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Egyptian Artifacts

The Book of the Dead of Hunefer

Β The Book of the Dead of Hunefer is one of my absolute favorite artifacts, and seeing it in the British Museum was a dream come true for me!

On the top panel, Hunefer (the deceased) stands before the 42 divine judges and pleads their lifetime of truth and moral doings. The Book of the Dead provided the deceased with the words to say so they would pass this trial!

On the bottom panel: This is the Weighing of the Heart ceremony! Let’s start from the left! Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 is leading Hunefer (the deceased) to the scales (not gonna lie, I’m a little jealous they are holding hands πŸ˜‚). Here, Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓁒 weighs the heart 𓇋𓃀𓄣 of the deceased 𓅓𓏏𓏱 against Maat’s π“Œ΄π“™π“‚£π“π“¦ feather (Maat is sitting on top of the scales). If Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 determines there’s balance between the two 𓏻, that means that the deceased lived a truthful π“™π“Œ΄π“‚£π“π“†„ and just π“™π“Œ΄π“‚£π“π“†„π“œ life π“‹Ή.

Ammit 𓂝𓅓𓅓𓏏 (the Devourer of the Dead/Eater of Hearts) is there waiting to see if the deceased 𓅓𓏏𓏱 didn’t live a truthful π“™π“Œ΄π“‚£π“π“†„ life! If the deceased’s 𓅓𓏏𓏱 heart 𓇋𓃀𓄣 weighs more than the feather, Ammit 𓂝𓅓𓅓𓏏 would eat the heart 𓇋𓃀𓄣 and the deceased would β€œdie a second time” and not live in eternal paradise. Thoth π“…€π“€­ records the findings of the ceremony.

If the deceased 𓅓𓏏𓏱 passed the Weigning of the Heart, they would be presented to Osiris π“Ήπ“Š¨ π“€­ by Horus π“…ƒπ“€­ and would then enter the Field of Reeds π“‡π“π“ˆ…π“‡‹π“„Ώπ“‚‹π“…±π“†°π“Š– and live in eternal paradise!

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Egyptian Artifacts

“Royal and Divine Triad”

Triads (groups of three 𓏼) were popular among ancient Egyptian statuary and mythology. This piece from the Louvre is called the β€œRoyal and Divine Triad” (Dynasty 19, New Kingdom c. 1279-1203 B.C.E.) because it represents three 𓏼 of the most powerful figures in the Egyptian pantheon. Rameses II π“‡‹π“ π“ˆ–π“ˆ˜π“‡³π“Ίπ“„Ÿπ“‹΄π“‡“ or his son π“…­ Merenptah π“‡³π“ƒ’π“ˆ–π“ˆ˜π“ŠΉπ“ŠΉπ“ŠΉ is on the left, Osiris π“Ήπ“Š¨π“€­ is in the middle, while Horus π“…ƒπ“€­ is on the right. The pharaoh 𓉐𓉻 was viewed as a god π“ŠΉ on Earth, Horus π“…ƒπ“€­ was the king of the gods π“ŠΉπ“ŠΉπ“ŠΉ, and Osiris π“Ήπ“Š¨π“€­ was lord π“ŽŸ of the afterlife.

I find this piece super interesting because the pharaoh 𓉐𓉻 kind of inserted himself amongst the most famous of the Egyptian triads – Isis π“Š¨π“π“₯, Osiris π“Ήπ“Š¨π“€­ and Horus π“…ƒπ“€­ – who were supposed to represent the divine family (mother 𓅐𓏏𓁐, father 𓇋𓏏𓀀, and child π“π“‡Œπ“€•). In some instances (like with this statue), the pharaoh 𓉐𓉻 would function as the child in the statue.

Not all triads represented families, though that was the most common. Ptah π“Šͺπ“π“Ž›π“±, Sekhmet π“Œ‚π“π“…“π“π“, and Nefertem 𓄀𓆑𓂋𓏏𓍃𓀯 was a family triad that was extremely popular in Memphis. During the New Kingdom (around the time of Tutankhamun π“‡‹π“ π“ˆ–π“π“…±π“π“‹Ήπ“‹Ύπ“‰Ίπ“‡“), the triad of Amun π“‡‹π“ π“ˆ–, Ra 𓇳𓏺𓁛, and Ptah π“Šͺπ“π“Ž›π“± became very popular due to the powerful nature of these three 𓏼 deities

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Reading Hieroglyphs

Raised Relief of Horus

This raised relief in limestone is dated to the 12th Dynasty (Middle Kingdom c. 1981–1952 B.C.E.) and the reign of the pharaoh Amenemhat Iπ“‡‹π“ π“ˆ–π“…“π“„‚. Amenemhat I π“‡‹π“ π“ˆ–π“…“π“„‚ is famous for moving the capital of Egypt π“†Žπ“…“π“π“Š– from Thebes π“Œ€π“π“Š– to just south of Memphis π“ π“ˆ–π“„€π“†‘π“‚‹π“‰΄π“Š–. He also began a co-regency with his son π“…­, Senwosret I π“„Šπ“‹΄π“‚‹π“π“Šƒπ“ˆ– ten π“Ž† years before his death in order to maintain stability. This block was found at the foundation of Amenemhat I’s π“‡‹π“ π“ˆ–π“…“π“„‚ mortuary temple.

From the right, the upper part of a was scepter π“Œ€ can be seen supporting the sky π“Šͺ𓏏𓇯. On the was scepter, a Uraeus 𓇋𓂝𓂋𓏏𓆗 is seen with the shen 𓍢 symbol of the universe around its neck. The falcon π“ƒ€π“‡‹π“Ž‘π“…„ that is seen is actually the top part of the Horus name cartouche (which is usually rectangular shaped and is meant to represent a palace). The god π“ŠΉ Horus π“…ƒπ“€­ is seen presenting an ankh π“‹Ή to the falcon π“ƒ€π“‡‹π“Ž‘π“…„. Due to the ram π“Šƒπ“‚‹π“ƒ horn 𓄋𓏏𓏺 that can be partially seen on the left, it can be inferred that it is the god π“ŠΉ Khnum π“ŽΈπ“π“€­ that is being depicted.

Let’s read some hieroglyphs π“ŠΉπ“Œƒπ“ͺ!

On top of Horus π“…ƒπ“€­ reads: π“„‘π“‚§π“π“Š–π“‚π“†‘π“‹Ή which translates to:

π“„‘π“‚§π“π“Š–- Edfu

𓂝𓆑𓋹 – May He Give Life (One of Horus’ π“…ƒπ“€­ titles is β€œHorus of Edfu.”)

In between Horus and Khnum the inscription is broken but reads: π“ƒπ“ˆ–π“π“‰π“³ π“†“π“Œƒπ“‡‹π“ˆ–π“‹΄π“ˆ–π“ƒ” which translates to: β€œHe who is before the house of protection, Words Spoken By…”

π“ƒπ“ˆ–π“ -Before/In front of

𓉐𓍳 – House of Protection

π“†“π“Œƒπ“‡‹π“ˆ– – Words Spoken By

π“‹΄π“ˆ–π“ƒ” – ?

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Egyptian Artifacts

Relief of the God Horus

Here is a sunken relief of the god π“ŠΉ Horus π“…ƒπ“€­ in white π“Œ‰π“†“π“‡³ limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ at the Louvre! This is a simple but beautiful π“„€ piece!

Geology Lesson!!! Limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ was incredibly abundant in Egypt π“†Žπ“…“π“π“Š– because about 500 million years ago (for perspective, the dinosaurs first started evolving around 250 million years ago), Egypt π“†Žπ“…“π“π“Š– was completely underwater! Limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ (and other sedimentary rocks π“‡‹π“ˆ–π“‚‹π“ˆ™π“¦) mostly form under large bodies of water like oceans and seas! If Egypt π“†Žπ“…“π“π“Š– didn’t have the abundance of limestone π“‡‹π“ˆ–π“ˆ™π“Œ‰ that it does, the Egyptian civilization would have been very different! The geology gave the Egyptians π“†Žπ“π“€€π“π“ͺ the natural resources they needed to build the world’s most successful ancient civilization!

Egupt’s geologic history is also cool because the Egyptian creation myth says that everything started off as water π“ˆ— and the primordial mound rose out of the primordial sea! The creation myth corresponds with Egypt’s π“†Žπ“…“π“π“Š– geologic past!

Horus π“…ƒπ“€­ was one of the most important gods π“ŠΉπ“ŠΉπ“ŠΉ in the Egyptian pantheon. Horus π“…ƒπ“€­ was the mythological representation of the pharaoh 𓉐𓉻/heir to the throne of Egypt π“†Žπ“…“π“π“Š–. He is usually represented as a human body with a falcon head. On his head, Horus is always seen wearing the double crown π“‹–, which is the combination of the white crown π“‹‘ (π“„€π“‹‘) of Upper Egypt 𓇓 and the red crown π“‹” (π“‚§π“ˆ™π“‚‹π“π“‹”) of Lower Egypt 𓆀. The double crown π“‹– was representative of a unified Egypt π“†Žπ“…“π“π“Š– under the pharaoh’s 𓉐𓉻 rule π“‹Ύ.

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Egyptian Artifacts

Bronze Statues of Osiris, Isis and Horus

The Bronze Age started due to the rise in the Sumerian civilization in Mesopotamia. Due to war and trade, bronze π“ˆ”π“€π“ˆ’π“¦ was able to come to Egypt π“†Žπ“…“π“π“Š– around 700 B.C.E. and replace the traditional stone π“‡‹π“ˆ–π“‚‹π“Šͺ and clay statues π“„šπ“ˆ–π“π“­π“€Ύ. The bronze π“ˆ”π“€π“ˆ’π“¦ pieces are great antiquities because they can preserve small details over long periods of time. Bronze π“ˆ”π“€π“ˆ’π“¦ statuary π“„šπ“ˆ–π“π“­π“€Ύ became very popular starting around the Third Intermediate Period (26th Dynasty), and became very abundant in the Ptolemaic Period, which resulted in mass production and a loss of craftsmanship and quality.

The image 𓏏𓅱𓏏 of Isis π“Š¨π“π“₯ feeding Horus π“…ƒπ“€­ as a baby is one of the most popular images 𓏏𓅱𓏏𓏦 of the Late Period through the Ptolemaic Period. Symbolically, Isis π“Š¨π“π“₯ was thought to be the mother 𓅐𓏏𓁐 of the pharaoh 𓉐𓉻, and was often associated with motherhood, the protection of women π“Šƒπ“π“‚‘π“π“, and a user of magic. As Isis π“Š¨π“π“₯ became a more popular religious figure, she was associated with cosmological order and was considered to be the embodiment of fate by the Romans. This image 𓏏𓅱𓏏 of a mother 𓅐𓏏𓁐 holding a child π“π“‡Œπ“€• is thought to have inspired the well known Catholic images of the Virgin Mary holding Jesus as a baby.

Osiris π“Ήπ“Š¨π“€­ was one of the main figures of Egyptian religion. This is because Osiris π“Ήπ“Š¨π“€­ was the god π“ŠΉ of the dead 𓅓𓏏𓏱 and the ruler of the afterlife 𓇼𓄿𓏏𓉐, and Egyptians spent their entire time living preparing for their death 𓅓𓏏𓏱 and meeting with Osiris π“Ήπ“Š¨π“€­. When the pharaoh 𓉐𓉻 was alive, he was thought to be the living image 𓏏𓅱𓏏𓋹 of the God π“ŠΉ Horus π“…ƒπ“€­, but more importantly when the pharaoh 𓉐𓉻 died, he was thought to then become an Osiris-like figure.

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Egyptian Artifacts

Horus as a Sphinx

This is a really interesting piece from the British Museum!

It is a sandstone π“‚‹π“…±π“‚§π“π“Œ—π“ˆ™ statue π“„šπ“ˆ–π“π“­π“€Ύ of a falcon π“ƒ€π“‡‹π“Ž‘π“…„ headed sphinx π“Ž›π“…±π“ƒ­π“€! Usually sphinxes π“Ž›π“…±π“ƒ­π“¦ are depicted as being the body of a lion π“Œ³π“Ήπ“„Ώπ“„› with the head 𓁢𓏺 of a man π“Šƒπ“€€π“€, but obviously this one is quite different!

This particular statue π“„šπ“ˆ–π“π“­π“€Ύ is dated to c. 1250 B.C.E.; the reign of Rameses II π“©π“›π“ˆ˜π“„Ÿπ“‹΄π“‡“. This sphinx π“Ž›π“…±π“ƒ­π“€ and many other similar ones used to stand guard at Rameses II’s π“©π“›π“ˆ˜π“„Ÿπ“‹΄π“‡“ temple π“‰Ÿπ“π“‰ at Abu Simbel.

Sphinxes π“Ž›π“…±π“ƒ­π“¦ are incredibly powerful creatures because not only do they represent the physical strength 𓄇𓏏𓂝𓏭 of a lion π“Œ³π“Ήπ“„Ώπ“„›, but also the power of a pharaoh 𓉐𓉻. While the pharaoh’s 𓉐𓉻 head 𓁢𓏺 isn’t represented on this sphinx π“Ž›π“…±π“ƒ­π“€, a falcon is. Falcons π“ƒ€π“‡‹π“Ž‘π“…„π“¦ are associated with the god π“ŠΉ Horus π“…ƒπ“€­, who is the personification of the pharaoh’s 𓉐𓉻 power. Since one of Horus’ π“…ƒπ“€­ roles is as the god π“ŠΉ of pharaonic power, it makes sense that sphinxes π“Ž›π“…±π“ƒ­π“¦ can also represent pharaohs 𓉐𓉻𓏦 while using a falcon π“ƒ€π“‡‹π“Ž‘π“…„ head 𓁢𓏺.

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Egyptian Artifacts

The Triad Amulet

I love amulets π“Šπ“Šͺπ“…†π“ͺ because I love tiny π“ˆ–π“†“π“‹΄π“…© things!!!

Many gods π“ŠΉπ“ŠΉπ“ŠΉ in the Egyptian pantheon appeared in groups of threes 𓏼, which were known as Triads. They were groups of gods π“ŠΉπ“ŠΉπ“ŠΉ that usually had some type of familial 𓅕𓉔𓅱𓏏𓀀𓁐𓏦 relationship/significance to each other. One of the Memphis π“ π“ˆ–π“„€π“†‘π“‚‹π“‰΄π“Š– triads during the Late Period was Ptah π“Šͺπ“π“Ž›π“±, Sekhmet π“Œ‚π“π“…“π“π“, and Nefertem 𓄀𓆑𓂋𓏏𓍃𓀯. Nefertem 𓄀𓆑𓂋𓏏𓍃𓀯 is the son of Ptah π“Šͺπ“π“Ž›π“± and Sekhmet π“Œ‚π“π“…“π“π“. The amulet π“Šπ“Šͺπ“…† on the left is a representation of this Triad!

The Ossirian Triad (the three 𓏼 amulets π“Šπ“Šͺπ“…†π“ͺ to the right) is a representation of Nephthys 𓉠𓏏𓆇 (β€œMistress of the House” and associated with vultures), Horus π“…ƒπ“€­ (god π“ŠΉ of the sky π“Šͺ𓏏𓇯 and the protector of the ruler π“‹Ύ of Egypt π“†Žπ“…“π“π“Š–), and Isis π“Š¨π“π“₯ (goddess π“ŠΉπ“ of healing and magic π“Ž›π“‚“π“„Ώπ“œ).

Isis π“Š¨π“π“₯ is the mother 𓅐𓏏𓁐 of Horus π“…ƒπ“€­, the sister π“Œ’π“ˆ–π“ of Nephthys 𓉠𓏏𓆇, and the wife π“ˆŸπ“ of Osiris π“Ήπ“Š¨π“€­. The amulet π“Šπ“Šͺπ“…† is representative of Isis π“Š¨π“π“₯ and Nephthys 𓉠𓏏𓆇 protecting Horus π“…ƒπ“€­ and that protective power extends to the wearer.

This type amulet π“Šπ“Šͺπ“…† became very popular during the 26th Dynasty, and was usually used by mummies 𓇋𓁹𓅱𓀾π“ͺ for protection π“…“π“‚π“Ž‘π“€œ on their journey into the afterlife 𓇼𓄿𓏏𓉐. The amulet π“Šπ“Šͺπ“…† was either placed on the chest, stomach 𓂋𓄣𓏻, or the thighs of the mummy 𓇋𓁹𓅱𓀾.

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Egyptian Artifacts

Bronze Statue of the God Horus

Bronze Statues of Horus at The MET

These are bronze π“ˆ”π“€π“ˆ’π“¦ statues π“„šπ“ˆ–π“π“­π“€Ύπ“ͺ of Horus π“…ƒπ“€­, most likely dated to the Late-Ptolemaic Periods.

Horus π“…ƒπ“€­ was one of the earliest Egyptian gods π“ŠΉπ“ŠΉπ“ŠΉ. He was worshipped 𓇼𓄿𓀒 from the beginning of the dynastic period. The Turin Canon (provides information about Egypt’s π“†Žπ“…“π“π“Š– earliest rulers π“‹Ύπ“‹Ύπ“‹Ύ) refers to the pharaohs 𓉐𓉻π“₯ as the β€œFollowers of Horus.”

Horus π“…ƒπ“€­ had many roles as a god π“ŠΉ, and these roles evolved and changed throughout Egyptian history. He was originally the Sky π“Šͺ𓏏𓇯 God π“ŠΉ and was referred to as the β€œLord of the Sky.” Horus π“…ƒπ“€­ then evolved to become associated with the sun 𓇳𓏺, and was referred to as the β€œGod of the East.” He was also combined with Ra 𓇳𓏺𓁛, and this is how the deity π“ŠΉ Ra-Horakhty π“…Šπ“”π“”π“€ came to evolve.

Horus π“…ƒπ“€­ was also worshipped as the son π“…­ of Isis π“Š¨π“π“₯ and Osiris π“Ήπ“Š¨π“€­. The triad/family 𓅕𓉔𓅱𓏏𓀀𓁐𓏦 unit was extremely important to ancient Egyptian religion/culture. Most notably, Horus π“…ƒπ“€­ is usually associated with being the god π“ŠΉ of kingship. As the son π“…­ of Osiris π“Ήπ“Š¨π“€­, Horus π“…ƒπ“€­ was the mythological heir to the throne of Egypt π“†Žπ“…“π“π“Š–.

Horus π“…ƒπ“€­ is usually seen as a human with a falcon π“ƒ€π“‡‹π“Ž‘π“…„ head. On his head 𓁢𓏺 is usually the double crown π“‹– of Upper 𓇓 and Lower 𓆀 Egypt π“†Žπ“…“π“π“Š–. This is how you can differentiate between Horus π“…ƒπ“€­ and other falcon π“ƒ€π“‡‹π“Ž‘π“…„ deities π“ŠΉπ“ŠΉπ“ŠΉ!

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Egyptian Artifacts

The Sarcophagus of Artemidora

Details of the Winged Scarab on the Sarcophagus of Artemidora at The MET

This picture 𓏏𓅱𓏏 shows the details on a sarcophagus π“ŽŸπ“‹Ήπ“ˆ–π“π“Š­ that belonged to a woman π“Šƒπ“π“‚‘π“π“ named π“‚‹π“ˆ– Artemidora who lived in Egypt π“†Žπ“…“π“π“Š– during the Roman Period (A.D 90-100). The gold π“‹žπ“ƒ‰π“ƒ‰π“ƒ‰, glass, stone π“‡‹π“ˆ–π“‚‹π“Šͺ, and painted 𓇨𓂋𓅱𓏭𓏸𓏦 details on this sarcophagus π“ŽŸπ“‹Ήπ“ˆ–π“π“Š­ are stunning π“„€!

One of my favorite pieces of imagery from Egyptian art is the Winged Scarab 𓐍π“Šͺ𓂋𓂋𓆣! The wings π“‚§π“Œ³π“π“†ƒπ“¦ allowed the scarab 𓐍π“Šͺ𓂋𓂋𓆣 to join the rising and setting of the sun 𓇳𓏺 each day – which to the ancient Egyptians π“†Žπ“π“€€π“π“ͺ represented the cycle of birth, death, and rebirth. The cycle was central to the ancient Egyptian π“†Žπ“π“€€π“ religion! As a god π“ŠΉ who was constantly reborn, Khepri 𓆣𓂋𓇋𓁛 was associated with resurrection! On this sarcophagus, we can see the sun 𓇳𓏺 represented above the scarab 𓐍π“Šͺ𓂋𓂋𓆣; this was because Khepri 𓆣𓂋𓇋𓁛 used to carry the sun 𓇳𓏺 across the sky π“Šͺ𓏏𓇯!

Below the winged π“‚§π“Œ³π“π“†ƒ scarab 𓐍π“Šͺ𓂋𓂋𓆣, we can see the shen 𓍢 symbol! The shen 𓍢 symbol is a circle of rope that is tied at the end. The tied rope symbolizes completeness, infinity/eternity π“Ž›π“‡³π“Ž›, and is also a symbol of protection π“…“π“‚π“Ž‘π“€œ. The shen 𓍢 was first seen during the Old Kingdom, and was a very popular symbol throughout Egyptian history; Nekhbet π“‡‘π“ƒ€π“π“…π“ŽŸ and Isis π“Š¨π“π“₯ are frequently seen holding them!

Cool Fact: the wings π“‚§π“Œ³π“π“†ƒπ“¦ on the scarab 𓐍π“Šͺ𓂋𓂋𓆣 are not those of a beetle, but are actually the wings π“‚§π“Œ³π“π“†ƒπ“¦ of a bird! Also, I just love the painted 𓇨𓂋𓅱𓏭𓏸𓏦 details on these wings π“‚§π“Œ³π“π“†ƒπ“¦; it’s stunning π“„€!

(from Left) Nephthys, Anubis, Horus, and Isis on the Sarcophagus of Artemidora at The MET

I really like this scene because you can see Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 and Horus π“…ƒπ“€­ standing with the mummy 𓇋𓁹𓅱𓀾 of the deceased who is laying on a bed with a lion design. Anubis’ π“‡‹π“ˆ–π“Šͺ𓅱𓃣 arms are raised, and Horus π“…ƒπ“€­ is holding the traditional crook π“‹Ύ and flail π“Œ…. Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 is my favorite Egyptian god π“ŠΉ, and Horus π“…ƒπ“€­ is my sister’s π“Œ’π“ˆ–π“ favorite! I always like seeing Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 and Horus π“…ƒπ“€­ together π“ˆ–π“Š— for that reason – it reminds me of me and my sister π“Œ’π“ˆ–π“!

To the left of Anubis π“‡‹π“ˆ–π“Šͺ𓅱𓃣 is the goddess π“ŠΉπ“ Nephthys 𓉠𓏏𓆇 and to the right of Horus π“…ƒπ“€­ is the goddess π“ŠΉπ“ Isis π“Š¨π“π“₯. Isis π“Š¨π“π“₯ and Nephthys 𓉠𓏏𓆇 are the actual sisters π“Œ’π“ˆ–π“π“¦ in Egyptian mythology and in funerary scenes are usually depicted together!

You can tell which goddess π“ŠΉπ“ is which based off of the crowns on their head 𓁢𓏺! The crown on Nephthys’ head is 𓉠 which is the hieroglyph π“ŠΉπ“Œƒ that’s part of her name π“‚‹π“ˆ–, and the crown on Isis’ head is π“Š¨ which also corresponds with her name π“‚‹π“ˆ–! If you also look at the text that is next to each of them, their names are also written – it’s almost like a caption!

See if you can spot Isis π“Š¨π“π“₯ and Nephthys 𓉠𓏏𓆇 in the hieroglyphs π“ŠΉπ“Œƒπ“ͺ!