 myself! I think it is such a beautiful π“„€ detail on  the mask 𓅱𓇋𓀾! The woman π“Šƒπ“π“‚‘π“π“ who owned this mask was most likely extremely wealthy because most mummy masks 𓅱𓇋𓀾π“ͺ were not completely overlaid with gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰ leaf such as this one. 

The eyebrows on the mask are blue 𓇋𓁹𓏏𓄿𓏸π“₯ because it is supposed to be the same color as lapis lazuli 𓐍𓋴𓃀𓂧𓏧! Many of the gods π“ŠΉπ“ŠΉπ“ŠΉ and goddesses π“ŠΉπ“ŠΉπ“ŠΉπ“ were thought to have blue 𓇋𓁹𓏏𓄿𓏸π“₯ lapis lazuli 𓐍𓋴𓃀𓂧𓏧 hair! The blue 𓇋𓁹𓏏𓄿𓏸π“₯ eyebrows could represent this woman joining the gods π“ŠΉπ“ŠΉπ“ŠΉ in the afterlife 𓇼𓄿𓏏𓉐. 

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Egyptian Artifacts

The Wilbour Plaque

Not only is the Wilbour Plaque one of my absolute favorite pieces, this is one of the most famous pieces of Amarna-era art! The Brooklyn Museum has an amazing collection of artifacts from Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– rule π“‹Ύπ“ˆŽπ“ and I’ll never forget the first time I got to see it with my Nonno!Β 

Wilbour Plaque
Me with the Wilbour Plaque at the Brooklyn Museum!

After Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ, Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– is my second favorite pharaoh 𓉐𓉻 because of just how different his reign π“‹Ύπ“ˆŽπ“ was compared to the other pharaohs 𓉐𓉻π“₯ – not only did the art style completely change, but the religion changed too! 

The top piece in the display is known as the Wilbour Plaque, named after Charles Wilbour who acquired it in 1881. This limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ piece is interesting because it is complete as is it was; it was never part of a larger scene and was most likely used as a model for sculptors! Sculptor models were used by artists as references when they were making official art of the pharaoh 𓉐𓉻!Β 

The Wilbour Plaque (top) and another Sculptor’s Model (bottom) on display at the Brooklyn Museum!

While there aren’t any inscriptions π“Ÿπ“›π“₯, it is assumed that the people represented here are Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– and Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€π“„€π“„€π“„€π“„€π“‡π“π“­. However, some argue that the person accompanying Nefertiti π“‡‹π“π“ˆ–π“‡³π“„€π“„€π“„€π“„€π“„€π“‡π“π“­ in the image 𓏏𓅱𓏏 could either be Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“ or Smenkare π“‡³π“Šƒπ“‰»π“‚“π“‚¦π“†£. 

To me this piece is interesting because the Aten π“‡‹π“π“ˆ–π“‡³ is no where in sight! Usually Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– is always accompanied by an image of the sun 𓇳𓏺/Aten π“‡‹π“π“ˆ–π“‡³ with sun rays shining on him. It’s almost kinda weird to see him like this! 

The second piece in the display is another sculptor’s model! This piece shows Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– with another member of the royal family, and a hand! 

This is my personal photograph and original text. DO NOT repost without permission.

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Egyptian Artifacts

Talatat Blocks

These small π“ˆ–π“†“π“‹΄π“…© β€œTalatat” Blocks are made of limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ and were used solely during the reign π“‹Ύπ“ˆŽπ“ of the pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–! These were used in the construction of the Aten π“‡‹π“π“ˆ–π“‡³ temple π“‰Ÿπ“π“‰ at Karnak (this construction started when he was still Amenhotep IV π“‡‹π“ π“ˆ–π“Š΅π“ŠΉπ“‹Ύπ“Œ€) and the palace π“‚π“Ž›π“π“‰₯𓉐 at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–. Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š– was the capital of Egypt π“†Žπ“…“π“π“Š– during the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–.Β 

Talatat Blocks
Talatat Blocks from the palace at Akhetaten on display at the Brooklyn Museum.

These limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ Talatat blocks were unique because they were so small π“ˆ–π“†“π“‹΄π“…© a single worker could carry them and put it into place. This was meant to expedite construction and make building a lot faster. The Talatat are also unique because they were only used during the reign π“‹Ύπ“ˆŽπ“ of Akhenaten π“‡‹π“π“ˆ–π“‡³π“…žπ“π“ˆ–, and were never used again.Β 

These Talatat at the Brooklyn Museum were once brightly painted in striking colors, as was most of the Egyptian monuments 𓏠𓏍. These specific blocks are from the palace π“‚π“Ž›π“π“‰₯𓉐 at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–, which is where Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“ grew up! These blocks reconstruct a pastoral scene. 

However, the Talatat were not found at Akhetaten π“ˆŒπ“π“‰π“‡‹π“π“ˆ–π“Š–; instead these blocks were reused by the pharaoh 𓉐𓉻 Rameses II π“‡‹π“ π“ˆ–π“ˆ˜π“‡³π“Ίπ“„Ÿπ“‹΄π“‡“ to build a pylon at Magna. The Talatat that are now seen in museums all over have been found in other places because the blocks were reused when other pharaohs 𓉐𓉻π“₯ took the throne. They were also reused by Horemheb π“‡³π“‚¦π“†£π“Όπ“‡³π“‰π“ˆ–. The famous Hypostyle Hall at Karnak (started by Seti I π“Šͺπ“π“Ž›π“£π“‡Œπ“ŒΈπ“ˆ– and completed by Rameses II π“‡‹π“ π“ˆ–π“ˆ˜π“‡³π“Ίπ“„Ÿπ“‹΄π“‡“) is built with Talatat! 

Tens of thousands of Talata have been found across Egypt π“†Žπ“…“π“π“Š– and I’m sure that there are still many more to be found!Β 

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Egyptian Artifacts Reading Hieroglyphs

Coffin Fragment of Isis

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! 

This is a coffin 𓅱𓇋𓀾 fragment (Late Period, Dynasties 26-31 c. 664-332 B.C.E.) that shows the goddess π“ŠΉπ“ Isis π“Š¨π“π“†‡π“†— in mourning. Since in Egyptian mythology Isis π“Š¨π“π“₯ assisted in the resurrection of Osiris π“Ήπ“Š¨π“€­, it was believed that she would be instrumental in the rebirth π“„Ÿπ“Ώπ“…± of the deceased 𓅓𓏏𓏱 which is why she was always seen on coffins 𓅱𓇋𓀾π“ͺ or the on the foot panel of sarcophagi π“ŽŸπ“‹Ήπ“ˆ–π“π“Š­π“¦.Β This coffin 𓅱𓇋𓀾π“ͺ fragment of Isis π“Š¨π“π“₯ is breathtaking in person!

Coffin Fragment of Isis
Me with the Coffin Fragment of Isis at the Brooklyn Museum

It’s usually easy to tell when Isis π“Š¨π“π“†‡π“†— is being depicted in Egyptian art because she is wearing the same hieroglyphic symbol on her head that appears in her name π“‚‹π“ˆ–, which is the throne symbol π“Š¨!! Isis π“Š¨π“π“†‡π“†— is shown wearing a white outfit, a broad collar π“…±π“‹΄π“π“ŽΊπ“‹ and two 𓏻 green 𓇅𓄿𓆓𓏛 bracelets 𓂝𓏠𓆑𓂋𓏏𓇛π“ͺ which seem to blend in to her green 𓇅𓄿𓆓𓏛 skin. The green 𓇅𓄿𓆓𓏛 skin symbolizes life π“‹Ή and rebirth π“„Ÿπ“Ώπ“…±.Β 

Coffin Fragment of Isis
Coffin Fragment of Isis

This is the inscription π“Ž˜π“…±π“Ž– in the right column: β€œπ“†“π“‡‹π“ˆ–π“Š¨π“π“†‡π“†—π“…¨π“‚‹π“ŠΉπ“…β€

π“†“π“‡‹π“ˆ– – Words Spoken By

π“Š¨π“π“†‡π“†— Isis (Isis is more commonly written like this β€œπ“Š¨π“π“₯β€œ or β€œ π“Š¨π“π“†‡π“₯”)

π“…¨π“‚‹ – the Great (greatness)

π“ŠΉ – God

𓅐 – Mother 

Put together π“ˆ–π“Š—, the inscription π“Ž˜π“…±π“Ž– reads: β€œWords spoken by Isis, the great God’s Mother…” The rest of the inscription π“Ž˜π“…±π“Ž– on this column is cut off. 

On the left column, the inscription π“Ž˜π“…±π“Ž– starts of with β€œπ“Ήπ“ˆ–β€ which translates to β€œborn of” and then it says the name π“‚‹π“ˆ–of a person which is hard for me to translate because I can’t tell what bird symbol is being used! The last part of the inscription π“Ž˜π“…±π“Ž– seems to say β€œtrue of voice π“™π“Š€,” but again it’s hard to tell because it’s cut off!

When I saw this piece I really liked it because of how colorful it was! No matter how many times I see artifacts in museums, I’m always shocked by how bright the colors still are on some objects! 

This is my personal photograph and original text. DO NOT repost without permission.Β 

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Egyptian Artifacts

Flowers in Ancient Egypt

When we envision Egypt π“†Žπ“…“π“π“Š–, we usually think of an arid desert π“…Ÿπ“‚‹π“π“ˆŠ environment. While Egypt π“†Žπ“…“π“π“Š– is certainly a desert, it did have its own beautiful 𓄀𓆑𓂋 plants 𓆾𓆰𓆰𓆰 and flowers that were definitely appreciated by the ancient Egyptians π“†Žπ“π“€€π“π“ͺ!Β 

Plants 𓆾𓆰𓆰𓆰 were used for food 𓇬𓀁𓅱𓏔π“₯ and medicine π“‡‹π“…±π“ˆŽπ“π“†°π“¦, so they were vital in that respect. Plants 𓆾𓆰𓆰𓆰 were considered to be so important that Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ actually sent out an expedition of people to go and look for new plants 𓆾𓆰𓆰𓆰 that could be used for food 𓇬𓀁𓅱𓏔π“₯ or medicine π“‡‹π“…±π“ˆŽπ“π“†°π“¦! The word for β€œmedicine π“‡‹π“…±π“ˆŽπ“π“†°π“¦β€ in Middle Egyptian even has one of the plant hieroglyphs π“ŠΉπ“Œƒπ“ͺ in it! 

Speaking of hieroglyphs π“ŠΉπ“Œƒπ“ͺ, there is an entire section of Gardiner’s Sign List dedicated to all of the plant symbols! There are 44 hieroglyphs π“ŠΉπ“Œƒπ“ͺ that represent plants 𓆾𓆰𓆰𓆰! For example, the phonogram/ideogram for the Nile Valley/Upper Egypt is 𓇗 – which represents a flowering plant.

Flowers in Ancient Egypt
Different fragments from Amarna that show different flowers in ancient Egypt (Brooklyn Museum)

Here are some beautifully π“„€ colored pieces of art that represent different plants 𓆾𓆰𓆰𓆰! On the bottom left is a lotus flower 𓆸 and some grapes, the top right is a palm tree, and the bottom right is a small plaque or tile of some kind with daisies/rosettes! 

I love how bright the green 𓇅𓄿𓆓𓏛 and yellow colors are! I will never stop being amazed that all of these beautiful pieces are still so vibrant after thousands of years!

These pieces are at the Brooklyn Museum and are dated to the Amarna Period (Dynasty 18).Β The Amarna Period is another phrase that Egyptologists and historians use to mark the reign π“‹Ύπ“ˆŽπ“ of the pharaoh 𓉐𓉻 Akhenaten π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–.

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Egyptian Artifacts

Amphora with an Ibex Head

This amphora π“ π“ˆ–π“‡‹π“‹ with an ibex π“ˆ–π“„«π“ƒ΅ head is so beautiful 𓄀𓆑𓂋! An amphora π“ π“ˆ–π“‡‹π“‹ is a special type of pottery π“ π“ˆ–π“‡‹π“‹ that has a pointed bottom and two 𓏻 handles that was used for the storage and transport of various things in the ancient world! While Greek amphoras π“ π“ˆ–π“‡‹π“‹π“ͺ are the most recognizable, the ancient Egyptians π“†Žπ“π“€€π“π“ͺ had their own style too!

Amphora with an Ibex Head
Amphora with an Ibex Head at the MET

Ancient Egyptian amphoras π“ π“ˆ–π“‡‹π“‹π“ͺ, such as this one found at Malqata, were usually made of red π“‚§π“ˆ™π“‚‹π“…Ÿ clay π“Šͺπ“ˆ–π“‹΄π“ˆ‡ and then covered with a cream colored coat. They were then painted π“žπ“œ with blue 𓇋𓁹𓏏𓄿𓏸π“₯, red π“‚§π“ˆ™π“‚‹π“…Ÿ, or black π“†Žπ“…“ paint 𓇨𓂋𓅱𓏭𓏸𓏦. This vase π“ π“ˆ–π“‡‹π“‹ has some pretty 𓄀𓆑𓂋 lotus flowers 𓆸𓆸𓆸 and other types of flowers 𓆼𓅱𓆰𓏦 painted π“žπ“œ on it!!

Amphora with an Ibex Head
A closeup of the Ibex head on the amphora at the MET

The best part about this vase π“ π“ˆ–π“‡‹π“‹ in my opinion is the ibex π“ˆ–π“„«π“ƒ΅ head that is on it! The ibex π“ˆ–π“„«π“ƒ΅ head was not actually found attached to the amphora π“ π“ˆ–π“‡‹π“‹, but it was found nearby and reattached. You can actually see where it was reattached by the line going across its neck! Also, take a look at how the head of the ibex π“ˆ–π“„«π“ƒ΅ is in relation to the body of the animal – the head has a 3D effect which is just too cool! The body of the ibex π“ˆ–π“„«π“ƒ΅ is painted on the vase π“ π“ˆ–π“‡‹π“‹, while the head/neck of the ibex π“ˆ–π“„«π“ƒ΅ kind of β€œjump off” the vase π“ π“ˆ–π“‡‹π“‹! So creative!

While historians will refer to this type of pottery as an β€œamphora,” in Middle Egyptian, the standard word β€œmni π“ π“ˆ–π“‡‹π“‹β€ was used which basically just means pot or pottery! 

This piece is dated to the reign of Amenhotep III π“‡³π“§π“Ž  (18th Dynasty) and was found at his palace π“‚π“Ž›π“π“‰₯𓉐 in Malqata. 

This is my personal photograph and original text. DO NOT repost without permission. 

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Egyptian Artifacts

Hounds and Jackals Game

The ancient Egyptians loved playing games π“‡‹π“²π“π“Š‘π“„›π“¦, and many of examples of ancient games π“‡‹π“²π“π“Š‘π“„›π“¦Β  such as senet π“Šƒπ“π“ˆ–π“  and Mehen π“Ž”π“ˆ–π“†“/π“Ž”π“ˆ–π“†— exist both as actual artifacts and as depictions in art!

Hounds and Jackals Game
The Hounds and Jackals Game was named after the Hounds and Jackals that appear on the top of the pegs! This is the most complete version of the game that’s ever been found!

The game π“‡‹π“²π“π“Š‘π“„›π“¦ in this picture 𓏏𓅱𓏏 is one that was named β€œHounds and Jackals” by Howard Carter! Carter named the game after the hounds π“Ώπ“Šƒπ“…“π“„›π“ͺ and the jackals π“Šƒπ“„Ώπ“ƒ€π“ƒ₯𓏦 that are at the tops of the pegs. This particular piece is the only game of β€œHounds and Jackals” that has been found with the pegs! The game has also been referred to as β€œ59 Holes” due to the holes that are on each side of the palm tree!Β 

No one knows the rules to this game, but it is thought to be symbolic of the deceased’s 𓅓𓏏𓏱 journey to the afterlife 𓇼𓄿𓏏𓉐 and that the hounds π“Ώπ“Šƒπ“…“π“„›π“ͺ and the jackals π“Šƒπ“„Ώπ“ƒ€π“ƒ₯𓏦 were used as pieces because they could be related to Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣, the god π“ŠΉ of mummification π“‹΄π“‚§π“π“…±π“Ž and protection π“…“π“‚π“Ž‘π“€œ of the deceased 𓅓𓏏𓏱. Other less-complete versions of this game have been found in other tombs π“‡‹π“«π“Šƒπ“‰π“¦. 

Unlike senet π“Šƒπ“π“ˆ–π“  and Mehen π“Ž”π“ˆ–π“†“/π“Ž”π“ˆ–π“†—, games π“‡‹π“²π“π“Š‘π“„›π“¦ which seem to have persisted throughout Egyptian history, β€œHounds and Jackals” seems to be a Middle Kingdom exclusive! This piece is made of the wood 𓆱𓏏𓏺 from a sycamore tree π“ˆ–π“‰”π“π“†­ and ivory π“‹π“ƒ€π“…±π“ŒŸ. 

This piece was discovered in 1910 by Howard Carter and Lord Carnarvon – I find this to be so cool because this was about twelve years before they discovered the tomb of Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“! This piece is dated to the Middle Kingdom, reign π“‹Ύπ“ˆŽπ“ of Amenemhat IV π“‡³π“ŒΆπ“‚π“Š€π“…± (12th Dynasty). 

This is my personal photograph and original text. DO NOT repost without permission. 

Categories
Egyptian Artifacts

Mother’s Day – Isis and Mut

Happy Mother’s 𓅐𓏏𓁐 Day to all of the moms – and especially to my Mom, Nonna, and Oma! Today π“‡π“‡‹π“ˆ–π“‡³ I’m going to do a post about some of the Moms 𓅐𓏏𓁐π“ͺ of Ancient Egypt π“†Žπ“…“π“π“Š– who happen to be goddesses π“ŠΉπ“ŠΉπ“ŠΉπ“!Β 

Mother's Day Isis
A calcite statue accented with bronze of Isis feeding the baby Horus (Brooklyn Museum)

The first 𓏃 picture 𓏏𓅱𓏏 shows a calcite 𓍱 and bronze π“ˆ”π“€π“ˆ’π“¦ statue π“„šπ“ˆ–π“π“­π“€Ύ of Isis π“Š¨π“π“₯ feeding Horus π“…ƒπ“€­. This is one of the most popular images 𓏏𓅱𓏏𓏦 of the Third Intermediate Period, Late Period and even through the Ptolemaic and Roman Periods.  This image 𓏏𓅱𓏏 has even appeared on the back of Roman Coins! 

Symbolically, Isis π“Š¨π“π“₯ was thought to be the mother 𓅐𓏏𓁐 of the pharaoh 𓉐𓉻, and was often associated with motherhood, the protection of women π“Šƒπ“π“‚‘π“π“, and she was also a user of magic π“Ž›π“‚“π“„Ώπ“œ.

Mother's Day Mut
A sunken relief of the goddess Mut, from a Ramesside-era stela (Brooklyn Museum)

The second picture 𓏏𓅱𓏏 shows the goddess π“ŠΉπ“ Mut 𓏏𓅑𓁐 whose name π“‚‹π“ˆ– happens to mean β€œMother!” Symbolically, Mut 𓏏𓅑𓁐 was also thought to be the divine mother 𓅐𓏏𓁐 of the pharaoh 𓉐𓉻, and this idea became popularized as Amun π“‡‹π“ π“ˆ–π“€­ (her husband) became one of the most worshipped 𓇼𓄿𓀒 gods π“ŠΉπ“ŠΉπ“ŠΉ during the 18th Dynasty.Β  Mut 𓏏𓅑𓁐 didn’t appear in religious texts until the Middle Kingdom, and some think she was β€œinvented” to be Amun’s π“‡‹π“ π“ˆ–π“€­ wife and a mother 𓅐𓏏𓁐 figure.Β 

The word for “mother 𓅐𓏏𓁐/𓅐𓏏” in Middle Egyptian seems to predate the appearance of the goddess π“ŠΉπ“ Mut 𓏏𓅑𓁐, so it’s possible that her name π“‚‹π“ˆ– was intended to mean “mother.”

There are multiple variants for β€œmother” in Middle Egyptian/hieroglyphs π“ŠΉπ“Œƒπ“ͺ, so let’s take a look at them:

𓅐𓏏𓁐

𓅐𓏏𓏏𓁐

𓅐𓏏

𓅐𓅆𓆇

π“…π“π“Ž

𓅐𓏏𓁐𓅆

Happy Mother’s Day!

These are my personal photographs and original text. DO NOT repost without permission.

Categories
Egyptian Artifacts Reading Hieroglyphs

Ushabti of Thutmosis IV

Today π“‡π“‡‹π“ˆ–π“‡³ we are going to look at a ushabti π“…±π“ˆ™π“ƒ€π“π“­π“€Ύ that belonged to the pharaoh 𓉐𓉻 Thutmosis IV 𓇳𓏠𓆣𓏼! This picture 𓏏𓅱𓏏 also shows a shabti coffin! The shabti coffin allowed for the ushabti π“…±π“ˆ™π“ƒ€π“π“­π“€Ύ to take the place of the deceased 𓅓𓏏𓏱 in case the mummy 𓇋𓁹𓅱𓀾 was destroyed! I like to think of this as a call back to the original β€œwax ushabtis” of the Middle Kingdom, which served the same purpose.Β 

Thutmosis IV 𓇳𓏠𓆣𓏼 was the eighth pharaoh 𓉐𓉻 of the 18th Dynasty and he was actually not supposed to be pharaoh 𓉐𓉻! His brother π“Œ’π“ˆ– was chosen successor by their father 𓇋𓏏𓀀 Amenhotep II π“‡‹π“ π“ˆ–π“Š΅π“π“Šͺ, but Thutmosis IV 𓇳𓏠𓆣𓏼 usurped the throne and made himself the pharaoh 𓉐𓉻!Β 

Ushabti of Thutmosis IV
A Ushabti of Thutmosis IV (left) and a shabti coffin that also belonged to Thutmosis IV (right) on display at the MET

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ!!!Β Let’s take a closer look at the inscription π“Ž˜π“…±π“Ž– on the ushabti π“…±π“ˆ™π“ƒ€π“π“­π“€Ύ:Β 

π“ŠΉπ“„€ – Perfect God 

π“ŽŸπ“‡Ώπ“‡Ώ – Lord of the Two Lands

𓇳𓏠𓆣𓏼 – Menkheperura β€œEstablished Manifestations of Ra” (Throne name of Thutmosis IV)

π“™π“Š€ – True of Voice (Justified)

π“Ήπ“Š¨ – Osiris (Osiris’ name is written without the determinative symbol here (π“Ήπ“Š¨π“€­))

π“ŒΈπ“‡Œ – Beloved

So all π“ŽŸ together π“ˆ–π“Š— the inscription π“Ž˜π“…±π“Ž– says: β€œThe Perfect God, Lord of the Two Lands, Menkheperura, True of Voice, Beloved of Osiris.” 

The tomb π“‡‹π“‡©π“Šƒπ“‰ of Thutmosis IV 𓇳𓏠𓆣𓏼 in the Valley of the Kings was excavated by Theodore Davis and Howard Carter in 1903, which is where these objects were found! Many blue 𓇋𓁹𓏏𓄿𓏸π“₯ faience π“‹£π“ˆ–π“π“Έπ“Ό pieces were found during this excavation! I love how bright the blue 𓇋𓁹𓏏𓄿𓏸π“₯ color still is; it’s really striking in person! 

This is my personal photograph and original text. DO NOT repost without permission.