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Egyptian Artifacts

The Hatshepsut Gallery (Part 1)

I had HatshepsutΒ π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺΒ all to myself at the MET!!

Anyone who has been following me for a while knows that the β€œHatshepsutΒ π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺΒ Gallery” at the MET is my favorite gallery out of any museum I have been too! HatshepsutΒ π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ has been my favorite pharaoh 𓉐𓉻 since I was a child; pretty much ever since my Nonno told me that there was a womanΒ π“Šƒπ“π“‚‘π“π“Β who was the pharaoh 𓉐𓉻 of EgyptΒ π“†Žπ“…“π“π“Š–!Β 

Hatshepsut’s π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ cartouche means β€œUnited with Amun, Foremost of the Noble Women,” however just the given name π“‚‹π“ˆ– β€œHatshepsut π“π“„‚𓏏𓀼π“ͺ” alone just means β€œForemost of the Noble Women,” and I feel that name π“‚‹π“ˆ– is totally appropriate for her! Her throne name, β€œMaatkare π“‡³π“¦π“‚“” means β€œTruth is the Soul of Re.” 

Most of the statues π“„šπ“ˆ–𓏏𓏭𓀾π“ͺ that are in this gallery are from the MET’s joint expedition with the Egyptian government in Egypt π“†Žπ“…“π“π“Š– during 1928-1929. This excavation focused on Deir el-Bahri π“‚¦π“‚‹π“‚¦π“₯𓉐, which is the location of Hatshepsut’s π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ mortuary temple. Most of the statues π“„šπ“ˆ–𓏏𓏭𓀾π“ͺ you can see in the picture 𓏏𓅱𓏏 were found in pieces, and were put back together. 

Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ ruled π“‹Ύ for about 20 π“Ž†π“Ž† years, and the earlier years were a joint rein π“‹Ύ with her nephew Thutmosis III π“‡³π“ π“†£. She commissioned many building projects (her mortuary temple π“‰Ÿπ“π“‰ at Deir el-Bahri π“‚¦π“‚‹π“‚¦π“₯𓉐 being the most magnificent) and sent an expedition to the land of Punt π“Šͺπ“ƒΊπ“ˆ–π“π“ˆ‰.

About twenty π“Ž†π“Ž† years after her death π“…“𓏏𓏱, around the end of Thutmosis III’s π“‡³π“ π“†£ reign π“‹Ύ, Hatshepsut π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺ name π“‚‹π“ˆ– and image 𓏏𓅱𓏏 were erased from monuments and she was not included on the Ramesside King’s Lists. The theory is that this was Thutmosis III’s π“‡³π“ π“†£ doing, however, that is a theory and there isn’t really sound archaeological evidence for it. We will probably never know for sure!

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Egyptian Artifacts

“Soul Houses”

These clay π“Šͺπ“ˆ–π“‹΄π“ˆ‡ model houses 𓉐π“₯ are called β€œSoul Houses” and they were given this name by Flinders Petrie due to them being found at the entrance to or very close to tombs π“‡‹π“«π“Šƒπ“‰π“¦ or burials. 

These Soul π“‚“ Houses 𓉐π“₯ are usually found in or near Middle Kingdom burials. These clay π“Šͺπ“ˆ–π“‹΄π“ˆ‡ models ensured that the deceased 𓅓𓏏𓏱 had access to shelter and food 𓇬𓀁𓅱𓏔π“₯ in the afterlife 𓇼𓄿𓏏𓉐. They are thought to take the place of offering tables 𓂝𓃀𓅑𓄿𓋃π“ͺΒ – since offering tables 𓂝𓃀𓅑𓄿𓋃π“ͺΒ were usually for the wealthy, the Soul House 𓉐𓏀 was a more affordable option.Β 

I have always been a person who likes tiny π“ˆ–𓆓𓋴𓅩 things, and the Soul Houses are no exception! I used to call them β€œEgyptian Dollhouses” when I was a kid, which is why I liked them so much despite their rough appearance. I am not going to lie, I still refer to them as dollhouses!!

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Egyptian Artifacts

Funerary Mask of Wah at the MET

TodayΒ π“‡π“‡‹π“ˆ–π“‡³Β we are going to be looking at the Funerary Mask of Wah! Wah was an estate manager for a wealthy nobleman and he lived during theΒ reign π“‹Ύ of the pharaoh 𓉐𓉻 Amenemhat IΒ π“‡‹π“ π“ˆ–π“…“π“„‚π“(12th Dynasty/Middle Kingdom).Β 

Funerary Masks (also called Burial Masks or Mummy Masks) were an important part of a person’s burial equipment π“ˆŽπ“‚‹π“‹΄π“π“π“Š­ because the mask could either serve as protection π“…“π“‚π“Ž‘π“€œ for the deceased π“…“𓏏𓏱, or take the place of the body if the head was destroyed or lost. In the Egyptian religion, the body of the deceased π“…“𓏏𓏱 needed to stay intact in order for the deceased π“…“𓏏𓏱 to be transported to the afterlife π“‡Όπ“„Ώπ“π“‰/Field of Reeds π“‡π“π“ˆ…π“‡‹π“„Ώπ“‚‹π“…±π“†°π“Š–. This was the purpose of mummification – to preserve the body so both the Ka π“‚“ (soul) and the Ba 𓅑𓏺(life force) would be able to recognize the body! 

Wah’s Mummy Mask is made of cartonnage (ancient Egyptian paper mache), gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰ foil and wood π“†±π“π“Ί. The gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰ face and the blue hair π“‡‹π“Ήπ“π“„Ώπ“Έπ“₯ is significant because the ancient Egyptians believed that the gods π“ŠΉπ“ŠΉπ“ŠΉ and goddesses π“ŠΉπ“ŠΉπ“ŠΉπ“ had skin/hair of gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰ or lapis lazuli π“π“‹΄π“ƒ€π“‚§π“§. While the facial features on the mask appear neither masculine or feminine, the beard that is on Wah’s chin indicates that this mask belonged to a male. 

My favorite feature on the mask is the very detailed broad collar π“…±π“‹΄π“π“ŽΊπ“‹ that is painted π“‡¨π“‚‹π“…±π“­π“Έπ“¦ on! The broad collar π“…±π“‹΄π“π“ŽΊπ“‹ was the necklace of choice by both the gods π“ŠΉπ“ŠΉπ“ŠΉ, the pharaohs 𓉐𓉻𓏦, and the wealthy! Many Mummy Masks show the deceased wearing a broad collar π“…±π“‹΄π“π“ŽΊπ“‹! 

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Egyptian Artifacts

Graeco-Roman Stela

This is certainly an interesting stela π“Ž—π“…±π“†“π“‰Έ for sure!

This stela π“Ž—π“…±π“†“π“‰Έ is made of limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ but the craftsmanship is kind of…off! This is very typical for work from the time period (1st Century B.C.E. – 4th Century A.D.). During the Greek and Roman periods, objects like amulets π“Šπ“Šͺπ“…†π“ͺ, stelae π“Ž—π“…±π“†“π“‰Έπ“ͺ, statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ, and more were so mass produced that the craftsmanship suffered. Let’s take a look at what is going on!Β 

The top section of the stela π“Ž—π“…±π“†“π“‰Έ seems to be trying to follow the traditional Egyptian way – the winged π“‚§π“Œ³π“π“†ƒ sun disc 𓇳𓏺 and the Uraeus π“‡‹π“‚π“‚‹π“π“†— are roughly carved but are definitely there! This design is known as β€œ Horus the Behdetite” and is a representation of Horus π“…ƒπ“€­ that is popular on stelae π“Ž—π“…±π“†“π“‰Έπ“ͺ. Under that, two 𓏻 jackals π“Šƒπ“„Ώπ“ƒ€π“ƒ₯𓏦 are depicted! 

In the middle section, from the left, Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 is depicted holding an ankh π“‹Ή or key which most likely symbolizes his association with/ability to access the underworld (a very Graeco-Roman version of Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣)! Then the four 𓏽 people to the right of Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 are identified by the Greek inscription below: “Pekysis, son of Aruotes, and his brother Pachoumis; Tbaikis the elder and Tbaikis the younger.” Pekysis is thought to be the man holding the torch! Osiris π“Ήπ“Š¨π“€­ is depicted all the way on the right! 

Thanks to the MET for the Greek translation because I certainly don’t speak Greek! 

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Egyptian Artifacts Reading Hieroglyphs

Coffin of Wah at the MET

Let’s take a look at the coffin π“‹΄π“…±π“Ž›π“π“†± of a man named π“‚‹π“ˆ– Wah, who lived during the early reign π“‹Ύ of the pharaoh π“‰π“‰» Amenemhat I π“‡‹π“ π“ˆ–𓅓𓄂𓏏(12th Dynasty/Middle Kingdom). 

In the first picture 𓏏𓅱𓏏 you can see a dedication to Osiris π“Ήπ“Š¨π“€­ in hieroglyphs π“ŠΉπ“Œƒπ“ͺ, which is better known as the β€œOffering Formula.” If you want to learn one 𓏺 phrase in hieroglyphs π“ŠΉπ“Œƒπ“ͺ, learn this one!!! It is everywhere!!Β 

Here is the full inscription π“Ÿπ“›π“₯: π“‡“π“π“Š΅π“™π“Ήπ“Š¨π“ŽŸπ“Š½π“‚§π“…±π“Š–. Let’s break down the offering formula because we haven’t done so in a while. Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ!

π“‡“π“π“Š΅π“™ – An Offering the King Gives

π“Ήπ“Š¨π“€­ – Osiris (his name is missing the determinative this time – usually it’s written as π“Ήπ“Š¨π“€­)

π“ŽŸ – Lord 

π“Š½π“‚§π“Š– – Djedu (usually written as π“Š½π“‚§π“…±π“Š–)

So all together π“ˆ–π“Š—, this inscription π“Ÿπ“›π“₯ reads: β€œAn Offering the King gives Osiris, Lord of Djedu.” Djedu π“Š½π“‚§π“…±π“Š– refers to the birthplace of Osiris π“Ήπ“Š¨π“€­. 

The eyes 𓁹𓏏𓏦 on this side of the coffin π“‹΄π“…±π“Ž›π“π“†± would allow the mummy 𓇋𓁹𓅱𓀾 to see outside of it! Inside the coffin π“‹΄π“…±π“Ž›π“π“†±, the mummy 𓇋𓁹𓅱𓀾 would usually be laid on his side so his eyes 𓁹𓏏𓏦 matched up with the eyes on the coffin π“‹΄π“…±π“Ž›π“π“†±! This was very typical of Middle Kingdom burial practices π“ˆŽπ“‚‹π“‹΄π“π“π“Š­, and it was something my Nonno would always point out to me when we were in a museum! 

As a kidΒ π“π“‡Œπ“€•Β (and even now as an adult) I found this practice absolutely fascinating! Now every time I am in a museum, I tell the story to someone about the eyes 𓇋𓁹𓅱𓀾 of the mummy 𓇋𓁹𓅱𓀾, just like my Nonno told me!

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Egyptian Artifacts Reading Hieroglyphs

Canopic Chest and Mummy of Ukhotep

This is the mummy 𓇋𓁹𓅱𓀾 and canopic chest of a manΒ π“Šƒπ“€€π“€Β named Ukhotep π“‹‚π“Š΅π“π“Šͺ who lived during Dynasty 12 of the Middle Kingdom. Ukhotep π“‹‚π“Š΅π“π“Šͺ was the chief treasurer, which is why he probably received such gorgeous π“„€ funerary equipment π“ˆŽπ“‚‹π“‹΄π“π“π“Š­, such as this canopic chest that contains dedications to the Four Sons of Horus. The purpose of the canopic chest was to hold the four 𓏽 canopic jars which contained the organs 𓇋𓂧𓂋𓄹𓏦 of the deceased 𓅓𓏏𓏱.Β 

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ! Since the directional symbols are pointing towards the right, we will start reading from the right!

𓇋π“„ͺπ“π“‡Œ – Venerated/Revered/Honored

𓐍𓂋 – Before

𓇼𓅐𓏏𓆑 – Duamutef

π“‹‚π“Š΅π“π“Šͺ – Ukhotep

π“ŽŸπ“„ͺ – Possessor of Honor

π“™π“Š€ – True of Voice (Justified)

β€œHonor 𓇋π“„ͺ𓐍” is the full word while the phrase β€œπ“ŽŸπ“„ͺ Possessor of Honor” only uses the β€œspine and spinal chord π“„ͺ” symbol to write β€œHonor.” Also, β€œπ“ŽŸπ“„ͺ Possessor of Honor” can be written as β€œπ“ŽŸπ“„ͺ𓏺,” it just depends on the spacing on the object it is being inscribed on. 

As a beginner, the shortening of words can get confusing, but this is where practice comes in!Β 

These pieces are at the MET in NYC!

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Egyptian Artifacts

A Beautiful Broad Collar

β€œπ“„€π“†‘π“‚‹π“…±π“­π“‡‘π“‡‘ – How Beautiful This Is!” – I feel like this is the only appropriate phrase to describe this broad collar π“…±π“‹΄π“π“ŽΊπ“‹ at the MET! I have used this Middle Egyptian phrase to describe broad collars π“…±π“‹΄π“π“ŽΊπ“‹π“¦ in past posts too! I just think they are gorgeous π“„€ pieces of jewelry especially this one, because it is so colorful! 

In Middle Egyptian, the word for broad collar was π“…±π“‹΄π“π“ŽΊπ“‹ (pronounced β€œwesekh) or simply just the determinative hieroglyph 𓋝𓏺 could be used for the whole word.

The broad collar π“…±π“‹΄π“π“ŽΊπ“‹ was the necklace of choice by both the gods π“ŠΉπ“ŠΉπ“ŠΉ and the pharaohs 𓉐𓉻𓏦. The broad collar π“…±π“‹΄π“π“ŽΊπ“‹ reached peak popularity during the 18th Dynasty and this particular one was made during the reign of AkhenatenΒ π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– (c. 1353–1336 B.C.E.).

Broad collars π“…±π“‹΄π“π“ŽΊπ“‹π“¦ could be made of many different types of materials, including gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰, but the one shown in this picture 𓏏𓅱𓏏 is made of colorful faience π“‹£π“ˆ–π“π“Έπ“Ό beads. The beads are each representative of a different plant π“‡π“…“𓆰! The center row has blue π“‡‹π“Ήπ“π“„Ώπ“Έπ“₯, yellow, green π“‡…𓄿𓆓𓏛, and red π“‚§π“ˆ™π“‚‹π“…Ÿ cornflowers. Then there are three rows of dates (in yellow, green π“‡…𓄿𓆓𓏛, and red π“‚§π“ˆ™π“‚‹π“…Ÿ), and the outer beads are white π“Œ‰π“†“𓇳 lotus petals. 

This broad collar π“…±π“‹΄π“π“ŽΊπ“‹ looks like it is in almost perfect condition, however, the beads were re-strung during modern times! 

Fun Fact: This broad collar π“…±π“‹΄π“π“ŽΊπ“‹ is actually from the private collection of Howard Carter! 

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Egyptian Artifacts Reading Hieroglyphs

Two Alabaster Monkey Vases

These are two 𓏻 alabaster vases at the MET which show a mother 𓅐𓏏𓁐 monkey holding a baby monkey!

These are dated to Dynasty Six of the Old Kingdom (c. 2289–2246 B.C.E.). Archaeologists think that these vases allude to fertility because they were probably given to some of the pharaoh’s π“‰π“‰» favorite couriers during the jubilee. In the second picture 𓏏𓅱𓏏, the vase on the left is inscribed with the name π“‚‹π“ˆ– of the pharaoh π“‰π“‰» Merenre π“‡³π“Œ»π“‚‹π“ˆ– and the vase on the right is inscribed with the name π“‚‹π“ˆ– of the pharaoh π“‰π“‰» Pepi I π“Šͺ𓇋π“Šͺ𓇋 (you can’t see it in my picture – sorry!).

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ!

π“†₯ – King of Upper and Lower Egypt (He of the Sedge and the Bee)

(π“‡³π“Œ»π“‚‹π“ˆ–) – Merenre

𓆖 – Eternal

π“‹Ή – Life

I’ve said this before (it’s still true), that the names of the earlier pharaohs are a great way to practice reading phonogram hieroglyphs! Let’s take a closer look at Merenre π“‡³π“Œ»π“‚‹π“ˆ–! 

The symbol β€œπ“‡³ – sun” is usually seen as an ideogram for β€œRa/Re.” The symbol β€œπ“‡³ – sun” can also be a determinative for sun, day, and time. β€œRa 𓇳” is written in the cartouche first and said last due to honorific transposition.

The β€œhoe π“Œ»β€ (and it’s variants π“ŒΈ, π“ŒΊ, and π“ŒΈ) are biliteral phonograms that represent the sound β€œmr” (might have been pronounced like β€œmer”). 

The β€œ mouth – 𓂋” is a uniliteral phonogram for the sound β€œr” and can be an ideogram for the word β€œmouth 𓂋𓏺.” 

The β€œripple of water π“ˆ–β€ is also a phonogram sign, and it is also uniliteral sign. The β€œπ“ˆ–β€ is associated with the sound of β€œn!” 

All together, the name π“‚‹π“ˆ– Merenre π“‡³π“Œ»π“‚‹π“ˆ– means β€œThe Beloved of Re” or β€œThe One Re Loves.” 

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Egyptian Artifacts

Bust of Akhenaten at the Louvre

Let’s take another look at an Amarna Period piece! This is a limestoneΒ π“‡‹π“ˆ–π“ˆ™π“Œ‰Β bust of AkhenatenΒ π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–Β that is currently in the Louvre! While you all know HatshepsutΒ π“‡‹π“ π“ˆ–π“ŽΉπ“π“„‚π“π“€Όπ“ͺΒ is my favorite pharaoh 𓉐𓉻, AkhenatenΒ π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–Β is my second favorite! I always refer to AkhenatenΒ π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–Β as β€œmy favorite disaster” because I think that is quite the succinct way to describe his 17 π“Ž†π“€ year rule π“‹Ύ of EgyptΒ π“†Žπ“…“π“π“Š–!Β 

While it can’t be seen in my pictures 𓏏𓅱𓏏𓏦, some of the paint 𓇨𓂋𓅱𓏭𓏸𓏦 is still preserved on the bust! One of the places that still has traces of paint is the Blue Crown (Khepresh)Β π“†£π“‚‹π“ˆ™π“‹™Β that AkhenatenΒ π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ–Β is wearing. Also, the ears and back of the neck still have traces of paint.Β 

The Uraeus π“‡‹π“‚π“‚‹π“π“†— is missing from the front of the Blue Crown π“†£π“‚‹π“ˆ™π“‹™, and it was probably lost in antiquity. The Uraeus π“‡‹π“‚π“‚‹π“π“†— symbolizes divine authority, royalty, supremacy, and also acted as protection π“…“π“‚π“Ž‘π“€œ for the pharaoh π“‰π“‰». Fun Fact: no example of the Blue Crown (Khepresh) π“†£π“‚‹π“ˆ™π“‹™ has been found by archaeologists! 

The artistic style during Akhenaten’s π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– rule π“‹Ύ was very different than the traditional Egyptian art styles, which makes pieces like this bust so weird and wonderful in their own way! I will never get tired of studying Amarna art!Β 

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Egyptian Artifacts

Small Ivory Chair of Akhenaten

This tiny π“ˆ–𓆓𓋴𓅩 ivory chair π“Ž›π“Š¨π“π“†± probably held a tiny π“ˆ–𓆓𓋴𓅩 statue π“„šπ“ˆ–π“π“­π“€Ύ at one point! This chair π“Ž›π“Š¨π“π“†± is only about 5cm in height so it is very tiny! The amount of detail that the artist was able to carve into such a small piece is incredible! 

On the back of the chair π“Ž›π“Š¨π“π“†±, Akhenaten’s nomen (birth name) and prenomen (throne name) are carved underneath the rays of the Aten π“‡‹π“π“ˆ–𓇳. Let’s break down the names π“‚‹π“ˆ–π“¦! 

π“‡‹π“π“ˆ–π“‡³π“…œπ“π“ˆ– – Akhenaten β€œLiving Spirit of the Aten” – this is his β€œbirth name” – though not really because Akhenaten changed his name to Akhenaten from Amenhotep IVΒ π“‡‹π“ π“ˆ–π“Š΅π“ŠΉπ“‹Ύπ“Œ€!Β 

π“‡³π“„€π“†£π“‡³π“¦π“Œ‘π“ˆ– – Neferkheperrua β€œThe Beautiful One of the Manifestations of Ra” is the throne name, which was probably taken when he was still calling himself Amenhotep IV π“‡‹π“ π“ˆ–π“Š΅π“ŠΉπ“‹Ύ, since the name π“‚‹π“ˆ– contains β€œRa 𓇳” and not β€œAten π“‡‹π“π“ˆ–𓇳.” 

𓋍 – this symbol on the back of the chair π“Ž›π“Š¨π“π“†± is a combination of many different things! Most prominently, it is thought to be representative of the lungs π“Šƒπ“Œ΄π“„₯π“…±π“„Ί and the windpipe π“„₯. The lungs π“Šƒπ“Œ΄π“„₯π“…±π“„Ί are a symbol of Upper Egypt 𓇓 and the windpipe π“„₯ was a symbol of Lower Egypt 𓆀. Just like how the lungs π“Šƒπ“Œ΄π“„₯π“…±π“„Ί and the windpipe π“„₯ need to work together in order for a person to survive, Upper 𓇓 and Lower 𓆀 Egypt needed to be unified in order for Egypt π“†Žπ“…“π“π“Š– to be a strong country!

The lung π“Šƒπ“Œ΄π“„₯π“…±π“„Ί and windpipe π“„₯ design 𓋍 was usually found on objects that belonged to the pharaoh 𓉐𓉻.

The three 𓏼 men π“Šƒπ“€€π“¦ on the side of the chair π“Ž›π“Š¨π“π“†± represent foreigners – a Libyan, an Asiatic, and a Nubian all of which are kneeling and raising their arms in a worshipping π“‡Όπ“„Ώπ“€’ stance.