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Egyptian Artifacts

Limestone Ushabtis of Rameses II’s Officials

Here are a couple of limestone ๐“‡‹๐“ˆ–๐“ˆ™๐“Œ‰ ushabti ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ figures that belonged to three ๐“ผ different officials who served during the reign of Rameses II. While faience ๐“‹ฃ๐“ˆ–๐“๐“ธ๐“ผ ushabti ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ figures are the most commonly found (because they are easier to mass produce and there needed to be 300+ of them in a tomb), limestone ๐“‡‹๐“ˆ–๐“ˆ™๐“Œ‰ ushabti ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ figures are not a rare find from New Kingdom burials. I love how most of these still contain some original paint – the black ๐“†Ž๐“…“ paint around the eyes ๐“น๐“ฆ is in stark contrast to the white ๐“Œ‰๐“†“๐“‡ณ limestone ๐“‡‹๐“ˆ–๐“ˆ™๐“Œ‰ and it looks so cool!

These ushabti ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ figures all have inscriptions ๐“Ÿ๐“›๐“ฅ on them. The purpose of the inscription ๐“Ÿ๐“›๐“ฅ was to guide the ushabti ๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ on its role in serving the deceased ๐“…“๐“๐“ฑ in the afterlife ๐“‡ผ๐“„ฟ๐“๐“‰! All of these contain spells mentioning the god ๐“Šน Osiris ๐“น๐“Šจ๐“€ญ, which is common because Osirisโ€™ ๐“น๐“Šจ๐“€ญ realm was the Duat ๐“‡ผ๐“„ฟ๐“๐“‰ (afterlife).

Fun Fact! There are two ๐“ป ways to write ushabti in hieroglyphs ๐“Šน๐“Œƒ๐“ช:

๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ – ลกwbtj – the earlier word that was used in Egypt.
๐“…ฑ๐“ˆ™๐“ƒ€๐“๐“ญ๐“€พ – wลกbtj – the โ€œnewerโ€ form of the word. This is where the Egyptological term of โ€œushabtiโ€ or โ€œshabtiโ€ (both are correct terms to use) originated from!

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Egyptian Artifacts

Linen Textile in Honor of Hathor

This is a linen ๐“ฑ textile that was made in honor of the goddess ๐“Šน๐“ Hathor ๐“‰ก and was meant to be placed at her shrine ๐“๐“Šƒ๐“…“๐“‚œ๐“‰ at Deir el-Bahri ๐“‚ฆ๐“‚‹๐“‚ฆ๐“ฅ๐“‰.

In the beautifully ๐“„ค colored images ๐“๐“…ฑ๐“๐“ฆ on the right side of the linen ๐“ฑ, we can see Hathor ๐“‰ก in her cow ๐“„ค๐“†‘๐“‚‹๐“๐“ƒ’ form standing on a boat ๐“‚ง๐“Šช๐“๐“Šž, encompassed by a shrine ๐“๐“Šƒ๐“…“๐“‚œ๐“‰, and surrounded by lotus flowers ๐“†ธ๐“†ธ๐“†ธ. Below Hathorโ€™s ๐“‰ก head ๐“ถ๐“ค, stands a small figure in black ๐“†Ž๐“…“ that is representative of the pharaoh ๐“‰๐“‰ป Montuhotep II ๐“‡ณ๐“Šค๐“ŽŸ. We know that itโ€™s Montuhotep II ๐“‡ณ๐“Šค๐“ŽŸ because of the cartouche next to the small figure!

Letโ€™s read some hieroglyphs ๐“Šน๐“Œƒ๐“ช!
๐“Šน๐“„ค – Great/Perfect God
(๐“‡ณ๐“Šค๐“ŽŸ) – Nebhapetra (Montuhotep II)

Next to Hathor ๐“‰ก, the hieroglyphs ๐“Šน๐“Œƒ๐“ช read:
๐“‰ก – Hathor
๐“ŽŸ๐“๐“‡ฏ- Lady/Mistress of Heaven
๐“ท๐“Š“๐“‹†๐“๐“Š– – Chief One of Thebes

On the left side, the first man standing before ๐“๐“‚‹ Hathor ๐“‰ก has his arms raised, which is to represent him worshipping ๐“‡ผ๐“„ฟ๐“€ข the goddess ๐“Šน๐“.

Hathorโ€™s ๐“‰ก name ๐“‚‹๐“ˆ– in hieroglyphs ๐“Šน๐“Œƒ๐“ช is quite unique compared to some of the other gods/goddesses. Her name ๐“‚‹๐“ˆ– is composed of a composite hieroglyph ๐“Šน๐“Œƒ which literally translates to โ€œHouse of Horus.โ€ Hathor ๐“‰ก was the goddess ๐“Šน๐“ of women ๐“Šƒ๐“๐“‚‘๐“๐“๐“ช, motherhood, joy, music ๐“‰”๐“‡Œ๐“†ธ, happiness ๐“„ซ๐“…ฑ๐“›, and a goddess ๐“Šน๐“ of the afterlife ๐“‡ผ๐“„ฟ๐“๐“‰.

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Egyptian Artifacts

The Base of an Offering Table

While this piece is outwardly awkward and simple looking, the beauty ๐“„ค of it is in the hieroglyphs ๐“Šน๐“Œƒ๐“ช! I love these types of pieces – where you really have to examine them and look closer to see the beauty ๐“„ค of it! This is the base of an offering table ๐“‚๐“ƒ€๐“…ก๐“„ฟ๐“‹ƒ, and obviously the piece is incomplete and was most likely broken in antiquity.

The main highlight is the really long cartouche! Now, this cartouche doesnโ€™t just contain the name ๐“‚‹๐“ˆ– of the pharaoh ๐“‰๐“‰ป, but his title and epithet as well. The title of the pharaoh ๐“‰๐“‰ป usually came before ๐“๐“‚‹ the cartouche (and was seated on the top outside of the oval) while the epithet would appear both after the cartouche or inside of it.

Letโ€™s take a closer look! Some of the text is read from right to left and some is read from left to right because the symbols are pointing towards these two directions! It makes it very confusing to type it out but I will do my best! Iโ€™m going to type it out as I see it in the cartouche so some of the symbols may be pointing the wrong way in my translation! Hieroglyphs ๐“Šน๐“Œƒ๐“ช are like one big puzzle which is why I love them so much!

The text reads: (๐“‹น๐“™๐“†ฃ๐“‡ณ๐“ ๐“„ค๐“Šน๐“‡‹๐“ ๐“ˆ–๐“‡ณ๐“บ๐“Œบ๐“‡Œ)

๐“™๐“‹น – Given Life
๐“‡ณ๐“ ๐“†ฃ – Menkheperra (Thutmosis III)
๐“Šน๐“„ค – Great God
๐“‡‹๐“ ๐“ˆ–๐“‡ณ๐“บ – Amun-Ra
๐“Œบ๐“‡Œ – Beloved

So all put together the text reads โ€œGiven Life, Menkheperra, the Great God, Beloved of Amun-Ra.โ€

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Egyptian Artifacts

The Narmer Palette

The British Museum has a cast of the Narmer ๐“ ๐“ˆ–๐“‡‹ Palette ๐“๐“Šƒ๐“๐“†ฑ that very much looks like the real thing! I remember being so confused seeing it in the display at first because I was like โ€œisnโ€™t this supposed to be in Cairo?!โ€

Narmer (or Menes) ๐“ ๐“ˆ–๐“‡‹ is considered the first pharaoh ๐“‰๐“‰ป of Egypt ๐“†Ž๐“…“๐“๐“Š– and founder of the First Dynasty because he won a battle in the Western Delta and fully united the two lands ๐“‡ฟ๐“‡ฟ of Egypt ๐“†Ž๐“…“๐“๐“Š– as a single country. Egypt ๐“†Ž๐“…“๐“๐“Š– was considered to be two ๐“ป distinct places – Upper ๐“‡“ and Lower ๐“†ค – before the unification. The denotations of Upper ๐“‡“ and Lower ๐“†ค Egypt ๐“†Ž๐“…“๐“๐“Š– were still widely used though, and titles such as โ€œKing of Upper and Lower Egypt ๐“†ฅโ€ and โ€œLord of the Two Lands ๐“ŽŸ๐“‡ฟ๐“‡ฟโ€ that were used for thousands of years after Narmer ๐“ ๐“ˆ–๐“‡‹ show how these ideas persisted. Narmer ๐“ ๐“ˆ–๐“‡‹ is depicted here wearing the White Crown of Upper Egypt ๐“„ค๐“‹‘.

The original function of this palette is unclear, however, what is interesting is that it shows some early indications of hieroglyphs ๐“Šน๐“Œƒ๐“ช! Though this is up for interpretation, letโ€™s take a look!

There are so many things happening on this palette ๐“๐“Šƒ๐“๐“†ฑ that it is impossible for me to explain it all so I chose some of my favorite things!

Above Narmer ๐“ ๐“ˆ–๐“‡‹, you can see what seems to be his name (๐“†ข๐“‹). Next to the small figure on the left, you can see the hieroglyph ๐“Šน๐“Œƒ of a daisy. The use of the daisy hieroglyph ๐“Šน๐“Œƒ stopped but some scholars think it may mean โ€œHorus ๐“…ƒ๐“€ญ.โ€ Narmer is holding a ๐“› symbol, which is part of the word for โ€œservant ๐“›๐“ค๐“€€,โ€ so this may indicate that the words mean โ€œServant of Horus.โ€

A question that a lot of scholars who study early Egyptian palettes ๐“๐“Šƒ๐“๐“†ฑ๐“ฆ have to ask themselves is โ€œwhere do the pictures end and the words begin?โ€ – we will probably never know!

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Egyptian Artifacts

Wooden Ushabti of Rameses II

This is a Wooden ๐“†ฑ๐“๐“บ Ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ of Rameses II ๐“‡ณ๐“„Š๐“ง๐“‡ณ๐“‰๐“ˆ– (New Kingdom, 19th Dynasty, c. 1292-1190 B.C.E.).

Rameses II ๐“‡ณ๐“„Š๐“ง๐“‡ณ๐“‰๐“ˆ– was arguably one of Egyptโ€™s ๐“†Ž๐“…“๐“๐“Š– greatest builders, and his face/cartouche can be found pretty much everywhere you look in a museum (this is why his cartouches are good to learn – you will see them a lot).

Rameses IIโ€™s ๐“‡ณ๐“„Š๐“ง๐“‡ณ๐“‰๐“ˆ– tomb ๐“‡‹๐“ซ๐“Šƒ๐“‰ was plundered in the 20th Dynasty, and only three ๐“ผ of his wooden ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ figures remain! In 1049 B.C.E., the High Priest of Amun ordered Rameses IIโ€™s ๐“‡ณ๐“„Š๐“ง๐“‡ณ๐“‰๐“ˆ– mummy ๐“‡‹๐“น๐“…ฑ๐“€พ be moved from his original tomb ๐“‡‹๐“ซ๐“Šƒ๐“‰ and to the Royal Cache, a place where many royal ๐“‹พ mummies ๐“‡‹๐“น๐“…ฑ๐“€พ๐“ช were re-buried in order to protect the mummies ๐“‡‹๐“น๐“…ฑ๐“€พ๐“ช from tomb robbers.

While the provenance of this ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ is unknown, it is assumed that it was originally from Rameses IIโ€™s ๐“‡ณ๐“„Š๐“ง๐“‡ณ๐“‰๐“ˆ– original tomb ๐“‡‹๐“ซ๐“Šƒ๐“‰ (KV 7).

The text ๐“Ÿ๐“›๐“ฅ on the ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ is a version of the โ€œShabti Spellโ€ from Chapter 6 of the Book of the Dead. This spell gives the ushabti ๐“†ท๐“„ฟ๐“ฏ๐“ƒ€๐“๐“ฎ๐“€พ the power to complete tasks (farming, manual labor, etc) for the deceased ๐“…“๐“๐“ฑ in the Field of Reeds ๐“‡๐“๐“ˆ…๐“‡‹๐“„ฟ๐“‚‹๐“…ฑ๐“†ฐ๐“Š–.

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Egyptian Artifacts

Two Wooden Statues of Metjetji

Whenever we were in a museum, my Nonno would always point out the wooden ๐“†ฑ๐“๐“บ statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช whenever they were in great condition. He always explained to me that wood ๐“†ฑ๐“๐“บ decayed quickly and was harder to preserve than stone ๐“‡‹๐“ˆ–๐“‚‹๐“Šช statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช, so it was always remarkable whenever a wooden ๐“†ฑ๐“๐“บ statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ was able to retain its beauty ๐“„ค and not decay over thousands ๐“†ผ๐“†ผ๐“†ผ๐“†ผ of years. Thanks to my Nonnoโ€™s teachings and enthusiasm, I have always been so appreciative of the wooden ๐“†ฑ๐“๐“บ artifacts.

These are two ๐“ป wooden ๐“†ฑ๐“๐“บ statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช of an official ๐“‹ด๐“‚‹๐“€€ named Metjetji who lived during the 5th or 6th Dynasty (c. 2371-2288 B.C.E.). These ๐“ป two statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช seem to represent Metjeti as a younger man ๐“Šƒ๐“€€๐“ค, while other statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช found in his tomb ๐“‡‹๐“ซ๐“Šƒ๐“‰ show him at an older age. When the Egyptians ๐“†Ž๐“๐“€€๐“๐“ช had their likeness preserved for eternity ๐“Ž›๐“‡ณ๐“Ž›, they wanted themselves to be represented at the best – hence why in most statues/reliefs/paintings that are found in tombs ๐“‡‹๐“ซ๐“Šƒ๐“‰๐“ฆ, the deceased ๐“…“๐“๐“ฑ looks so young.

The paint on these wooden ๐“†ฑ๐“๐“บ statues ๐“„š๐“ˆ–๐“๐“ญ๐“€พ๐“ช is remarkably well preserved, which can happen if the statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ is under the right conditions for thousands of years (which is rare – usually humidity and time can get the better of organic materials). Metjetji is wearing a kilt and broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ along with other pieces of jewelry. He is also holding a staff in his hand in the statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ on the left. In both representations, Metjeti seems to be walking (because one foot is in front of the other – almost like a stride).

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Egyptian Artifacts

Papyrus Depicting a Building Foundation Ceremony

Sorry for the glare, but I quite like this piece! This papyrus ๐“…“๐“‘๐“๐“› is a very cool artifact – it is a papyrus ๐“…“๐“‘๐“๐“› depicting a building foundation ceremony from the 22nd Dynasty (c. 1069-664 B.C.E.).

On the top right side of the papyrus ๐“…“๐“‘๐“๐“›, Sobek ๐“‹ด๐“ƒ€๐“Žก๐“†‹ and Neith ๐“ˆ–๐“๐“‹Œ๐“€ญ are pictured. The names ๐“‚‹๐“ˆ–๐“ฆ of Sobek ๐“‹ด๐“ƒ€๐“Žก and Neith ๐“ˆ–๐“ญ๐“ appear above their heads ๐“ถ๐“ฆ, and act almost like captions which I always think is such a cool feature of Egyptian art! The names ๐“‚‹๐“ˆ–๐“ฆ do not include the determinative symbols, just the phonograms! Even without the captions, Sobek ๐“‹ด๐“ƒ€๐“Žก๐“†‹ and Neith are easy deities to recognize because Sobek ๐“‹ด๐“ƒ€๐“Žก๐“†‹ is usually represented as a manโ€™s ๐“Šƒ๐“€€๐“ค body with a crocodile ๐“…“๐“‹ด๐“Ž›๐“†Œ head, while Neith ๐“ˆ–๐“๐“‹Œ๐“€ญ is a slender woman ๐“Šƒ๐“๐“‚‘๐“๐“ wearing the Red Crown of Lower Egypt ๐“‚ง๐“ˆ™๐“‚‹๐“๐“‹”.

The other people (drum and tambourine players) are dedicating the foundation of the building that is to be built to Neith ๐“ˆ–๐“๐“‹Œ๐“€ญ and Sobek ๐“‹ด๐“ƒ€๐“Žก๐“†‹. There are also workers who are breaking ground, using various tools (on the bottom left you can see them using a hoe, which is also a popular hieroglyph ๐“Œบ).

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Egyptian Artifacts

The Sarcophagus of Nectanbo I

Here I am with the sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ of Nectanbo I ๐“‡ณ๐“†ฃ๐“‚“, a pharaoh ๐“‰๐“‰ป who ruled ๐“‹พ during the 30th Dynasty (c. 379-361 B.C.E.)! In a previous entry I posted, we learned how to read the titularly from this sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ! So letโ€™s take a bigger look at it!

Nectanbo I ๐“‡ณ๐“†ฃ๐“‚“ was actually the founder of the 30th Dynasty, which is the last native dynasty of Egypt ๐“†Ž๐“…“๐“๐“Š–! The inscriptions ๐“Ÿ๐“›๐“ฅ on this sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ are beautifully ๐“„ค carved!

In the second picture ๐“๐“…ฑ๐“, you can see Nectanbo I ๐“‡ณ๐“†ฃ๐“‚“ in a kneeling position making an offering ๐“Šต๐“๐“Šช๐“๐“”๐“ฆ of what seems to be bread ๐“‘. I am making the assumption that it is bread ๐“‘ because the carving in the image ๐“๐“…ฑ๐“ is the same as the hieroglyph ๐“Šน๐“Œƒ: ๐“‘! You can also see a Uraeus ๐“‡‹๐“‚๐“‚‹๐“๐“†— on his head ๐“ถ๐“ค!

Nectanbo I ๐“‡ณ๐“†ฃ๐“‚“ was actually a military general ๐“€Ž๐“ฆ and came to power by overthrowing the previous pharaoh, Nepherites II (who ruled ๐“‹พ for only four ๐“ฝ months and has no known cartouches). It is thought that Nectanbo I ๐“‡ณ๐“†ฃ๐“‚“ killed Nepherites!

Here are Nectanboโ€™s cartouches that appear on the sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ:

๐“‡ณ๐“†ฃ๐“‚“ – Kheperkare (throne name)
๐“ˆ–๐“†ฑ๐“๐“๐“‚ก๐“ƒญ๐“†‘ – Nakht Nebef (birth name)

The sarcophagus ๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ is at the British Museum!

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Egyptian Artifacts

Scribe Statuette

How cute is this little ๐“ˆ–๐“†“๐“‹ด๐“…ฉ scribe ๐“Ÿ๐“€€ statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ?! I think he is just adorable!!! Though small ๐“ˆ–๐“†“๐“‹ด๐“…ฉ, the statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ is wonderfully detailed. The eyes ๐“น๐“๐“ฆ, nose ๐“†‘๐“ˆ–๐“‚ง๐“‚‰, wig, and hands ๐“‚ง๐“๐“ฆ can all be clearly seen with great detail.

The base of the statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ is interesting too! You can see part of the Offering Formula, except itโ€™s written a little โ€œstrangely.โ€ Letโ€™s take a look!

Here is the inscription ๐“Ÿ๐“›๐“ฅ on the base of the statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ:

๐“Šต๐“๐“™๐“‡“๐“‡“๐“™๐“Šต

The inscription ๐“Ÿ๐“›๐“ฅ on the statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ can be read โ€œsplitโ€ down the middle:

๐“Šต๐“๐“™๐“‡“ || ๐“‡“๐“™๐“Šต

As you can see in the statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ itself, the direction of the hieroglyphs ๐“Šน๐“Œƒ๐“ช change which indicates that you start reading in a different direction! When written out โ€œproperly,โ€ the Offering Formula looks like this: ๐“‡“๐“๐“Šต๐“™.

So obviously the symbols are mixed up, and even the ๐“ is missing from the inscription ๐“Ÿ๐“›๐“ฅ at the right. This was done probably because of spacing issues – this statue ๐“„š๐“ˆ–๐“๐“ญ๐“€พ is tiny ๐“ˆ–๐“†“๐“‹ด๐“…ฉ when you see it in person!

Scribes ๐“Ÿ๐“€€๐“ช were very highly regarded in ancient Egyptian society. Due to the complexity of hieroglyphs ๐“Šน๐“Œƒ๐“ช/hieratic, those who were able to master it were extremely valued. Scribes ๐“Ÿ๐“€€๐“ช recorded magic spells, wills and other legal contracts, medical procedures, and tax records. Most importantly for us, scribes ๐“Ÿ๐“€€๐“ช also helped to preserve Egyptian culture throughout time. They were considered part of the royal court and did not have to serve in the military because their job as a scribe ๐“Ÿ๐“€€ was so essential.

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Egyptian Artifacts

Viscera Coffin

This is a โ€œviscera coffinโ€ dated to the 18th Dynasty (c. 1400 B.C.E.). A โ€œviscera coffinโ€ (sometimes called a coffinette) is very similar to a canopic jar because it stored the mummified organ of the deceased, however it looks like a coffin ๐“…ฑ๐“‡‹๐“€พ instead of a jar! These were popular during the 18th Dynasty. Most famously, Tutankhamunโ€™s ๐“‡‹๐“ ๐“ˆ–๐“๐“…ฑ๐“๐“‹น๐“‹พ๐“‰บ๐“‡“ organs ๐“‡‹๐“‚ง๐“‚‹๐“„น๐“ฆ were found in tiny ๐“ˆ–๐“†“๐“‹ด๐“…ฉ viscera coffins that were almost exact replicas of the larger coffin ๐“…ฑ๐“‡‹๐“€พ that he was found to be buried in!

This viscera coffin is made of wood ๐“†ฑ๐“๐“บ and overlaid with gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ leaf, which was a very popular way to make it look like a piece was made of solid gold ๐“‹ž๐“ƒ‰๐“ƒ‰๐“ƒ‰ when it wasnโ€™t! There are also lots of beautiful ๐“„ค inlaid stones ๐“‡‹๐“ˆ–๐“‚‹๐“Šช๐“ฆ of many different colors. The stones ๐“‡‹๐“ˆ–๐“‚‹๐“Šช๐“ฆ make up the Nemes head cloth ๐“ˆ–๐“…“๐“‹ด and the broad collar ๐“…ฑ๐“‹ด๐“๐“Žบ๐“‹ that Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ is wearing! While it is it in the most pristine condition, I like how the wear and tear gives us a look into the different materials that make up the piece!

Obviously, I love this piece because this viscera coffin shows Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ! As everyone knows, Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ is my absolute favorite Egyptian god ๐“Šน so I always get so excited when I see a unique piece that depicts him! Anubis ๐“‡‹๐“ˆ–๐“Šช๐“…ฑ๐“ƒฃ is the god ๐“Šน of mummification, burial rites and tombs ๐“‡‹๐“ซ๐“Šƒ๐“‰๐“ฅ/cemeteries, so it makes sense to have him on a visceral coffin!

There are two ๐“ป words for โ€œcoffinโ€ and another for โ€œsarcophagusโ€ in Middle Egyptian:
๐“…ฑ๐“‡‹๐“€พ – Mummiform coffin
๐“‹ด๐“…ฑ๐“Ž›๐“๐“†ฑ – Coffin
๐“ŽŸ๐“‹น๐“ˆ–๐“๐“Šญ – Sarcophagus